Cette mémoire est une analyse du subtexte immanent dans le roman « 1979 » (2001) de Christian Kracht, auteur suisse, qui est le plus connu pour son début « Faserland » (1995). Ces oeuvres sont situées dans le mouvement de la littérature Pop allemande des années 1990 et en résultent en même temps. Dans ce contexte, le climat socio-politique après la réunification, notamment le Literaturstreit, jouera un rôle important dans mon interprétation comme fond de la poésie de Kracht. J’exposerai les difficultés que le discours de la littérature Pop porte en ce qui concerne l’œuvre de cet auteur, qui, même s’il est vu en général comme fondateur de ce genre littéraire en Allemagne, ne considère pas ses textes comme littérature Pop dans ses déclarations notoirement problématiques. Je devrais objecter que Kracht est en combat avec la littérature Pop d’une façon stylistique et pas rarement ironique, ce qui traverse la définition étroite dominante. Il fait cela en adoptant sur l’un côté le trait le plus signifiant du genre, à savoir le caractère superficiel extrêmement descriptif et en transmettant sur l’autre côté un message moral profond, ce qui rend impossible la classification de ses textes comme Pop, signifiant seulement le divertissement ou l’archivisme de Moritz Bassler. En fait, la fréquence de signifiants de Pop dans les textes de Kracht créent par leur arrangement un réseau de sens qui, dans le paradigme post- moderne, peut être décrit le mieux avec le terme « rhizome » de Gilles Deleuze et Félix Guattari. En faisant ça, Kracht suit une autre tradition qui traverse les limites de la littérature Pop, comme il se sert de la décadence, de l’esthétisme et du symbolisme du fin-du-siècle d’un Hugo von Hofmannsthal, d’un Stefan George et d’un Joris-Karl Huysmans avec leurs pointes de mise en garde contre les déficits du modernisme, du libéralisme et du capitalisme, d’une façon nommée « fondamentalisme esthétique » par le sociologiste Stefan Breuer. Cette recherche se référera aux interprétations originales des textes source, aux évaluations de littérature d’accompagnement, à savoir des manuels scolaires en critique littéraire, en sociologie et en histoire allemande, aux comptes rendu, dissertations et entrevues et aux textes philosophiques. Cette mémoire est écrit en allemand. / This master's thesis is an analysis of the subtext immanent in the novel "1979" (2001) by Swiss author, Christian Kracht, who is best known for his debut, "Faserland" (1995). These works are situated in and result from the 1990's movement of German pop literature. In that context, the socio-political climate after the re-unification, most notably the Literaturstreit, plays an important role in my interpretation as the background to Kracht's poetics. I delineate the difficulties that the pop literature discourse carries both, as a literary category and in regard to this author's work, taking into consideration his notoriously problematic statements to the effect that he does not consider his texts to be pop literature, in spite of being commonly regarded as the founder of this literary form in Germany. I shall argue that Kracht engages in a stylistic and more often than not ironic play with pop literature, which transgresses the dominant narrow definition of it. He does so by adopting on the one hand its most-defining feature of extreme descriptive superficiality, yet by conveying on the other hand a moral message of profound dimensions, which renders impossible the classification of his texts as pop, neither in the sense of mere entertainment nor in the sense of Moritz Bassler’s archivism. In fact, the very arsenal of pop signifiers present in Kracht's texts create through their arrangement a web of meaning, which in the post-modern paradigm can be best described with Gilles Deleuze's and Félix Guattari's term “rhizome." By doing so Kracht follows in the footsteps of another tradition which transgresses the boundaries of pop literature, as he reaches back to the aestheticistic décadence and symbolism at the fin-de-siècle of a Hugo von Hofmannsthal, a Stefan George, and a Joris-Karl Huysmans, with their strong undertones of warnings against the shortfalls of modernism, liberalism, and capitalism, in a fashion that is termed “aesthetic fundamentalism” by Stefan Breuer. This research draws on original interpretations of the source texts, on evaluations of secondary literature such as scholarly works in German literary criticism, sociology and history, on book reviews, essays and interviews, and on philosophical texts. The thesis is written in German. / Gegenstand der vorliegenden Arbeit ist der narrative Subtext im Roman 1979 (2001) des Schweizer Autoren Christian Kracht, der vor allem mit seinem Romandebüt Faserland (1995) bekannt wurde. Seine Texte stehen im Zusammenhang mit der Neuen Deutschen Popliteratur der 90er Jahre. In diesem Kontext hat auch das soziokulturelle Klima nach der Wiedervereinigung eine wichtige Rolle, das sich am prägnantesten im Literaturstreit äußerte, weshalb dieser in der hier vorgenommenen Intepretation von Krachts Poetik seinen Platz findet. Außerdem soll aufgezeigt werden, inwieweit die Neue Deutsche Popliteratur sowohl als gattungstechnische Kategorie als auch im Bezug auf Krachts Werk problematisch ist. Dies entspricht den Beteuerungen des Autors, dass er keine Popliteratur schreibe, obwohl er als ihr Gründer gilt. Das Argument dieser Arbeit ist, dass Kracht auf stilistische und oft ironische Weise mit Popliteratur spielt, wodurch er die bestehende enge Definition dieser transgressiert. Da er einerseits das bezeichnenste Merkmal von Popliteratur, nämlich die Oberflächenbeschreibung, übernimmt, andererseits aber dadurch eine tiefe moralische Aussage macht, lassen sich seine Texte nicht als Pop verorten,weder als Unterhaltung, noch im Sinne von Moritz Baßlers Archivismus. Vielmehr ergeben die von Kracht versammelten Pop-Signifikanten in ihrer Vernetzung ein Sinngebäude, das in postmoderner Parlanz mit Gilles Deleuze und Félix Guattari als „Rhizom“ bezeichnet werden kann. Indem Kracht so verfährt, knüpft er ebenfalls an eine Tradition jenseits von Popliteratur an, und zwar an die ästhetizistische décadence und den Symbolismus des fin de siècle eines Hugo von Hofmannsthal, Stefan George und Joris-Karl Huysmans, sowie deren Warnungen vor den Mängeln des Modernismus, Liberalismus und Kapitalismus, wobei diese Einstellung von Stefan Breuer als ästhetischer Fundamentalismus bezeichnet wird.

Made available in DSpace on 2016-08-03T12:20:56Z (GMT). No. of bitstreams: 1 Ricardo Gondim.pdf: 474928 bytes, checksum: c5c425e193764100734e45b834ad3b54 (MD5) Previous issue date: 2009-09-03 / The identity of the Evangelical Movement comes from the Puritans, from the revival movements, but specially from the milleniarisms that marked the final of the nineteenth century and the beginning of the twentieth century. The fundamentalism concepts emerged to support the scatologic longing of these groups. The evangelical identity hás been formed from the fundamentalism attempt to diminish the impact of the Darwinism theory in the United States. The evangelicals organized themselves through conferences and seminars, magazines and evangelistic efforts that strenthgthened them throughout the world, specially in Latin America. Even though they showed a more flexible way in interacting with the culture, the evangelicals kept their millenarist and fundamentalist concepts. In Latin America , the evangelicals had a very relevant participation in the International Evangelization Conference in Lausanne, 1974. They proposed that the church mission should include social responsibility with the same importance as the proclamation of the faith contents. Even having arrived late in Brazil, young leaders mobilized themselves around the Integral Mission proposition. However, the question about what should be considered priority was not totally answered causing disappointment and discouragement among the evangelicals.(AU) / A identidade do Movimento Evangélico vem dos puritanos, dos movimentos avivalistas, mas principalmente dos milenarismos que marcaram o final do século XIX e o começo do século XX. Os pressupostos do fundamentalismo foram articulados exatamente para dar sustentação ao anseio escatológico desses grupos. A identidade evangélica se formou a partir dos vexames do fundamentalismo que tentou diminuir o impacto do darwinismo nos Estados Unidos. Os evangélicos se organizaram e mostraram capacidade de mobilização. Seminários, revistas, conferências e eventos evangelísticos tornaram os evangélicos uma força no cenário mundial, principalmente na América Latina. Embora tenham demonstrado maior flexibilidade em interagir com a cultura, os evangélicos mantiveram os pressupostos milenaristas e fundamentalistas. Na América Latina, conseguiram relevante participação no Congresso Internacional de Evangelização em Lausanne, 1974. Foi proposto que a missão da igreja incluísse responsabilidade social com a mesma relevância que a proclamação dos conteúdos da fé. Mesmo tendo chegado tarde ao Brasil, lideranças jovens se mobilizaram em torno da proposta da Missão Integral. Entretanto, a questão sobre o que deve ser considerado prioritário não foi totalmente respondido, gerando decepção e desencorajamento entre evangelicais.(AU)

“The Roots of Puritanism in the Korean Presbyterian Church” offers an analysis on Puritanism and an alternative to the contemporary Korean Presbyterian Church, which has lost its course; specifically in the current century of mission in Korea. The reasons for the abovementioned idea are as follows. Firstly, Puritanism was not foreign concept to Korean Christians, who have had contact with the concept before. Early missionaries in America fought against Conservatism (or Fundamentalism) and Liberalism. The conservative camp especially tried to hold on to the Westminster Confession of Faith and the authority of the Bible. These were the representatives of Puritan legacies. Puritanism was naturally implanted into Korean soil through early foreign missionaries who preached the Gospel. Therefore, the suggested idea must take on the character not of a creation but of a restoration in terms of the Korean Presbyterian Church. Secondly, it is due to its confidence that the Puritans pursuing points, which tried to establish the whole society on the basis of the Bible, are the answer to the contemporary Korean Presbyterian Church, which has stagnated in both number and quality of faith. The Puritans did not separate faith from the secular world. Instead, they tried to establish their society on the Bible. The Covenant with the church and the state as well as the individual was a strong vehicle for their thoughts. Their ultimate aim was piety in the presence of God. Meanwhile, the early Korean Presbyterian Church adopted the Twelve Articles of Faith and the Westminster Confession of Faith as official creeds. It meant that the Korean Presbyterian Church kept the Puritan point of the Bible and faith from 1884 to the middle of the 1930’s. The faculty of Pyungyang Theological Seminary, which was a unique training school for would-be ministers, taught the Puritan faith and theology thoroughly. However, Korean political changes tremendously influenced her Christianity. During the period of Japanese Imperialism (1919-1945), the early conservative faith and theology had to face the challenge of Liberalism. The whole of the Korean Presbyterian Church submitted to the Japanese iron-fisted rule and Shrine Worship in 1937. However, the Puritan faith and theology were rediscovered through the faith of the few resistors of Japanese rule. After Liberation from Japan in 1945, the antagonism of ideology caused Korea divided into two. On the one hand, North Korea fell under the banner of communism, which thoroughly eradicated the church in terms of its ideology more than the Japanese did. On the other hand, South Korea joined under the banner of democracy and churches were found to be in an unparalleled prosperous condition. The few resistors of Japanese imperialism cried out for the Puritan faith and demanded that the Korean Church should officially repent the sin of Japanese Shrine worship. However, an overwhelming majority consisting of the ecclesiastical authorities rejected their proposal as well as their faith and treated them as religious outcasts. The few resistors detached themselves from the established denomination and formed the Goshin Party. After the separation, schisms of denomination accelerated, because of differences in faith and theology or religious concession. In addition, Pentecostal theology and its spirituality as a substitute to Puritanism were more dominant in Korean Christianity than any other denominations. The Private experience and the charismata of the Holy Spirit were the keys points of the Pentecostal movement. They contributed to the concern and development of Pneumatology in Korean Christianity. However, Pentecostalism made the Presbyterian Church interpret the Bible without theological balance. The church began to seek material blessings instead of spiritual ones and to the pursuit of this world instead of the next. In addition, the Presbyterian Church was only concerned with itself without being indifferent to the ungodly society beyond itself. In conclusion, the restoration of Puritanism, which tried to base both the society and the church on the foundation of the Bible, is the best solution to the future contemporary Presbyterian Church. / Thesis (PhD (Church History and Church Polity))--University of Pretoria, 2008. / Church History and Church Policy / PhD / unrestricted

The thesis "Attempt at Democratic Transition in Iran 1997-2000" analyzes the developement of restricted liberalization and democratization, which was started in Iran in Spring 1997 by election of reformist presidential candidate Muhammad Khatami into office. The essay looks on theese events as a result of the longer cultural change which occured in Iran since the 1979 Islamic Revolution and as a consequence of the cleavages which split the Iranian political space into several different streams. The thesis uses a theoretical perspective based on the idea that Iran, in the course of 20th century, constantly evolved in the form of modern national state for which the Islamic revolution was but a regime change, which replaced one authoritarianism for another with a different ideology. Based on this perspective the events after the Khatami election are analyzed in terms of the transitologic theory through which the essay examines the specific dynamcis of political contest between the softliners who push for a democratization of the regime and the hardliners who take pains to preserve the authoritarian practice based on the theory of "The Rule of the Jurisconsult" articulated first by the founder of the Islamic Republic, Ruhollah Khomeini.

This thesis is concerned with the world of The Handmaid's Tale (1985) and The Testaments (2019), works of Margaret Atwood. The dystopian theocratic totalitarian regime featured in these novels invites a socio-historical and anthropological analysis and interpretation from the perspective of the subjugated female characters. The theoretical part, introduced by an overview of Atwood's work, provides the reader with crucial information regarding the historical parallels which inspired the narrative, as well as a delimitation of relevant anthropological concepts, such as liminality or status reversal. Subsequently, using both the knowledge gathered in the theoretical and in Atwood's works, the rise of the fundamentalist cult of the Sons of Jacob and their project, the Republic of Gilead, is explained, and their ideology is uncovered in the first section of the practical part. Second part of the interpretation focuses on the position of women within the system that subjugates and oppresses them. The analysis is performed by the means of comparing and contrasting the ideal models of the positions of women as designed by the architects of the system with the actual application on the example of selected characters. The ultimate aims of this thesis are to prove the innate sexism and misogyny of the...

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The label Salafee-Jihaadee has been used to categorize Islamic groups that espouse violence against the West and Muslim regimes. The typology of Salafee- Jihaadee is met with vehement disapproval and criticism from adherents to Salafism. For this reason, the portrayal of Salafees as violent extremists requires scrutiny. This study aims to make a unique contribution to knowledge of Salafism by surveying an extensive literature review, supplemented by interviews of known Salafee clerics based upon the premise that Salafism is an antidote to Islamic extremism rather than a cause of violent jihaad and terror. Furthermore, this research aims to offer new insight into existing literature and theory regarding Salafism. By re-examining current theory this research attempts to show that Salafism is an antidote to violent extremism. Therefore, there is a clear need to explore the relationship between Salafism, violent extremism, and takfeerism. In chapter one Salafism is defined and its key features as a movement are characterized and evaluated. Chapter two analyzes Salafees’ view and role in denouncing violence and extremism. Chapter three introduces alternative assessments of Salafism as a movement and evaluates the arguments put forth by its critics. Chapter four investigates Salafist perceptions of pluralism particularly in Western non-Muslim societies. Chapter five details the role of Salafees and their counter arguments to extremism. The final chapter details the conclusions of the research, which indicate that Salafism is not a precursor to violence, but rather the efforts of Salafee scholars offer effective counter-narratives to the jihaadeetakfeeree paradigm. / Old Testament and Ancient Near Eastern Studies / D. Litt. et Phil. (Islamic Studies)

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