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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

De Maria a Madalena: representações femininas nas histórias em quadrinhos

Boff, Ediliane de Oliveira 07 March 2014 (has links)
Trata das representações de protagonistas femininas nas histórias em quadrinhos, enfatizando exemplos de histórias que abordam concepções identitárias distintas. Com o intuito de compreender como o feminino aparece em determinadas criações, esta tese se apoia nos pressupostos metodológicos da Hermenêutica de Profundidade, de John B. Thompson (2011). Assim, a pesquisa apresenta dois momentos dorsais, sendo que o primeiro aborda as construções femininas, a partir da perspectiva de autores masculinos; e o segundo aborda tais construções a partir da perspectiva de autoras-mulheres e do autor transgênero Laerte. Em princípio, foram enfatizadas as personagens das obras Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic e Aline. Posteriormente, tratou-se de destacar também as criações Mulher de 30, Amely: uma mulher de verdade, Uma Patada com carinho e Muriel. Dessa forma, constatouse que grande parte dessas narrativas oscilam entre criticar, debochar e apoiar uma ideia de feminino fundamentada na mística feminina, desenvolvida pela pensadora Betty Friedan (1971). / The feminine issue within today\'s society is an essential part of the communication field. In comics, the female representations are even more intricate. Based on that, and emphasizing cases that present differents conceptions of identity, this research is constituted by two dorsal moments: the first of which covers the female constructs from the perspective of maleauthors; and the second discusses such constructions from the perspective of the femaleauthor and Laerte, who is, by the way, a transgender author. In order to understand how the female shows up in several creations, this thesis is based on the methodological assumptions of John B. Thompson (2011). First of all, were objects of this work the characters Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic and Aline. Later, were added the works Mulher de 30, Amely: uma mulher de verdade, Uma patada com carinho; and Muriel. Thus, there is a large evidence that the most part of these narratives swings between scoffing and supporting the idea of female, based on the feminine mystic, by Betty Friedan (1971).
12

De Maria a Madalena: representações femininas nas histórias em quadrinhos

Ediliane de Oliveira Boff 07 March 2014 (has links)
Trata das representações de protagonistas femininas nas histórias em quadrinhos, enfatizando exemplos de histórias que abordam concepções identitárias distintas. Com o intuito de compreender como o feminino aparece em determinadas criações, esta tese se apoia nos pressupostos metodológicos da Hermenêutica de Profundidade, de John B. Thompson (2011). Assim, a pesquisa apresenta dois momentos dorsais, sendo que o primeiro aborda as construções femininas, a partir da perspectiva de autores masculinos; e o segundo aborda tais construções a partir da perspectiva de autoras-mulheres e do autor transgênero Laerte. Em princípio, foram enfatizadas as personagens das obras Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic e Aline. Posteriormente, tratou-se de destacar também as criações Mulher de 30, Amely: uma mulher de verdade, Uma Patada com carinho e Muriel. Dessa forma, constatouse que grande parte dessas narrativas oscilam entre criticar, debochar e apoiar uma ideia de feminino fundamentada na mística feminina, desenvolvida pela pensadora Betty Friedan (1971). / The feminine issue within today\'s society is an essential part of the communication field. In comics, the female representations are even more intricate. Based on that, and emphasizing cases that present differents conceptions of identity, this research is constituted by two dorsal moments: the first of which covers the female constructs from the perspective of maleauthors; and the second discusses such constructions from the perspective of the femaleauthor and Laerte, who is, by the way, a transgender author. In order to understand how the female shows up in several creations, this thesis is based on the methodological assumptions of John B. Thompson (2011). First of all, were objects of this work the characters Rê Bordosa, Mara-Tara, As skotinhas, Radical Chic and Aline. Later, were added the works Mulher de 30, Amely: uma mulher de verdade, Uma patada com carinho; and Muriel. Thus, there is a large evidence that the most part of these narratives swings between scoffing and supporting the idea of female, based on the feminine mystic, by Betty Friedan (1971).
13

Postmodernism and semiotics: the tyranny of images of beauty on the female body and postmodern feminist resistance

Lau, Man-chu, Sunny., 劉敏珠. January 1994 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
14

Guiltless girls unpacking 100-calorie snacks/

London, Lauren January 2009 (has links)
Thesis (M.A.)--University of Texas at Arlington, 2009.
15

Poetic anatomy of the numinous creative passages into the self as beloved

Zia, Partou January 2001 (has links)
This research is shaped by the actual experience of practice: as painter and writer. My preoccupation is with the nodal moment when conscious awareness is suspended, and both the corporal and psychic involvement in realising the work almost transport one to another zone of effectiveness. This zone, which I name as the poetic zone, is where the numinous enters the ordinary. The investigation for a space/place/moment that lies beyond the logic of acceptable discourse can help initiate and give shape to a new vocabulary - visual or literary. By orchestrating a methodology, which functions on several layers, I have endeavoured to create a synthesis between painting and writing. My method in all the aspects of this research - the thesis, play scripts, studio paintings, and albums - is firmly rooted in the conscious and critical intellect, as the vehicle that helps facilitate my need in establishing a personal arena for Becoming: - a deliberate yet semi-controlled state of charged eidetic experience, whereby the 'other' of the self is met with and (perhaps) named. By probing into the specific makeup or anatomy of the poetic moment, and coming to understand how it functions within both the pragmatic and the apparently undecipherable creative processes, the artist/poet, like the mystic visionary, may give an affirmative answer to the Self, as /-that-is-not-the-other. Thus I hope that this research will contribute to the feminist project engaged in trying to delineate the divine presence in 'feminine writing', as a powerful guise and method for a clearer understanding of the psychological other.
16

Gender representation and textual strategies in the films of Pilar Miro

Hamilton, Jayne January 1997 (has links)
This thesis aims to demonstrate the interrelatedness of the rebellious form and content of Pilar MirO's first six films - La petición (1976), El crimen de Cuenca (1979), Gary Cooper gue estás en los cielos (1980), Hablamos esta noche (1982), Werther (1986) and Beltenebros (1991). The Introduction provides a brief outline of the director's life and an insight into some of the core themes of her cinema, summaries of relevant theoretical arguments from psychoanalysis and gender theory in the context of sociology and film studies and an outline of the situation of men and women in Spain vis-à-vis the law, social prejudices, attitudes to sexuality and work. Part I (chapters 1-6) examines gender issues and character portrayal in each of the films in chronological order using these theories. Part II deals with the metafictional textual strategies of Miró's works. Chapter 7 outlines features of metafiction, such as stylistic intertextuality, literal intertextuality, mise-en-abime devices and other cinematic strategies which highlight the constructed nature of the films by laying bare the processes of fictional creation and disturb the viewer, making him or her an active reader, who cannot acquiesce in a passive spectatorial position. It also discusses the issue of authorship in film to posit that Miró abdicates from the position of onmiscient auteur through intertextuality and her use of assistant authors, another strategy of metafictional, postmodern art. Chapters 8 and 9 look at specific examples of intertextuality. The first section of chapter 8 examines the thematic and stylistic influence of the American artist, Edward Hopper, on the setting of Beltenebros and José Gutiérrez Solana's tremendista paintings as a visual reference for El crimen de Cuenca: the chapter also takes into account the joint stylistic influence of Carol Reed's The Third Man (1949) on Beltenebros. The second section of chapter 8 applies theories of historiographic metafiction and intrahistory to Miró's depiction of a miscarriage of justice in the Spanish legal system and the imprisonment of two innocent men in El crimen de Cuenca. Chapter 9 outlines a special instance of intertextuality in Miró's employment of stars. Using recent work in star studies, I consider the contributions and implications of her choice of two actresses - Ana Belén and Patsy Kensit - to La petición and Beltenebros. The conclusion suggests that, while Miró demonstrates an active interest in and sympathy for the victims of oppression, her use of intertextuality may be unconscious and that this thesis presents just one possible argument or interpretation. An interview with Miró in 1995 is included in an Appendix, as are relevant stills of Ana Belén.
17

Postmodernism and semiotics : the tyranny of images of beauty on the female body and postmodern feminist resistance /

Lau, Man-chu, Sunny. January 1994 (has links)
Thesis (M.A.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves 60-62).
18

Postmodernism and semiotics the tyranny of images of beauty on the female body and postmodern feminist resistance /

Lau, Man-chu, Sunny. January 1994 (has links)
Thesis (M.A.)--University of Hong Kong, 1994. / Includes bibliographical references (leaves 60-62). Also available in print.
19

Rediscovering a Fundamentally New and Practical Administrative Alternative

Hall, Tracy Smith 15 November 2006 (has links)
The dissertation explores the two primary types of public administration feminist literature, equity feminism and other voice feminism, and determines that they do not reveal a clear typology that practically outlines the characteristics of an alternative organizational viewpoint from that of the dominant viewpoint. Building on Camilla Stivers' metaphor of the home, and drawing on nine other strands of literature, a typology comprised of 4 primary dimensions -- epistemology; ontology; social theory; and ethics -- was constructed that opposed the home metaphorical perspective and the dominant business metaphorical perspective. The home metaphor, based on Stivers' historical analysis of the early founding of the field of public administration, provided a framework for implementing the rediscovered typology. The home metaphor was then practically illustrated and revealed through a content analysis of two cases of community policing. The analysis of these case studies revealed the apparent difficulty of moving from the dominant business metaphorical perspective to the less familiar home metaphorical perspective. Despite this apparent difficulty, the case studies revealed rich examples of how the home metaphor plays out in cities that are striving to utilize community policing practices. Public administrators and researchers may use this typology to identify other alternative perspectives for analysis and praxis, as well as nonconventional courses of action. The case studies demonstrated that a critical aspect of public administration, that of policing, has begun to strongly value this alternative perspective and the positive gains that it brings to strengthening the relationship between public administrators and citizens. / Ph. D.
20

The Reinscription and Qualification of the Feminine in Elizabeth Stoddard's The Morgesons

Mihok, Jeffrey January 1989 (has links)
No description available.

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