• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 4
  • Tagged with
  • 4
  • 4
  • 3
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Finding my Fun home: reflections on stage managing a modern musical

Near, Aubrey Jean 01 May 2019 (has links)
No description available.
2

The Queer "Third Species": Tragicomedy in Contemporary LGBTQ American Literature and Television

Kurz, Lindsey H 29 May 2018 (has links)
No description available.
3

Performing unreachable bodies : the politics of encounter in Alison Bechdel's Fun home

Francica, Cynthia Alicia 24 November 2010 (has links)
Readings of Fun Home thus far have tended to focus on the representation of Alison Bechdel’s traumatic life experiences and on the ways in which the memoir bears witness to that trauma. While Jennifer Lemberg explores the role of drawing in overcoming the difficulty or impossibility of naming the traumatic experiences Alison undergoes (135), Ann Cvetkovich draws attention to the cultural and political work the memoir performs by making space for everyday life histories of trauma and for accounts of forbidden, pathologized desires (111). I would like to explore the ways in which Fun Home foregrounds those illicit desires, and performs that political work, not only through the telling of Alison’s story but, more specifically, by mobilizing the reader’s affective capabilities in the face of what may be read as surprising, emotionally charged objects and situations. I suggest that Bechdel’s memoir boldly sets the stage for an affective and cognitive encounter with out-of-bounds, unapproachable bodies and histories. Our assumptions about hetero and homonormativity, as well as our conception of home and the family as heterosexual, normative spaces, are interrogated in and through those encounters. I analyze the fundamental role of the graphic narrative form, and the employment of archival objects and elements of performance in particular, in setting the stage for the reader’s affective encounter with Alison’s family history. / text
4

Breaking Through Panels: Examining Growth and Trauma in Bechdel's Fun Home and Labelle's Assigned Male Comics

Phillips, Katelynn 24 July 2018 (has links)
No description available.

Page generated in 0.0546 seconds