Divorce is part of every society, it is a world-wide phenomena. Divorce touches the lives of many people by breaking up families, causing personal individual trauma and affecting our children – the next generation. Consequences of this phenomenon are important, as what we do today will affect negatively or positively, the youth of tomorrow. Taken this fact into consideration one would think it logical to minimise the impact of this phenomenon on all those involved. Firstly, this study will attempt to identify the most prominent emotional indicators of a child’s drawing in order to focus therapy in those areas in an attempt to minimise or lessen the negative impact the child experiences. Secondly, the intervention strategies/guidelines researched, will be made available to parents, professionals and lay helpers alike in order to understand, support and positively facilitate the healing process within the child who is experiencing a family divorce. / Educational Studies / M. Ed. (with Specialisation in Guidance and Counselling)

O presente estudo teve como objetivo a avaliação psicológica de crianças hospitalizadas por meio do Desenho da Figura Humana (DFH) e do Desenho da Pessoa Doente (DPD) usando os Indicadores Emocionais e Indicadores Maturacionais de Koppitz (1973) e o levantamento de elementos complementares relativos à doença e à hospitalização. A amostra foi composta por 120 crianças de ambos os sexos, com faixa etária de 7 a 11 anos, divididas em dois grupos, um grupo de crianças hospitalizadas e outro de escolares. Os resultados indicaram que os dois desenhos das crianças hospitalizadas apresentaram um número maior de Indicadores Emocionais do que as escolares e menor média nos Indicadores Maturacionais, mostrando um maior comprometimento no primeiro grupo. Os Indicadores Emocionais com diferenças significantes no DFH foram figura pequena e pernas fechadas, mais freqüentes nas crianças hospitalizadas. Quanto aos Indicadores Maturacionais foram observadas diferenças significantes entre os dois grupos, a favor do grupo de escolares, tanto no DFH como no DPD. Nos dois grupos e também na amostra total, o DFH apresentou uma produção mais elaborada, em comparação com o DPD. No DPD os Indicadores Emocionais com maior freqüência do que no DFH foram integração pobre, sombreamento no rosto, sombreamento no corpo/membros, sombreamento no rosto/pescoço, figura pequena, mãos cortadas e omissão de pescoço. No DPD das crianças hospitalizadas ficou evidente a presença dos elementos complementares caracterizando doenças mais graves em relação ao DPD dos escolares, com mais representação do ambiente hospitalar, de objetos de procedimentos hospitalares, restrição de atividade, figura debilitada, expressão de tristeza e expressão de choro/dor. Pode-se concluir que o uso do DPD como instrumento de avaliação psicológica de crianças hospitalizadas permite emergir maior quantidade de indicadores de perturbação emocional em comparação ao DFH. Portanto, pode-se considerar que o DPD mostra-se como uma técnica eficaz para a avaliação de crianças hospitalizadas. / This study had the purpose to assess psychologically hospitalized children by the Human Figure Drawing (HFD) and by the Patient Person Drawing (PPD) using Koppitz Emotional and Maturational Indicators (1973) and by the survey of complementary elements related to illness and hospitalization. Sample was composed by 120 children, half of each sex, with age ranging from 7 to 11 years old, divided in two groups, one of hospitalized children and the other from schools. Results indicated that the hospitalized children drawings presented a bigger number of Emotional Indicators than school children and lower mean of Maturational Indicators, showing more emotional problems in the first group. The Emotional Indicators that had significant differences between groups were tiny figure and legs pressed together. In relation to Maturational Indicators were observed significant differences, in behalf of school children in HFD and in PPD. In both groups and in the whole sample, the HFD presented a more elaborate drawing than the PPD. In PPD the Emotional Indicators with more frequency than in HFD were poor integration, shading of face, shading of body and/or limbs, tiny figure, hands cut off and neck omission. In hospitalized children PPD it became evident the presence of complementary elements, characterizing serious illness in relation to PPD of school children, with more representation of hospital environment, hospital procedures objects, activity restriction, debilitated person, sadness and cry/pain expression. It can be concluded that the PPD use as a tool of psychological assessment with hospitalized children permits to emerge more indicators emotional disturbs comparing with the HFD. Therefore it can be considered that the PPD is a more efficient procedure to assess hospitalized children.

Divorce is part of every society, it is a world-wide phenomena. Divorce touches the lives of many people by breaking up families, causing personal individual trauma and affecting our children – the next generation. Consequences of this phenomenon are important, as what we do today will affect negatively or positively, the youth of tomorrow. Taken this fact into consideration one would think it logical to minimise the impact of this phenomenon on all those involved. Firstly, this study will attempt to identify the most prominent emotional indicators of a child’s drawing in order to focus therapy in those areas in an attempt to minimise or lessen the negative impact the child experiences. Secondly, the intervention strategies/guidelines researched, will be made available to parents, professionals and lay helpers alike in order to understand, support and positively facilitate the healing process within the child who is experiencing a family divorce. / Educational Studies / M. Ed. (with Specialisation in Guidance and Counselling)

O presente estudo teve como objetivo a avaliação psicológica de crianças hospitalizadas por meio do Desenho da Figura Humana (DFH) e do Desenho da Pessoa Doente (DPD) usando os Indicadores Emocionais e Indicadores Maturacionais de Koppitz (1973) e o levantamento de elementos complementares relativos à doença e à hospitalização. A amostra foi composta por 120 crianças de ambos os sexos, com faixa etária de 7 a 11 anos, divididas em dois grupos, um grupo de crianças hospitalizadas e outro de escolares. Os resultados indicaram que os dois desenhos das crianças hospitalizadas apresentaram um número maior de Indicadores Emocionais do que as escolares e menor média nos Indicadores Maturacionais, mostrando um maior comprometimento no primeiro grupo. Os Indicadores Emocionais com diferenças significantes no DFH foram figura pequena e pernas fechadas, mais freqüentes nas crianças hospitalizadas. Quanto aos Indicadores Maturacionais foram observadas diferenças significantes entre os dois grupos, a favor do grupo de escolares, tanto no DFH como no DPD. Nos dois grupos e também na amostra total, o DFH apresentou uma produção mais elaborada, em comparação com o DPD. No DPD os Indicadores Emocionais com maior freqüência do que no DFH foram integração pobre, sombreamento no rosto, sombreamento no corpo/membros, sombreamento no rosto/pescoço, figura pequena, mãos cortadas e omissão de pescoço. No DPD das crianças hospitalizadas ficou evidente a presença dos elementos complementares caracterizando doenças mais graves em relação ao DPD dos escolares, com mais representação do ambiente hospitalar, de objetos de procedimentos hospitalares, restrição de atividade, figura debilitada, expressão de tristeza e expressão de choro/dor. Pode-se concluir que o uso do DPD como instrumento de avaliação psicológica de crianças hospitalizadas permite emergir maior quantidade de indicadores de perturbação emocional em comparação ao DFH. Portanto, pode-se considerar que o DPD mostra-se como uma técnica eficaz para a avaliação de crianças hospitalizadas. / This study had the purpose to assess psychologically hospitalized children by the Human Figure Drawing (HFD) and by the Patient Person Drawing (PPD) using Koppitz Emotional and Maturational Indicators (1973) and by the survey of complementary elements related to illness and hospitalization. Sample was composed by 120 children, half of each sex, with age ranging from 7 to 11 years old, divided in two groups, one of hospitalized children and the other from schools. Results indicated that the hospitalized children drawings presented a bigger number of Emotional Indicators than school children and lower mean of Maturational Indicators, showing more emotional problems in the first group. The Emotional Indicators that had significant differences between groups were tiny figure and legs pressed together. In relation to Maturational Indicators were observed significant differences, in behalf of school children in HFD and in PPD. In both groups and in the whole sample, the HFD presented a more elaborate drawing than the PPD. In PPD the Emotional Indicators with more frequency than in HFD were poor integration, shading of face, shading of body and/or limbs, tiny figure, hands cut off and neck omission. In hospitalized children PPD it became evident the presence of complementary elements, characterizing serious illness in relation to PPD of school children, with more representation of hospital environment, hospital procedures objects, activity restriction, debilitated person, sadness and cry/pain expression. It can be concluded that the PPD use as a tool of psychological assessment with hospitalized children permits to emerge more indicators emotional disturbs comparing with the HFD. Therefore it can be considered that the PPD is a more efficient procedure to assess hospitalized children.

Summaries in Afrikaans and English / Die primere skoolkind bevind horn in 'n fase van groot verandering wat aanpassings verg en hoe eise stel. Die ervaringe wat die kind gedurende hierdie tydperk opdoen, is beduidend omdat dit sy vormingsjare is. Omdat die kind nie altyd kan verbaliseer watter probleme hy ervaar nie, is met hierdie studie gepoog om vas te stel of skooltekeninge van enige diagnostiese waarde kan wees om die kind in nood te verstaan. Die empiriese studie het bewys dat skooltekeninge nie net waarde as 'n identifiseringsmedium inhou nie, maar ook as 'n aanvullende ortopedagogiese medium aangewend kan word. Die kind neig om sy probleme, persepsies, houdings en so meer visueel te projekteer. Hoewel hierdie studie bevindinge van vroeere navorsing bevestig, is bepaalde verskille ook geidentifiseer. Die studie is afgesluit met riglyne vir die gebruik van skooltekeninge, asook aanbevelings met die oog op die verfyning van hierdie projeksiemedium. / The primary school child finds himself in a phase of great change which makes high demands and requires adjustments. What happens to the child during these years is critical because these are foundation laying years. Because a child is not always able to verbalise problems which he may experience, this study is an . endeavour to determine whether school drawings have any diagnostic value to identify a child in need. The empirical study has confirmed that school drawings have diagnostic value not only as a medium of identification, but also as a supplementary orthopedagogical medium. The child· tends to project his problems, perceptions and attitude visually. Although this study confirms findings of previous studies, certain differences were also identified. The study was concluded with guidelines for the use of school drawings, as well as recommendations regarding the refinement of this projection medium. / Psychology of Education / M. Ed. (met spesialisering in Voorligting)

La necesidad de cambios en la educación, en lo que se refiere a la atención a la formación inicial del profesor, abarca diversos ámbitos, entre ellos el de las emociones. Tomando como premisa la reflexión de Hargreaves (1998:319 ): «enseñar y aprender también incluye y depende de un amplio grado de comprensión emocional», me pregunto: ¿cómo el profesor puede comprender al alumno sin comprenderse a sí mismo? A partir de esta cuestión me he propuesto investigar el siguiente problema de estudio: ¿cómo explorar la comprensión emocional que tiene lugar en la construcción de la identidad docente durante el proceso de formación inicial? El objetivo de esta investigación consiste en señalar los indicadores emocionales que pueden surgir entre los estudiantes de un programa de formación incial y pensar en un posible espacio para contribuir a la comprensión emocional. Todo ello como base en la construcción de la identidad docente. Las emociones son un fenómeno intrínseco al ser humano y el nexo de comunicación entre su mundo interior y su mundo exterior. La comprensión emocional tiene un papel fundamental en la dinámica de interacción y el arte es uno de los mediadores en este proceso de comprensión. Así, defiendo la tesis de que para comprender al otro es primordial comprenderse a sí mismo. En la medida en que los individuos se comprendan y, a partir de ello, reconozcan y cultiven sus propias necesidades de cambio, se abren mayores posibilidades de alcanzar cambios en la educación. Con este fin, es imprescindible crear espacios en la formación docente que propicien la comprensión emocional y posibiliten la transformación de uno mismo y de su entorno. El arte, como vehículo de comunicación y representación, puede ser una opción válida como mediadora de estos procesos. / “THE PROCESS OF EMOTIONAL UNDERSTANDING IN THE CONSTRUCTION OF THE TEACHER´S IDENTITY” The need for change in education as far as starting teacher’s formation goes, encompasses various fields, the emotional field among them. Taking Heargraves (1998:319 ) reflection as a premise: “Teaching and learning also include and depend of an ample degree of emotional understanding” I ask myself “ How is the professor to understand the pupil without a prior knowledge of him or herself?” Based on this question, my objective is to investigate the following study problem: How to explore the emotional understanding that takes place in the construction of an educational identity during the initial formation process? The objective of this investigation is that of signalling the emotional indicators which might arise among the students of an initial formation program, and to try and create a possible space of contribution to emotional understanding. All of this as a base in the construction of our identity as educators. Emotions are an intrinsic phenomenon to humanity, and the communication link between our inner world and our surroundings. Our emotional understanding bears a fundamental role in the dynamics of interaction, and art is one of the mediators in this understanding process. Therefore, I defend the thesis that in order to understand the other, it is primordial to understand ourselves. As individuals understand and, based on that understanding recognize and cultivate their own need of change, there is more space for change in education. In order to do so, it is vital to create spaces in educational formation that allow for a proper emotional understanding, enabling the transformation of the self and its surroundings. Art as a vehicle for communication and representation can be a valid mediator in this process.

Summaries in Afrikaans and English / Die primere skoolkind bevind horn in 'n fase van groot verandering wat aanpassings verg en hoe eise stel. Die ervaringe wat die kind gedurende hierdie tydperk opdoen, is beduidend omdat dit sy vormingsjare is. Omdat die kind nie altyd kan verbaliseer watter probleme hy ervaar nie, is met hierdie studie gepoog om vas te stel of skooltekeninge van enige diagnostiese waarde kan wees om die kind in nood te verstaan. Die empiriese studie het bewys dat skooltekeninge nie net waarde as 'n identifiseringsmedium inhou nie, maar ook as 'n aanvullende ortopedagogiese medium aangewend kan word. Die kind neig om sy probleme, persepsies, houdings en so meer visueel te projekteer. Hoewel hierdie studie bevindinge van vroeere navorsing bevestig, is bepaalde verskille ook geidentifiseer. Die studie is afgesluit met riglyne vir die gebruik van skooltekeninge, asook aanbevelings met die oog op die verfyning van hierdie projeksiemedium. / The primary school child finds himself in a phase of great change which makes high demands and requires adjustments. What happens to the child during these years is critical because these are foundation laying years. Because a child is not always able to verbalise problems which he may experience, this study is an . endeavour to determine whether school drawings have any diagnostic value to identify a child in need. The empirical study has confirmed that school drawings have diagnostic value not only as a medium of identification, but also as a supplementary orthopedagogical medium. The child· tends to project his problems, perceptions and attitude visually. Although this study confirms findings of previous studies, certain differences were also identified. The study was concluded with guidelines for the use of school drawings, as well as recommendations regarding the refinement of this projection medium. / Psychology of Education / M. Ed. (met spesialisering in Voorligting)