Thesis (MPhil (Ancient Studies)--University of Stellenbosch, 2006. / The time between the Middle and New Kingdoms in Ancient Egypt is known as the Second Intermediate Period. It was the time during which Egypt, for the first time in its history, lost autonomy and the inhabitants of Egypt became the vassals of the Hyksos, a name transcribed by Manetho, a historian of the third century BCE as 'shepherd kings', but which actually designated 'princes of foreign lands'. The term 'Hyksos' at first referred to the rulers only, but later became the accepted word to indicate the rulers, the people themselves and everything pertaining to them. The Hyksos were not a homogenous race, but were a conglomerate of peoples from the Near East. For centuries people from the east had been filtering into Egypt. Transhumants and nomads came in search of pasture for their animals and elected to stay. Others were employed by the Egyptian administration as ship-builders and mining engineers or as workers in the copper and turquoise mines in the Sinai. These workers were all settled in the Delta, the hub of mining and shipbuilding activities. Others were slaves who were dispersed all over Egypt as workers in households and on farms. Despite Egypt's best efforts to keep out Asiatics who wanted to enter the country of their own volition, their fortresses on the border between Egypt and Sinai proved ineffective, especially when the Egyptian administration faltered and collapsed during the Seventeenth Dynasty. It is still a point debated by historians whether a strong military force from the East overran Egypt in c.1658 BCE or whether the transition from Egyptian rule to Hyksos rule was a gradual and comparatively peaceful process. There is evidence that the Hyksos were supported by many Egyptians who collaborated with the Hyksos and who even served in the Hyksos administration which lasted from c. 1658 – 1550 BCE. However, the vassal princes in Upper Egypt saw the Hyksos as usurpers and amassed forces to expel the enemy. This they achieved in c. 1550 BCE, after which it was possible to once again unite Upper and Lower Egypt. This thesis probes the rule of the Hyksos and the influence they might have had on Egyptian culture. Part One (chapters 2-7) deals with the Hyksos per se: their origin, their rise to power, their rule, and how they were expelled. Part Two (chapters 8-12) investigates the Hyksos culture and has a close look at their architecture, arts and crafts, burial practices, warfare and weapons, and religion. Part Three (chapter 13) examines the influence the Hyksos might have had on Egyptian culture, with special attention to architecture, burial practices, arts and crafts, warfare and weapons, and religion. Chapter 14 rounds off the thesis and comes to the conclusion that the Hyksos made very little impact on the Egyptian culture in general, but contributed greatly to Egypt's development in warfare and weapons, and also for a period exerted some influence on religious practices, especially in the Delta. Finally, the Hyksos contributed to Egypt's altered world vision by forcing them to shed their complacency, which in turn opened the way to expansionism in countries in the Near East.

This thesis proposes that Egyptian tomb painting served as a housing for the Ka. The research examined the relationship between the tomb paintings and the Ka within the contemporary religious literature finding that they served this purpose. The first relationship incorporates the "Opening of the Mouth" ceremony which returns life to the deceased in both the texts and illustrations. The ambiguous nature of the texts refers the returning of life to the deceased. This includes all the parts of the soul (Ka, Ba, and Akh) and all physical and artistic representations. These paintings also support the Ka with depictions of food offerings. A secondary question addresses the identification of the deceased appearing in the paintings. Many variables apply in identification of the deceased. They include hieratic scale, canonical pose, hieroglyphics, accoutrements, and the orientation of the supporting figures. / Department of Anthropology

This dissertation will critically analyse a gilded bronze Osiris statuette from the Middle Kingdom Period. An attempt is made to verify its authenticity, provenance and probable date of origin, while also gathering information which will help in placing the artefact and others like it in their proper cultural context. Furthermore the value of several investigative techniques employed during the course of this research is also explored. / Old Testament and Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies)

Thesis (MPhil)--Stellenbosch University, 2003. / ENGLISH ABSTRACT: The concept of Ma'at is crucial to Ancient Egyptian culture. In Ancient Egypt, Ma'at has two closely related manifestations: the cultural principle and the goddess. Ma'at as general cultural principle relates to the perfect order that was present at the moment when the cosmos came into being. This order eliminated chaos and created perfect balance in every aspect of the cosmos: nature, mankind, the gods, life and death. According to Ancient Egyptian literature, people ordered their lives in terms of the principle to do Ma 'at. This principle amounted to living honestly and justly. In this way, order was maintained and chaos prevented. In religion, which should be considered a subdomain of culture, Ma'at functions as an Ancient Egyptian goddess. As a goddess, Ma'at was considered a being in her own right, with a characteristic appearance, a history, and a cult which was performed by the pharaoh and the priests. Though the conception ofMa'at developed considerably in the long history of Ancient Egypt, the idea was present at the beginning of Egyptian civilization, as is attested by a great variety of inscriptions. The concept played a significant role in this culture from beginning to end. Ma'at was of particular importance to Ancient Egyptian royalty. Royal office included the realization of Ma'at and the consequent destruction ofIsfet. This function was performed by the pharaoh as chief of all cults - by daily sacrifice for Ma'at --, as well as in his role as ruler - by ensuring that public office was performed according to the principle ofMa'at. The Ancient Egyptians maintained that Ma'at functioned not only in life but also in death. In the alternative reality that Ancient Egypt made of death, order obtained, just as in life. Hence Ma' at was present also in death. The essence of Ancient Egypt is not its structures, such as the pyramids, which never cease to fascinate. This essence has to be sought in the way Ma'at gave unity to this remarkable culture. / AFRIKAANSE OPSOMMING: Die begrip Ma'at is rigtinggewend vir die kultuur van Antieke Egipte. In hierdie kultuur het Ma'at twee verskyningsvorme wat ten nouste met mekaar saamhang: die kultuurbeginsel en die godin. Ma'at as algemene kultuurbeginsel het te doen met die volmaakte orde wat tot stand gekom het in die ontstaansoomblik van die kosmos. Hierdie orde hef chaos en wanorde op en skep volkome ewewig in elke aspek van die kosmos: die natuur, die mensdom, die godedom, die lewe en die dood. Die Antieke Egiptiese literatuur bring aan die lig dat mense hulle lewe ingerig het volgens die beginsel om Ma'at te doen. Waarop dit neergekom het om Ma'at te doen, was om eerlik en regverdig te handel. Op hierdie manier is die orde bewaar en die chaos verhoed. Op die terrein van die religie, wat as 'n besondere aspek van die kultuur in die breë beskou moet word, funksioneer Ma'at in Antieke Egipte as 'n godin. Hierdie godin was 'n veronderstelde wese in eie reg, met 'n kenmerkende voorkoms, 'n geskiedenis, en 'n kultus wat deur die farao en die priesters bedien is. Hoewel die siening van Ma'at in die loop van die lang geskiedenis van Antieke Egipte aansienlik ontwikkel het, was die idee van die begin van die Egiptiese beskawing aanwesig, soos 'n groot verskeidenheid inskripsies laat blyk. Die begrip het in hierdie kultuur van begin tot end 'n bepalende rol bly speel. Tussen Ma'at en die koningskap in Antieke Egipte was daar 'n besonder nou band. Ma'at was van wesenlike belang vir die uitvoering van die koninklike amp: dit was die opdrag van die farao om Ma'at te verwesenlik en daarmee Isfet te vernietig. Hierdie taak het die farao uitgevoer as hoof van alle kultusse -- deur die daaglikse offer wat hy in die belang van Ma'at gebring het --, maar ook in die staatsadministrasie -- deur toe te sien dat amptenare hulle werk doen volgens die beginsel van Ma'at. In Antieke Egipte is daarvan uitgegaan dat Ma'at nie net in die lewe nie, maar ook in die dood funksioneer. In die alternatiewe werklikheid wat Antieke Egiptenare van die dood maak, heers daar ook orde. Ma'at is dus ook daar teenwoordig. Die wese van Antieke Egipte is nie die strukture, soos die piramides, wat nou nog die belangstelling gaande maak nie. Dit moet veel eerder gesoek word in die wyse waarop Ma'at eenheid aan hierdie merkwaardige kultuur gegee het.

This dissertation will critically analyse a gilded bronze Osiris statuette from the Middle Kingdom Period. An attempt is made to verify its authenticity, provenance and probable date of origin, while also gathering information which will help in placing the artefact and others like it in their proper cultural context. Furthermore the value of several investigative techniques employed during the course of this research is also explored. / Old Testament and Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies)

Thesis (MA)--Stellenbosch University, 1999. / ENGLISH ABSTRACT: In this thesis an exploration is made into whether or not hieroglyphs reflect ideas of the ancient Egyptians themselves. By examining "living creature" hieroglyphs one may contemplate why the ancient Egyptian chose a particular manner of depiction. The manner of depiction can then be examined insofar as what ideas they may reflect. In this way study into other groups of signs such as those of the environment may be used to further illuminate the lives and our understanding of the ancient Egyptian(s). This thesis begins with an examination of both the problem inherent in such a task and an overview of some of the "processes" involved. By understanding that a reconstructed reality, that of the hieroglyph, reflects both real and perceived characteristics represented in glyphic form, one may seek out the mental impressions considered relevant to the people themselves. Next the role literacy played and still plays is discussed. This discussion includes a brief historical overview of both the history of decipherment and the "language" of the ancient Egyptians. The importance of "writing", artistic in nature in Egypt in regards to hieroglyphs, is then discussed as it relates to its use as symbol. Hieroglyphs are then discussed in their role as art, communication, and language emphasizing the multitudinous role(s) which they served. The importance is thus reiterated that hieroglyphs served as a communication of ideas to both the literate and the "illiterate" in at least a menial manner. After providing a "background" context of both the world and time of hieroglyphs and their subsequent "understanding" and interpretation, there is an analysis of the hieroglyphs for living creatures including the following Gardiner groupings: (1) mammals, (2) birds, (3) amphibians and reptiles, (4) fish, (5) invertebrates and lesser animals. The signs are examined in regards to their function and variations followed by some observations and comments related to the "structure" and perspective of the sign itself. Summary observations and comments are then made about each group. The thesis is then brought full circle by examining the implications of what hieroglyphs can tell us about the ancient Egyptians, via the perceptive and communicative role which they played. By understanding hieroglyphs as "fingerprints" of/from the mind of the people and subsequently their culture, this framework may provide a new mechanism into understanding the Egyptian via their own visualization and perceptive nature. A case is then proposed that this new "mechanism", if it is indeed considered feasible, can be applied to not only the physical world consisting of nature such as the environment, but also to groups which depict manmade objects. / AFRIKAANSE OPSOMMING: In hierdie tesis is die moontlikheid ondersoek dat hierogliewe iets van die ideewereld van die antieke Egiptenare reflekteer. In die bestudering van "lewende wese" hierogliewe kom vrae op soos waarom die antieke Egiptenare juis 'n spesifieke vorm van voorsteIIing verkies het. Die vorm van voorsteIIing kan dan bestudeer word vir die idees wat dit moontlik mag reflekteer. Ander groepe/velde van tekens, soos die van die breër omgewing, kan gebruik word om verdere lig te werp op die lewe van die antieke Egiptenaar(e) en ons verstaan daarvan. Die tesis begin met 'n bestudering van die inherente probleme in die aanpak van so 'n taak en 'n oorsig oor sommige van die "prosesse" daarby betrokke. By die verstaan van die hieroglief as 'n gekonstrueerde realiteit, wat weklike sowel as afgeleide eienskappe reflekteer, ontdek die ondersoeker daarvan iets van die persoonlike/kulturele indrukke wat deur hierdie groep mense as relevant ervaar is. In die volgende afdeling kom die rol van geletterdheid aan die beurt. Hierdie bespreking sluit 'n bondige historiese oorsig oor die geskiedenis van ontsyfering asook die taal van die Egiptenare in. Die belang van die "skryfkuns" en veral die kunsaard daarvan in die Egiptiese hierogliewe word vervolgens bespreek. Dit is veraI waar soos dit in verhouding staan met die gebruik daarvan as simbool. Die veelsydige rol(le) en belang van hierogliewe in die kuns, kommunikasie en taal word dan ondersoek en bespreek. Die klem word daarop gelê dat hierogliewe as die kommunikasie van idees aan beide die geletterde en "ongeletterde" dien. Nadat 'n agtergrondkonteks van die wereld en tyd van die hierogliewe en die daaruitvloeiende "verstaan" en interpretasie daarvan gegee is, word 'n analise van die "lewende wese" hierogliewe gedoen. Dit sluit die volgende groeperinge van Gardiner in: (1) soogdiere, (2) voels, (3) amfibiee en reptiele, (4) visse, (5) invertebrata en kleiner diere. Hierdie hierogliewe word ondersoek in terme van hulle funksie en variasies, gevolg deur waarnemings en opmerkings aangaande die "struktuur" en die perspektief van die teken. Opsommende observasies en enkele opmerkings oor elke groep volg daarna. Die tesis word afgerond met 'n ondersoek na die implikasies van wat ons kan wys word uit die hierogliewe aangaande die antieke Egiptenare, via die perspektiwiese en kommunikatiewe rol wat dit vervuI. Deur hierogliewe te verstaan as die "vingerafdrukke" van die begrip van hierdie mense kan hierdie raamwerk 'n nuwe meganisme in die verstaan van die Egiptenaar via die visualisasie en waarneembare aard daarvan, vorm. 'n Voorstel word gemaak dat hierdie nuwe "meganisme", indien dit uitvoerbaar is, toegepas kan word, nie net op die hierogliewe van die fisiese wereld bestaande uit die natuur en die omgewing nie, maar ook op hierogliewe wat mensgemaakte voorwerpe voorstel.

The legal rights of the women of ancient Egypt are discussed in this dissertation. All the different aspects of the legal system were examined in order to conclude whether the ancient Egyptian women indeed had legal rights. An inquiry was therefore conducted into the Egyptian Family Law, the Law of Succession, Property Law, Law of Contract and Criminal Law. The modern classification of the law was used, seeing that no evidence exists to provide us with the ancient Egyptians' classification method. / Ancient Languages and cultures / M.A.

The legal rights of the women of ancient Egypt are discussed in this dissertation. All the different aspects of the legal system were examined in order to conclude whether the ancient Egyptian women indeed had legal rights. An inquiry was therefore conducted into the Egyptian Family Law, the Law of Succession, Property Law, Law of Contract and Criminal Law. The modern classification of the law was used, seeing that no evidence exists to provide us with the ancient Egyptians' classification method. / Ancient Languages and cultures / M.A.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

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