Using a feminist, autoethnographic methodology and in depth interviews with twenty-three participants, I sought to better understand the meaning of family memory keeping for women and their families through this research, paying particular attention to the ways that dominant gender ideologies shape family memory and the act of preserving family memory. This research also endeavoured to explore those instances wherein families lose that memory keeper due to memory loss, absence, or death. Interviews revealed that, despite its absence from the literature, women’s family memory keeping is a valuable form of gendered labour – and leisure – that makes significant individual, familial, and social contributions, while simultaneously reproducing dominant gender ideologies and gendered constructions of fatherhood, motherhood, and the family. Through an exploration of the loss of a mother’s memory due to illness, death, or absence, this study also demonstrated the loss of a mother’s memory is both deeply felt, and deeply gendered. However, this study illustrated participants challenging these dominant gender ideologies, as well, and using family memory keeping as a way to resist, critique, and cope. As such, this study speaks to the absence of women’s family memory keeping from the gendered work, leisure studies, social construction, and loss literature, contributing a better understanding of both the activity itself and the gendered ideologies that shape the activity, as well. Not only does this study speak to gaps in existing literature, but findings make fresh theoretical contributions to this literature through three new concepts: the notion of the good mother as the “remembering mother”, the concept of “compliance leisure”, and the re-envisioning of women’s unpaid labour as contributing to “the homing of the home”. And with these contributions to the literature, this research also provides valuable insight for professionals working to improve policy and services surrounding postpartum care, individual and family therapy, caregiving, extended care, and palliative care.

Using a feminist, autoethnographic methodology and in depth interviews with twenty-three participants, I sought to better understand the meaning of family memory keeping for women and their families through this research, paying particular attention to the ways that dominant gender ideologies shape family memory and the act of preserving family memory. This research also endeavoured to explore those instances wherein families lose that memory keeper due to memory loss, absence, or death. Interviews revealed that, despite its absence from the literature, women’s family memory keeping is a valuable form of gendered labour – and leisure – that makes significant individual, familial, and social contributions, while simultaneously reproducing dominant gender ideologies and gendered constructions of fatherhood, motherhood, and the family. Through an exploration of the loss of a mother’s memory due to illness, death, or absence, this study also demonstrated the loss of a mother’s memory is both deeply felt, and deeply gendered. However, this study illustrated participants challenging these dominant gender ideologies, as well, and using family memory keeping as a way to resist, critique, and cope. As such, this study speaks to the absence of women’s family memory keeping from the gendered work, leisure studies, social construction, and loss literature, contributing a better understanding of both the activity itself and the gendered ideologies that shape the activity, as well. Not only does this study speak to gaps in existing literature, but findings make fresh theoretical contributions to this literature through three new concepts: the notion of the good mother as the “remembering mother”, the concept of “compliance leisure”, and the re-envisioning of women’s unpaid labour as contributing to “the homing of the home”. And with these contributions to the literature, this research also provides valuable insight for professionals working to improve policy and services surrounding postpartum care, individual and family therapy, caregiving, extended care, and palliative care.

Made available in DSpace on 2016-08-03T12:19:10Z (GMT). No. of bitstreams: 1 Lucas Merlo.pdf: 670752 bytes, checksum: 4ac28c0f42391fe983be98ed0a661bcd (MD5) Previous issue date: 2012-03-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This exegetical study analyzes the text of Deuteronomy 6,20-25 in a social-historical perspective. We review a few exegetical discussions about the text. Understand it as a family teaching of the free and possessing land population in Judah, century VII.aC. It presents narratively the redemptive acts of Yahweh: the exodus, the gift of land and laws. Among these acts, highlights the exodus, as the foundation of freedom, and the articulation with the law. On the other hand the laws are the way of maintaining freedom by defending the right of the socially weak. In this dynamic of the family catechesis, two categories are important, teaching and memory. / O presente estudo exegético tem por objetivo analisar o texto de Deuteronômio 6,20-25 numa perspectiva histórico-social. Para tanto, revisa-se algumas discussões exegéticas acerca do texto. Compreende-o como um ensino familiar, das famílias livres e possuidoras de terra em Judá, no século VII.a.C. Nele, narrativamente são apresentados os atos redentores de Javé: o êxodo, a dádiva da terra e das leis. Dentre esses atos, destaca-se o êxodo, como fundamento da liberdade, e sua articulação com as leis. Por sua vez as leis são a forma de manutenção da liberdade, por meio da defesa do direito dos socialmente enfraquecidos. Nessa dinâmica da catequese familiar, duas categorias são importantes, ensino e memória.

This thesis will focus on the International Women's Day celebration - a holiday whose present perception is strongly influenced by distinct ideology before 1989. The thesis will reflect its perception by the views of three generations of one family. The main part of the work will focus on the analysis of collective memory and family recollection of a particular event in a specific family due to generational differences.

This diploma thesis from the field of contemporary history evaluates the effect of being a publicly well-known and widely popular person on the overall functioning of their family and individual life stories of other family members. The closest relatives of the actor Petr Čepek were selected for the research purposes of this thesis. The methodological framework of the thesis is composed of the family memory, or the collective memory of Maurice Halbwachs. Petr Čepek was a significant persona of the second half of the twentieth century in the field od Czechoslovak theatre and film. He was at the origin of the phenomenon of Činoherní klub and played an active role in the November 1989 events. His premature death is connected with the film Lekce Faust. The thesis maps out the life stories of individual members of his family, which also serves as an insight into the family life side by side a popular person. .

Le choix de la Bretagne peut surprendre lorsqu'il s'agit de traiter des migrations italiennes. Les étrangers ont toujours constitué dans la région un groupe relativement minoritaire, les Italiens y compris. Pourtant on observe dès la seconde moitié du 19e siècle sur l'ensemble du territoire breton, la constitution de réseaux migratoires durables, toujours perceptibles aujourd'hui. Quelles raisons ont poussé ces migrants transalpins à poser leurs valises si loin des importantes communautés italiennes établies dans le Sud-Est de la France ou l'Est parisien ? Au-delà d'une réflexion sur les modalités de l'implantation d'une population italienne dans le département, il s'agira se s'interroger sur les parcours des migrants et plus particulièrement sur les stratégies mises en oeuvre pour « s'intégrer » aux microcosmes locaux. Au travers des récits mémoriels recueillis auprès des familles issues de l'immigration italienne, nous chercherons à comprendre de quelle manière l'acte migratoire de l'ancêtre impacte les recompositions identitaires des descendants. / The choice of the Brittany can be a surprise when it is a question of treating Italian migrations. The foreigners always formed in the region a relatively minority group, theItalians including. Nevertheless we observe from the second half of the 19th century on the whole Breton territory, the constitution of long-lasting migrant networks, always perceptible today. What reasons urged these transalpine migrants to put down their suitcases if far from the important Italian communities established in the Southeast of France or the Parisian East? Beyond a reflection on the modalities of the setting-up of an Italian population in the department, it will be a question of wondering about the career of the migrants and more particularly about the strategies implemented to "become integrated" into the local microcosms. Through the memory narratives collected with families stemming from the Italian immigration, we shall try to understand how the migratory act of the ancestor impact on the identical reorganizations of the descendants.

O objetivo deste trabalho é analisar uma coleção de fotografias produzidas entre os anos 1920 e 1960 em São Paulo. Nesse período Cleonice Maria Heine (1919-?), foi assunto de descrição visual e de suas imagens emergem três temas cruzados: memória familiar, cultura urbana e deslocamentos de lazer e turismo para o litoral e o campo paulistas. Por meio do consumo de fotografias que se democratizou no decorrer do século XX, Cleonice criou uma imagem de si, da cidade e de alguns destinos turísticos inéditos na praia e no interior. A amostragem composta de 139 imagens permite concluir que a fotografia foi para esta personagem uma plataforma de comunicação e encenação de múltiplos papéis sociais: mulher urbana, comerciária do SESC, consumidora, estudante, irmã, cunhada, turista produzindo subjetividades e sociabilidades diversas. / The purpose of the present study is to analyze a collection of photographs taken between 1920 and 1960. During that length of time, Cleonice Maria Heine (1919 - ?) was the subject of visual description. From these photos three cross-related topics arise: family memory, urban culture and displacements regarding leisure and tourism towards the coast and the countryside of the State of São Paulo. Through photo consumption, which became democratic along the XXth century, Nelli created an image of herself, of the city itself and of some completely new tourist destinations to the beach and the countryside. The sample, formed by 139 images, allows us to conclude that photography meant to that character a stand of communication through which she played several social roles such as: urban woman, a saleswoman who enjoyed the benefits promoted by the Social Service of Commerce, consumer, student, sister, sisterin- law, tourist, by producing different subjectivity and sociability.

Orientador: Olga Rodrigues de Moraes von Simson / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-13T13:33:26Z (GMT). No. of bitstreams: 1 Nogueira_ClaudetedeSousa_D.pdf: 4868226 bytes, checksum: bae68c676fc55bf473ddf6954992e263 (MD5) Previous issue date: 2009 / Resumo: A presente pesquisa tem como objetivo investigar o processo de identificação e transmissão de saberes a partir de uma prática cultural negra presente no interior paulista, o batuque de umbigada. Para o desenvolvimento da pesquisa foram eleitos alguns elementos que serviram como categoria de análise entre as quais a memória familiar, a oralidade e as experiências educacionais fatores fundamentais para a compreensão desse contexto que envolve a cultura afrobrasileira. Buscamos assim, reconstituir o processo de criação e de transformação dessa prática cultural, destacando também as novas perspectivas de transmissão de saberes, marcada pela Educação Não-Formal.. O batuque de umbigada, também conhecido como tambu ou caiumba é uma manifestação cultural trazida para o Brasil pelos escravos de origem bantu e faz-se presente atualmente em algumas cidades do interior paulista (Piracicaba, Capivari e Tietê) Esta pesquisa buscou compreender por meio dos depoimentos orais e da observação o sentido que essa manifestação tem para o grupo que a mantém. / Abstract: This research has how objective to investigate the process of identification and transmission of knowledge from a black cultural practice in the interior of São Paulo, the Batuque of Umbigada. For development of the research were chosen some elements that served how category of analysis like the familiar memory, the orality and the educational experiences are basic factors for comprehension of this context that involves the Afro Brazilian Culture. We searched for reconstitute the process of creation and transformation of this cultural practice enphasizing also the new perspective of transmission of knowledge, marked by the non-formal education. The Batuque of Umbigada, also known like tambu or caiumba is a cultural expression brought to Brazil by the slaves from bantu birthplace and it's present nowadays in some towns from the interior from São Paulo (Piracicaba, Capivari and Tietê). This research looked for understanding through oral testimony and observation the meaning that this expression has for the group that supports it. / Doutorado / Ciencias Sociais na Educação / Doutor em Educação

O objetivo deste trabalho é analisar uma coleção de fotografias produzidas entre os anos 1920 e 1960 em São Paulo. Nesse período Cleonice Maria Heine (1919-?), foi assunto de descrição visual e de suas imagens emergem três temas cruzados: memória familiar, cultura urbana e deslocamentos de lazer e turismo para o litoral e o campo paulistas. Por meio do consumo de fotografias que se democratizou no decorrer do século XX, Cleonice criou uma imagem de si, da cidade e de alguns destinos turísticos inéditos na praia e no interior. A amostragem composta de 139 imagens permite concluir que a fotografia foi para esta personagem uma plataforma de comunicação e encenação de múltiplos papéis sociais: mulher urbana, comerciária do SESC, consumidora, estudante, irmã, cunhada, turista produzindo subjetividades e sociabilidades diversas. / The purpose of the present study is to analyze a collection of photographs taken between 1920 and 1960. During that length of time, Cleonice Maria Heine (1919 - ?) was the subject of visual description. From these photos three cross-related topics arise: family memory, urban culture and displacements regarding leisure and tourism towards the coast and the countryside of the State of São Paulo. Through photo consumption, which became democratic along the XXth century, Nelli created an image of herself, of the city itself and of some completely new tourist destinations to the beach and the countryside. The sample, formed by 139 images, allows us to conclude that photography meant to that character a stand of communication through which she played several social roles such as: urban woman, a saleswoman who enjoyed the benefits promoted by the Social Service of Commerce, consumer, student, sister, sisterin- law, tourist, by producing different subjectivity and sociability.

The diploma thesis is based on a seven-month research of a family of Czech re-emigrants from the Romanian Banat. The aim of the research was to find out how these people understand the term home, how they negotiate it and what they related to it; the method employed here consisted of qualitative interviews. The researched sample does not represent the whole population, but rather the studied issue. The main focus was to gather as much exhaustive (and therefore related to understanding, negotiating and constructing of the meaning of the concept home) data related to the issue of home as possible within the given family rather than any universal application or generalization of the collected data to the whole of the Czech re-emigrants from the Banat. The author defines the term home as multidimensional, stemming from an individual and group experience, and from the current situation of an individual person; and as such she tries to depict it through different theoretical concepts. The thesis also presents an outline of a historical-sociological context of the existence of a Czech minority in Romania and its re-emigration. In relation to the main topic of home also emerged other topics, such as motivations for re-emigration, perceptions of Romania and the Czech Republic, response of the majority...