This dissertation investigates aesthetics of engagement in -interaction. Aesthetic refers to the aesthetic experience, based on a phenomenological and pragmatist understanding: dynamic and personal, appealing mutually to - and formed inseparably by - our bodily, emotional, as well as intellectual faculties. Engagement signifies this experience as forming a deeply involved relationship between people and an artefact in interaction. The theoretical background upon which this work is based, asserts that we perceive the world in terms of how we can act in it. Action, through the body, is how we make sense of the world around us. To be congruent with these foundations and the topic at hand means that the research program was investigated through a constructive design research process. The research program anchors and outlines the goal of this investigation: to contribute shareable knowledge of how to design for aesthetic engagement in interaction by leveraging a first-person -perspective. The findings of this research form two contributions to the overlapping fields of Human-Computer Interaction and (Interaction) Design Research. The main contribution is methodological and is concerned with generating knowledge through design. The methodological structure of this dissertation builds on a programmatic approach that centres on the first-person perspective of the designer, who learns from experience by reflecting on design action. Such an approach is fundamental to the design tradition, but its dependency on subjectivity is also a source of epistemological conflict since design, as mode of inquiry, matures and comes in contact with more established disciplines that have their own academic traditions. For design research, to develop its own intellectual culture, alternative and bidirectional relationships between theory and practice need to be further shaped, articulated, and debated in the field. This dissertation contributes to this discussion around designerly ways of knowing by exposing how skillful coping and intuition, through mechanisms of reflection-on-action, generate a multitude of perspectives on a complex design space. These perspectives reveal parts of the complexity of designing for aesthetic engagement, while leaving it intact. Exposing and consolidating the first-person (design) knowledge embedded in these perspectives allows this knowledge to be articulated as a shareable academic knowledge contribution. This shareable knowledge forms the second contribution of this dissertation. Reflections on the process and results of eight constructive design research projects describe a design space around aesthetic engagement. Individual reflections are consolidated into themes that describe how a design may elicit aesthetic engagement in interaction. These themes are experiential qualities: conceptual values that can be leveraged for a design to appeal to both mind and body in ways that are rich, open-ended and ambiguous. The findings propose strategies for interactions with digital technologies to open up the complexity of relations in the world between artefacts and people. Designing for aesthetics of engagement proposes ways to respect people’ skills in making sense of the complexity of the lived world. In respecting the uniqueness of their body and the subjectivity of their experiences, to design for aesthetic engagement is to support the expression of personal points of view in interaction. This points to ways in which designers can open up interactions with digital technologies to be more beautiful, respectful, and liveable, as it touches what makes us human: our personal being in the world.

Estuda a mediunidade de incorporação entre médiuns de Umbanda em sua dimensão psicossocial, a partir da teoria de papéis proposta por Hjalmar Sundén. Os Ss são 12 médiuns de incorporação, entre 16 e 61 anos de idade, 11 do sexo feminino e 1 do sexo masculino, do Templo Espírita de Umbanda Xangô Agodô, situado na cidade de São Paulo. Os médiuns passam por entrevistas semi-dirigidas e são observados durante rituais de incorporação. Com o objetivo de reconhecer a cultura do grupo ao qual pertencem, realizam-se, ainda, entrevistas informais com pessoas não médiuns que também participam regularmente das atividades do referido templo. Apresenta um modelo interpretativo interdisciplinar da mediunidade de incorporação, considerando: a) a importância da dimensão grupal ampla, da dimensão social dos grupos e da dimensão individual, e da relação entre estas dimensões para a compreensão da mediunidade de incorporação; b) a importância da linguagem, em sentido amplo, como meio de interação social necessário para a existência e manutenção da mediunidade de incorporação; c) o processo de construção tanto social quanto individual da mediunidade de incorporação; d) o processo de adoção e assumição de papéis por parte dos médiuns de incorporação; e) a função social da mediunidade de incorporação; e f) os possíveis ganhos psicológicos por parte dos médiuns de incorporação. Conclui que a mediunidade de incorporação pode , ser compreendida como um papel social complexo em queestão em jogo tanto elementos sociais quanto individuais em que as entidades incorporadas são consideradas como constructos psicossociais e, assim, os médiuns são, ao mesmo tempo, seus intérpretes e coautores / This dissertation analyses the psychosocial dimension of mediumship related to the embodiment of spirits, from the point of view of Hjalmar Sundén\'s Role Theory. The subjects studied were 12 Umbanda mediums, 11 of whom were female and 1 male, between 16 and 61 years-of-age, all participants of the Spiritist Temple of Umbanda Xangô Agodô, in São Paulo, SP, Brazil. The mediums were submitted to semioriented interviews and were observed during the rituals in which they claimed to incorporate spirits. In order to examine cultural aspects of their social group, other subjects who were not mediums but who participated regularly in the activities of that temple were informally interviewed. An interdisciplinary interpretative model of \"incorporative\" mediumship is presented which considers the following points: (a) the importante of the wider group dimension, the social dimension of small groups, of the individual dimension, and of the relationships established between these dimensions to an understond of \"incorporative\" mediumship; (b) the importante of language - considered in its broadest sense - as a way of social interaction which is necessary to the existente and maintenance of \"incorporative\" mediumship; (c) the process of social and individual construcion of \"incorporative\" mediumship; (d) the process of roletaking and role-adopting by \"embodiment\" mediums; (e) the social function of \"incorporative\" mediumship; and (f) the possible psychological benefitsobtained by \"incorporative\" mediums from their mediumship. It is concluded that mediumship which includes the embodiment of \"spirits\" can be understood as a complex social role that is comprised of both social and individual elements. The \"incorporated\" entities are considered to be psychosocial consctructs, therefore the mediums are, at the same time, their interpreters and their co-authors

This dissertation examines the way rhetorical performances of identity function within a social movement. Examining the University of Kentucky chapter of a campus activist organization, United Students Against Sweatshops, I argue that embodied performances of identity often leverage spectacle in disruptive ways and work not only to solidify activists’ identities as part of a social movement but ultimately help to create solidarity within the movement, thereby working toward movement objectives. Historically under-examined in social movement literature in the rhetoric and composition tradition, identity performance examples are taken from an oral history project and archival materials to show how identity is constructed and reinforced in ways that make it an important tool with which to achieve social movement goals.

ABSTRACT This article explores the nature of narrative in video games, and how it can be applied to the contemporary classroom to help teach literature and composition. Specifically, it is concerned with the idea of embodiment in video games. First proposed by theorist James Gee, embodiment is a word describing the phenomenon wherein a player inhabits the character that s/he plays. This article takes the idea of embodiment a step further, by introducing the idea of the embodied narrative, the idea that players do not only embody their characters, but those characters’ stories as well, and are composing unique, personal stories as they play. This article also explores the importance of narrative in teaching writing, as narrative and stories are fundamental to the ways in which we think and learn. It proposes that, because video games are a literary medium in which composition is actively taking place, they have the potential to be used in literature and composition classrooms alongside, or even in place of, more traditional methods of teaching. In addition, they can serve as an excellent way of integrating the study of narrative into the composition classroom.

The relationship between the body, food and exercise is complex and remains poorly understood within the athletic population. Much of what is currently known stems from disordered eating literature grounded in objectivist perspectives. While this literature has been fruitful, it has limited our understanding of athletes' eating and body experiences as they have primarily been conceptualized through an objectivist lens as pathological and/or linked to individual psychological deficiencies (e.g., low self-esteem, body image distortion). In turn, the ways in which food and exercise are negotiated and experienced by athletes in the context of taken-for-granted social, cultural and gendered discourses had not yet been explored. Therefore, the purpose of this dissertation was to use an alternative theoretical perspective (i.e., feminist psychology) to look beyond the traditional objectivist notion of `disordered eating' and explore the complex relationship between the body, food and exercise in athletes (i.e., male and female distance runners), including the underlying meanings surrounding the athletic body and the role of gender and power in the social construction of their body experiences. A narrative approach drawing from Sparkes & Smith (2008), Smith & Sparkes (2008, 2010), and Riessman (1993, 2008) was used to accomplish this research goal. As such, participants were asked to tell stories about their body experiences, in relation to both eating and exercising, over the course of two separate individual interviews, as well as to create a visual representation/story of their running experience. These stories stood as the backdrop through which meanings were sought, as they provided a window into larger social, cultural and historical narratives as well as the process of individual meaning-making around the body, food and exercise (Riessman, 1993, 2008; Smith & Sparkes, 2010). A total of nine recreational distance runners (5 males, 4 females) and three elite (i.e., collegiate or post-collegiate) distance runners (1 male, 2 females) participated in the study. Together, these 12 runners produced a sum of 23 narrative interviews and 11 visual narratives, all of which underwent a combined thematic, dialogic/performance and visual analysis. The results of this thorough analysis indicated that the runners' stories were primarily situated in broader self-identity narratives and further demarcated by one of two opposing running narratives that shifted the meanings around the body, food and exercise in complex ways. Furthermore, their stories, along with the construction of meanings around the body, food and exercise, were found to be situated and negotiated within gendered narratives of the self. The ways in which the runners drew upon these narratives, and formed meanings within them, directly impacted their thoughts, emotions and behaviors around their bodies, food and exercise in both empowering (i.e., positive and healthy) and/or disempowering ways. As such, this study highlighted the complexity of the body, food and exercise relationship in distance runners and demonstrated how athletes' eating and exercising practices are socially and culturally formed through the narratives made available to them.

This research explores the relationship between testosterone and conceptions of masculinity and maleness in North America. The purpose of this study was to discover how men's experiences and enactments of their own masculinity and maleness add dimensions to cultural tropes of masculinity. Aging men (ages 39-75) and transgender men (male-identified, though not born biological men), illuminate the extent to which masculinity and maleness are a cultural achievement, enacted in concert with both cultural mores and individual desires. The research is based on over 27 months of fieldwork, in and around Boston, Massachusetts, using the methods of participant observation, semi-structured interviewing, and discourse analysis. I interviewed of 21 aging men and 24 transgender men. Men responded to semi-structured questions on their identity, experiences of living within their bodies, and understandings of testosterone as an object, commodity, and metaphor. Part commodity, part multi-faceted symbol, testosterone at once establishes, maintains, and enforces a coherently embodied gender. This comparative research suggests that we cannot fully understand the complexity of experiential gender identity without first unpacking the multiple elements of identity (e.g., cultural ideals, individual performances, and biological bodies) which come together in a single human being. This dissertation exposes cultural ideals of masculinity, and shows how men work with, and against, these ideals in constructing their own identities. This research shows that men have enduring and particularistic relationships with their own bodies which both reflect and challenge dominant stereotypes of the male body. I articulate strategies for aging men and transgender men to simultaneously identify and disidentify with cultural masculinity, demonstrating the shifting relevance of cultural masculinity in men's actual gendered lives. This work coins the term "maskulinity," the act of men utilizing cultural notions of masculinity to pass as men at will. I argue that in their acceptance and rejection of cultural masculinity, men in turn modify U.S. understandings of masculinity. This dissertation illuminates striking similarities between aging men and transgender men, showing how these men live in and through their bodies.

The topic of my research is the lived experiences of eight psychotherapists and counsellors who consciously work with unusual phenomena as it arises in the therapeutic encounter. Unusual phenomena in this thesis refers to felt experiences which are considered to be beyond the everyday in the Cartesian paradigm and are often referred to as spiritual and/or mystical phenomena. Exploring these phenomena brings to light the potentialities in the vastness of consciousness which is considered to be an integral aspect of human existence in the thesis. I chose Heidegger’s hermeneutic phenomenological methodology for the research because it gives credence to the many and varied possibilities and potentialities both in particular lived experiences and in human existence as a whole. Van Manen’s lived existential provides the framework in which the participants’ experiences are explored. What emerged from the research is that unusual phenomena are not unusual for the participants. Although such phenomena are less visible and therefore less familiar in the everyday world, they are recognizable through their consistent presentation. This includes the participants having a powerful sense of ‘knowing’ which is all-encompassing and is beyond familiar landmarks such as the linear models of time and space. The participants bring their ‘knowing’ into the everyday world through embodiment and through their acknowledgment of the interconnectedness of existence. The expression of interconnectedness is experienced by the participants as lovingness, from which the ability for immediate healing in their therapeutic work becomes apparent. The participants’ accounts show a capacity for accessing the subtleties of human existence which emerge in the phenomenological process as the forgotten feminine of consciousness. The feminine of consciousness is a term used to describe a fundamental state of ‘being’ in contrast to the everyday masculine principle of ‘doing’. The research has implications for psychotherapy and counselling as it illuminates the need for a holistic approach which acknowledges the multidimensionality of human existence.

In this dissertation, "An Archive of Shame: Gender, Embodiment, and Citizenship in Contemporary American Culture," I use the affect of shame in its multiple forms and manifestations as a category of analysis in order to examine complex relationships between gender, sexuality, the body, and citizenship. Through chapters on incest, gender normalization, and disease, I build an "archive" of the feeling of shame that consists of literary texts such as Sapphire's Push: A Novel, Jeffrey Eugenides?s Middlesex, Tony Kushner's Angels in America, and Katherine Dunn?s Geek Love, as well as materials from popular culture, films such as Philadelphia, court cases, and other ephemera such as pamphlets and news coverage. In order to construct this archive, I bring together seemingly disparate materials and create readings of American culture that illustrate how the category of citizen is produced by the shaming of women, the gender non-conforming, and the diseased. Using feminist theoretical models, I critique previous discussions of citizenship, the state, and the body in queer theory, which have reified the privilege of whiteness and maleness by evacuating the bodies of women, the gender non-conforming, and the diseased of their radical potential to undermine oppressive state institutions. The texts I analyze in this project interrogate normalized processes of documentation and archiving, and through their subject matter as well as their form, these texts participate in the archival process?theorizing and exploring alternative methods of documentation, collecting, and historicizing and so illustrate how the discourses produced by mainstream history are built upon the maintenance of social hierarchies. By bringing these texts together, I am developing a theory of the archive and its processes, its bodies, and its feelings. Archiving as a practice collects and documents, and in that collection, develops a coherent narrative about a particular event or history. Critical theory is also a process of making meaning through the collection of events, documents, and texts into a cohesive set of terms in order to make particular abstract claims. This process is often obscured both in archiving and in theorizing by naturalizing the selection of the materials that matter. The alternative archives in this dissertation make that process explicit in order to foreground its erasures and elisions; they register material difference and the ways in which the archive is reproductive of social relations. The transient and unstable nature of the archives produced within the texts of this project makes them difficult to pin down and make coherent, but that is what makes them powerful and transformative. I read these materials as sites where questions about the official histories of the nation, which are constructed through race, gender, and sex, might be played out. The archive of shame I compile in this project, therefore, can be read as a collection of partial sites of struggle against oppressive power relationships.

This dissertation is about boys and fatness. In it I explore the central discourses that shape young men’s (13-15 years) experiences of their bodies, particularly in relation to body size, shape, and fatness. A central objective is to listen, hear, and take seriously the embodied health rationalities of young men as they negotiate the multiple and contesting discourses that confront them in their daily lives. I employ a feminist poststructural lens to account for the nuanced, alternative, and contextually specific ways young men think about and do health. Data collection was divided into three phases (non-participant observation, photo(focus) groups, and interviews) and was implemented at two Toronto area sites, including an exclusive private school and a publicly funded parks and recreation community centre. I demonstrate that there is not one way of experiencing fatness and masculinity, rather the young men’s constructions of fatness and health were fluid, shifting, contradictory and cross cut by other salient identity categories such as gender, race, ethnicity, social class, and age. Using Michel Foucault’s concept of governmentality, I show how obesity discourse provides a set of resources by which young men are able to construct themselves as autonomous, rational, neoliberal subjects, and how these subjectivities are differentially constituted depending on social and cultural positioning. I also reveal how differently raced and classed young men take up and embody normative ideals of the lean muscular male body through culturally appropriate masculine technologies of the self (i.e. sport and heterosexuality). The multiplicity of health and body discourses available to the young men gave rise to contested and ambivalent experiences and practices, such that dominant discourses were not always articulated in a straightforward and predictable manner, but were imbued with alternative and, in some cases, subversive meanings. To date, the social sciences have neglected to account for the relationship boys and men have with fatness discourses. By centering the analysis on the embodied experiences of diverse racialized and classed youth, this research demonstrates that weight and shape is more than a biomedical problem to be eradicated, but a discursively compelled embodiment that exists at the crossroads of the social, cultural, psychic, and biologic.

Parametric visual effects such as texture generation and shape grammars can be controlled to produce visually perceptible variation. This variation can be rendered on avatars in groupware systems in real time to represent user information in online environments. This type of extra information has been shown to enrich recognition and characterization, but has previously been limited to iconic representations. Modern, highly graphical virtual worlds require more naturalistic and stylistically consistent techniques to represent information.<p> A number of different parametric texture generation techniques are considered and a set of texture characteristics are developed. The variations of these texture characteristics are examined in a study to determine how well users can recognize the visual changes in each. Another study is done to determine how much screen space is required for users to recognize these visual changes in a subset of these texture characteristics.<p> Additionally, an example shape generation system is developed as an example of how shape grammars and L-systems can be used to represent information using a space ship metaphor.<p> These different parametric visual effects are implemented in an example prototype system using space ships. This prototype is a complete functioning groupware application developed in XNA that utilizes many parametric texture and shape effects.