Inaug.-diss.--Bonn. / Vita.

Thesis (Ph. D.)--University of Pennsylvania, 1932. / "Reprint of Language dissertation no. 11, published by the Linguistic Society of America, University of Pennsylvania, Philadelphia." Bibliography: p. 138.

Thesis (doctoral)--Kgl. Bayerischen Ludwig-Maximilians-Universität zu München. / Issued in fuller form with 80 illustrations under the title: Spätgotische Grabdenkmäler des Salzachgebietes. Vita. Includes bibliographical references.

Inaug.-dis.--Leipzig. / In German. Lebenslauf. "Litteraturnachweis": p. [7]-10.

Thesis--Munich. / Vita. Includes bibliographical references (p. 103).

The aim of this paper is to examine Horace Walpole's contribution to the reawakening taste for Gothic in the eighteenth century and to relate his curiously ephemeral art forms to the broad historical development of the Gothic. No attempt has been made, except in an incidental way, to treat the initial flourishing of Gothic architecture; that the reader has at least a passing acquaintance with the architecture of the Middle Ages is assumed. Instead, the emphasis has been placed upon the Gothic survival of the sixteenth and seventeenth centuries; as Gothic architecture was virtually eclipsed during this period, many readers may feel that this emphasis is unwarranted. However, some study of the Gothic architecture in these two centuries is necessary in order to understand how and why the Gothic took the turn it did in the eighteenth century. Chapter one is a collection of evidence to show that, despite opinion otherwise, Gothic architecture did survive as a potent force. Chapter two then proceeds to discuss Walpole's creation of Strawberry Hill and to show how the attitudes and skills of previous generations helped to mould its form. The conclusion reached is that Strawberry Hill, while Gothic in design, lacked most of the medieval Gothic spirit; that Walpole was in fact using the Gothic for a new purpose. Chapter three is again a collection of evidence, this time a survey of the prevailing trends in "Gothic" literature before Walpole. In a sense, chapter four is the culmination of this discussion of the Gothic, since here the attempt is made to show how Walpole's Gothic novel, The Castle of Otranto, was at once clearly in the earlier traditions of a classical interpretation of Gothic, and also a forerunner of an entirely new conception of Gothic. Walpole's influence upon later writers and his indebtedness to neo-Gothicizers is made clear by juxtaposing Walpole against the later school of Gothic novelists. To avoid a repetitious summary, some attempt has been made to characterize the essential differences existing between Walpole's Gothic and that of medieval artists by linking Walpole's creations with the rococo. An equation of eighteenth century Gothic with the rococo is of course foolish, and this was never contemplated; rather, the hope was to show that much of the spirit which stimulated Walpole's artistry is also endemic to the rococo. The eighteenth century Gothic, in particular Walpole's contribution, was actually a Gothic-rococo. / Arts, Faculty of / English, Department of / Graduate

This thesis explores trauma related to hysteria through themes of confinement, isolation, and motherhood in the works “The Yellow Wallpaper” (1892) by Charlotte Perkins-Gilman, The Haunting of Hill House (1959) by Shirley Jackson, and The Babadook (2014) directed by Jennifer Kent. Hysteria is explored first as a diagnosis and then as a weaponized term meant to keep women facing isolation and grief in a continuous state of oppression. The gothic and gothic horror genres display these themes through the dark nature of the human mind, which is vital in understanding the stories of the female characters discussed and the traumas they face. The setting of the home is used to acknowledge women’s oppression related to trauma as it is a domestic setting that is known for confining women, particularly when trauma is explored through hysteria and the rest cure, the basis in which hysteria and isolation is explored.

No description available.

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Thesis advisor: Christopher Kelly / Montesquieu famously presents climate and terrain as enabling servitude in hot, fertile climes and on the exposed steppes of central Asia. He also traces England's exemplary constitution, with its balanced constitution, independent judiciary, and gentle criminal practices, to the unique conditions of early medieval northern Europe. The English "found" their government "in the forests" of Germany. There, the marginal, variegated terrain favored the dispersion of political power, and a pastoral way of life until well into the Middle Ages. In pursuing a primitive honor unrelated to political liberty as such, the barbaric Franks accidentally established the rudiments of the most "well-tempered" government. His turn to these causes accidental to human purposes in Parts 3-6 begins with his analysis of the problem of unintended consequences in the history of political reform in Parts 1-2. While the idea of balancing political powers in order to prevent any one individual or group from dominating the rest has ancient roots, he shows that it has taken many centuries to understand just what needs to be balanced, and to learn to balance against one threat without inviting another. Knowledge of the administration of criminal justice has proven the most important to liberty, as well as the most difficult to acquire and put into practice. Montesquieu's attention to accidental causes sheds light on the contradictions within human nature, and the complex relationship between humans and their physical and conventional environments. He shows how nature provides support for both political liberty and for despotism. The wisdom of organizing government with a view to political liberty, as well as the means for doing so, does not follow from human nature in the abstract, but has required reflection on experiences with the consequences of actual governments. By highlighting the dependence of free politics on conditions outside the legislator's immediate control, he encourages reformers to attend to the non-legal supports of political liberty, the limits of human ingenuity, and the risks of unintended consequences. His attention to forces beyond human control provides the occasion to clarify the character of liberal legislative prudence, the art of leading by "inviting without constraining." / Thesis (PhD) — Boston College, 2012. / Submitted to: Boston College. Graduate School of Arts and Sciences.. / Discipline: Political Science.