• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 2479
  • 781
  • 397
  • 210
  • 102
  • 88
  • 66
  • 62
  • 51
  • 41
  • 40
  • 38
  • 38
  • 38
  • 38
  • Tagged with
  • 5272
  • 1428
  • 1319
  • 1075
  • 840
  • 797
  • 619
  • 459
  • 438
  • 432
  • 401
  • 388
  • 336
  • 333
  • 307
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

Global feminisms in feminist art and their new challenges

Wong, See-yuen, Gina., 黃思源. January 2007 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
22

Virtual bodies : technology and embodiment in cyberpunk fiction

Calvert, Bronwen January 2002 (has links)
This thesis offers a new way of reading narratives of cyberpunk fiction. It undertakes to re-evaluate cyberpunk fiction according to a feminist criticism that takes direction from Donna Haraway's cyborg politics and Eve Sedgwick's "deconstructive" reading. Both cyberpunk fiction and its criticism are read "deconstructively" in order to contest the notion that cyberpunk fiction cannot productively be read for feminism. The representation of embodiment and technology in cyberpunk narratives is customarily read in terms of a Cartesian opposition of body and mind, in which the materiality of female bodies is contrasted with the virtuality of male minds. The feminist analysis in this thesis focuses upon the way in which cyberpunk narratives can be seen to problematise both materiality and virtuality, embodiment and technology. Four novels are examined in detail: William Gibson's Neuromancer, Pat Cadigan's Synners, Marge Piercy's Body of Glass, and Neal Stephenson's Snow Crash. In each narrative, conventions of cyberpunk fiction are seen to be subverted and contested. Gibson's novel, which has become accepted as the template of "classic", masculinist cyberpunk fiction, is revealed through this feminist analysis as a narrative which is profoundly ambivalent in its depictions of technologised male and female bodies. This ambivalence continues in the versions of cyberpunk offered by Cadigan, Piercy, and Stephenson. These readings illuminate the way cyberpunk narratives work to deconstruct binary oppositions through their explorations of gendered bodies, technology, virtuality, and disembodiment. The deconstruction, disruption and dismantling of binarisms are conceptualised in the image of the unnaturally embodied cyborg, which unites gendered embodiment and technological augmentation in an imaginary body.
23

A critical exploration of feminist politics under conditions of modernity and contemporary globalization

Steans, Jill A. January 1999 (has links)
The thesis attempts to construct a preliminary framework with which to understand: (1) the nature of feminism as a modern social movement; (2) the expansion of modernity to a global scale; and (3) the immanent institutional transformations opened up by the expansion of modernity which make possible a dialogic form of feminist politics. The thesis is divided into three main sections. The first section explores the nature of feminism as a social movement, sketches the relationship between feminism and modernity and explains how these interests relate to contemporary debates about globalization. The broad conclusions drawn from the discussion is that feminism is a modem social movement rooted in an Enlightenment project of emancipation and progress. However, modernity must be viewed as a matrix of tensions and critical potentials. The second section of the thesis considers the potential and limitation of a Global Political Economy (GPE) framework for making sense of feminism in the context of the conditions of modernity and globalization. It concludes that although it is a useful starting place for making sense of feminism as a social movement, critical GPE is not in itself sufficient. Having explored the potential and limitations of a GPE framework for understanding feminism in a global context, the third section turns to contemporary scholarship in the field of social and political theory. The brief concluding chapter of the thesis pulls together the main themes of the previous chapters and maps out tentatively how the relationship between feminist politics, the project of modernity and globalization can be understood
24

Women, work and the sociality of everyday city building : the case of St Martins Rag Market, Birmingham

Wolhuter, Caroline Hilary January 2002 (has links)
No description available.
25

Female emancipation and British imperialism in the writings of Lady Florence Dixie

Coffey, Heloise Jeanne-Marie January 2001 (has links)
No description available.
26

After The Dunciad : a reappraisal of some of Eliza Haywood's later writing

Greenleaf, Joan January 2002 (has links)
No description available.
27

A feminine cinematics Luce Irigaray, Orlando and the Piano

Bainbridge, Caroline January 1997 (has links)
No description available.
28

Aspects of the feminine in business : a Jungian perspective

Rein, Melanie A. January 1998 (has links)
No description available.
29

Women, learning difficulties and identity : a study through personal narratives

Phillips, Deborah January 2002 (has links)
No description available.
30

Women and the law in the work of Carmen de Burgos

Louis, Anja January 2002 (has links)
No description available.

Page generated in 0.3826 seconds