Slovenian identity took shape under cultural, political and economic circumstances that in uenced Western European civilization at its furthest eastern border. Since the 6th century, ancestors of present day Slovenes inhabited the territory of the Eastern Alps, bordering on the Pannonian plains and, in the south, on the Adriatic sea. The decisive elements of Slovenian identity were global historical processes: Christianization, the emergence of historical countries, the Reformation, the Counter-Reformation and the Catholic renewal, the forming of the Austrian monarchy, the enlightenment, romanticism, the rise of nationalism and liberalism, the development of modern democracy. Historical turning points such as Napoleon's Illyrian Provinces, the 1848 'spring of nations', World Wars I and II, and the collapse of Yugoslavia also made an impact on identity formation. These processes affected national consciousness as well as the concept of nation.

This work begins with a brief history of puppet theater in Germany. A look at important social aspects, pertinent philosophical discussions and the significance of puppet theater in the German literary tradition follow. The final chapter looks at Peter Schumann, a German puppeteer and artist who lives in America. In Germanistik, German puppet theater deserves a devoted place in the field of legitimate study in terms of its history, content and influence. Puppet theater's historical development in Germany represents the larger evolution of Germany. From ancient times up to the present day, this artistic form of representation has enjoyed an audience in the German-speaking regions. The evolution of puppet theater parallels Germany's quest for legitimacy as a nation and desire for cultural unification. A study of puppet theater thematizes the issue of popular cultural history. For most of its existence in Germany, puppet theater served as popular entertainment. The conception of folk art and folklore - which includes puppet theater - by the German Romantics led them to believe that folk artists possessed a mysterious authenticity inaccessible to Classicists and their narrowly-defined world of high art. Much German literature and thought from the 19th century onward shows a fondness for the Volk aspect of puppet theater. Puppet theater and its reception in German Romanticism helped to shape literary and philosophical themes that would lead to further recognition of puppetry as an art form and an integral aspect of German culture. In the 20th century, puppet theater took on bold new forms. Adapting to film, television, academia and the avant-garde, respected proponents of puppet theater brought the art form into the light of day. No longer did it merely consist of vulgar or mildly artistic street performances or as a vehicle for Romantic-era nostalgia. German puppet theater in the 20th century moved into the realm of mass culture with film and, more effectively, with television. It also gained footing in academia, eventually becoming a fully-recognized field of study as well as a performance medium with infinite possibilities. One can only hazard a guess as to where puppet theater will go in the future. The ability of the art form to uncannily reflect the human condition is well known. How the human condition will change and how the performers of puppet theater will respond remains to be seen.

Since the inception of printing in Europe in the fifteenth century, encyclopedias have become popular and widespread all over the continent. During the eighteenth century, dictionaries and other knowledge-communicating books constituted a major part of the book market, thereby defining everyday knowledge, including information about the entire world that was cultivated by periodicals and travel logs. Encyclopedias, from the very beginning, have been a varied genre owing to the assorted knowledge produced for different books, which depends on the subject, the target audience, the scope, and the price. General encyclopedias could amount to several volumes, sometimes more than ten, while more specific dictionaries usually comprised only one or two volumes. During the eighteenth century, many encyclopedic works were adapted for different audiences, resulting in many books being translated. This distribution of encyclopedias helped to build the European culture of knowledge we witness today, in which encyclopedias are still a major source of information.

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Writers from both world wars, concerned with the representation of war, wrestled with the predicament of partial sight. Their work reveals the problematic dichotomy that exists between the individual’s selective range of vision and the immense scale of conflict. Central to this authorial dilemma is the question of the visual frame: how do you contain – within the written word – sight that resists containment and expression? The scale of the two world wars accentuated the representative problem of warfare. This thesis, by examining a wide range of World War One and World War Two literature, explores the varied literary responses to the topical relationship between sight and reality in wartime. It examines the war poetry of Wilfred Owen, Ford Madox Ford’s tetralogy Parade’s End, The Return of the Soldier by Rebecca West, Elizabeth Bowen’s The Heat of the Day, and Virginia Woolf’s novels Mrs Dalloway and Between the Acts alongside less well-known works such as David Jones’s prose-poem In Parenthesis, the two short stories ‘The Soldier Looks for His Family’ by John Prebble and ‘The Blind Man’ by D.H. Lawrence, as well as William Sansom’s collection of short stories Fireman Flower, and Louis Simpson’s war poetry. This thesis, by focussing on the inherent difficulties of reconciling perception and representation in war, interrogates the boundaries of sight and the limits of representation. The changing place of sight in writing from the two world wars is examined and the extent to which discourses of vision were shaped and developed, in the early decades of the twentieth century, by war experience is explored. The critical containment and categorisation of sight that often dominates readings of sight in texts from both world wars is questioned suggesting the need for a more flexible understanding of, and approach towards, sight.

Wassa in southwest Ghana was the location of the largest mining sector in colonial British West Africa. The gold mines provide an excellent case study of how labour was mobilised for large-scale production immediately after the legal end of slavery, in the context of an expansive independent labour market. Divided into three sections, this thesis examines the practice of indirect labour recruitment for the mines during the formative years of colonial rule; the incorporation of ‘traditional’ credit relationships into ‘modern’ commerce. The starting point for this study is the analysis of precolonial strategies for mobilising labour. Part one examines the most pervasive and coercive employer-employee relationship in precolonial West Africa, namely the master-slave relationship. Even enslaved Africans could expect individual economic opportunity, and related to such, debt protection, and the power of labourers increased significantly after abolition. Starting in the 1870s, mine management found that the most effective way of recruiting long-term wage earners was through headmen; African authorities who established temporary patronage relationships with a group of labourers by offering them credit. Moreover, administrative and court records indicate that there were various forms of headship, some which the mines managed to impose greater regulation over than others. Therefore, part two demonstrates that issues of cost and control of recruitment differed depending on whether the labour recruiter had been furnished with the capital of a mining firm to conduct his business, whether he had done so with his own personal savings, or whether he was in the employment of the colonial government. Finally, part three takes a comparative look at headship and recruitment through rural chiefs, which began in 1906; two successive forms of non-free wage labour mobilisation. In 1909, mine management reverted to the headship system that many colonial commentators regarded as being more compatible with the colonial political order, albeit under considerably stricter regulations.

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This thesis examines attitudes toward infertility in early modern England and colonial New England from c.1620 to 1720 through infertility’s representation in contemporary medical, religious, and literary sources. This study uses an expanded definition of infertility, namely a 'spectrum of infertility', to capture the tensions that arose during periods of infertility and experiences of reproductive failure such as miscarriages, stillbirths, monstrous births, and false conceptions. A spectrum, more than a modern definition, more accurately represents the range of bodily conditions experienced by early modern women and men that indicated reproductive disorder in the body; by extension, the language of infertility expressed fears about disorder in times of social, religious, and political crisis in early modern society. The two societies' relationship was often described through reproductive language and the language of infertility appears in both societies when order - within the body, within marriages, or within and between communities - was threatened. This thesis contributes to a growing body of scholarship on infertility in early modern society by analysing its presence in communications within and between early modern England and colonial New England. It argues that understanding the English origins of the colonists' attitudes toward infertility is fundamental both to understanding the close connection between the two societies and to providing context for the colonists' perceptions about their encounters with new lands, bodies, environments, and reasons for emigration. As a result, this thesis seeks to break new ground in providing an overview of social, medical, and cultural reactions in both England and New England, demonstrating that similar language and tropes were used in both regions to communicate concerns about infertility. Exploring the interplay between the many sources addressing this health issue more accurately represents the complexity of early modern attitudes toward infertility, and the intimacy of the relationship between the fledgling New England colonies and their metaphorical Mother England.

Many patent law dilemmas arise from a failure to understand technologies as embedded in broader social, economic and political realities and to contextually analyze these legal phenomena. This narrowness leads to poor legal development, of which the modern medical exception from patentability is one example. Judges have difficulty interpreting it, patentees do not understand its purpose and it does not protect the important medical technologies to which the public would like access. This thesis applies a legal pluralist analysis to examine the emergence of the medical methods exception in order to understand why it was created and legislated. It starts by examining the origins of the exception in the caselaw, and the informal, concurrent norm established by the emerging medical profession in the early 20th century. It then proceeds to examine why the medical profession might have sought and enforced a norm prohibiting its members from patenting, and concludes that this arose from the need of the medical profession to distance itself from the patent law. As a result, professionalizing physicians established an internal normative order that mimicked and in many cases replaced the effect of the formal law. The thesis then proceeds to examine how the form of the informal norm evolved in the period between WWI and WWII, finding that the profession’s norm transformed and broke down concurrently with its efforts to achieve external legitimacy through legislation. That breakdown arose from factors which included growing labour mobility, greater understanding of the benefits of patents, and a growing role of science and industry in medicine that threatened the profession’s access to valuable medical innovation. The thesis concludes with a study of a current case (Myriad Genetics) that applies the thesis’ theoretical framework to a present dispute over the role the law should play in regulating genetic diagnostic tests.

'On All Fronts' is a thesis focused on the EOKA insurgency in Cyprus (1955-1959), which aimed at overturning British rule and unifying the island with Greece. EOKA’s campaign was one of several insurgencies carried out against Britain in the two decades following the Second World War. This allowed British policymakers and soldiers to apply lessons learned in other colonies on the island. These lessons included pursuing a political solution in tandem with military operations, unifying command and control, improving intelligence capabilities, and increasing the number of police and soldiers on the ground. Cyprus also presented distinctive challenges. The insurgency was not inspired by communism, like many other anti-colonial struggles, but by right-wing nationalism. The campaign was also intimately linked to the strategic reorganisation undertaken by Britain after 1945. Retreat from India and Palestine increased the importance of the Middle East and Africa, making a presence in Cyprus central to Britain’s post-war plans. Finally, Cypriot demographics meant that the island’s Turkish minority (some eighteen percent) – supported by Ankara – opposed union with Greece. An ethnic-based civil war on the island was possible, as was a regional war between Greece and Turkey. British policy sought to avoid both of these potential conflicts while maintaining the strength of NATO and positive relations with both Athens and Ankara. Utilizing newly declassified papers from the British government, in conjunction with evidence from Greek-Cypriot sources, this study offers insights into the campaign from the perspective of both insurgent and counter-insurgent forces. Parallel to the military analysis, the thesis addresses the political aspect of the insurgency, demonstrating the deep connection in insurgency war between military operations and diplomatic negotiation. While counter-insurgency operations failed to destroy EOKA, the success of government forces created pressure for a diplomatic solution and highlighted the reality that there were insurmountable military and strategic obstacles to union with Greece.