Aux trois moments que constituent d’abord la décennie 1550, temps fort de la conversion nobiliaire au protestantisme, puis le temps des affrontements religieux de 1560 à 1598, et enfin celui de la fondation de l’absolutisme, à quelle fidélité le gentilhomme réformé doit-il consentir en ces temps d’incertitudes où désormais l’unité religieuse n’existe plus ? Obéit-il à une fidélité confessionnelle dictée par sa conscience ou à une exigence politique et relationnelle qui le lie naturellement, et à son seigneur, et à son roi ? Si le noble de foi réformée ne ressent pas au XVIe siècle de contradiction entre les deux sphères, celle du politique et celle du religieux : il n’a pas en effet le sentiment de se couper de son roi, en combattant dans les rangs de l’armée protestante, bien au contraire. Progressivement la distance se creuse vis-à-vis de ces seigneurs, et on perçoit alors l’extrême liberté des attaches politiques qui les lient au chef de parti. Mais la revendication d’une liberté irrépressible n’est rendue possible que par une stratégie mise en place de longue date par ces nobles protestants. Celle-ci repose d’abord et surtout sur une base solide et indéfectible, une nébuleuse d’amis et de parents. La proximité avec l’Angleterre et la Cour d’Elisabeth facilite également cette attitude distancée. Enfin, au XVIIe siècle, elle s’appuie aussi sur le véritable bouclier qu’a pu représenter l’édit de Nantes pour la noblesse ; ce dernier permet l’établissement d’un culte de fief et les protestants nobles chercheront à exploiter tous les ressorts juridiques du texte pour préserver leur foi intacte. Les alliances matrimoniales et l’action des femmes, filles ou épouses, serviront à la consolidation de la foi réformée. Alors que la répression, ciblée sur quelques individus, n’épargne pas le second ordre, certains nobles chercheront à trancher le dilemme soumission par la conversion ou désobéissance par l’exil, en dissociant les deux services, en refusant de choisir entre Dieu et le roi. / The important steps of French nobility: At first, 1550: part of the French nobility chooses to Protestantism. Then, 1560 and 1598: the French Religious Civil Wars. Finally, it was the start of Absolute Monarchy. When the unity of the Faith no longer existed, the choice of the French nobility was either to be faithful to the King or to god. Therefore, there were a gap between the religious faith and the political loyalties to the King. At first, the French nobles kept trusting their King, but a certain misunderstanding started to develop and the nobles gradually chose freedom over their loyalty to the French King. England’s proximity and Elisabeth 1st’s Court help them keep their distance with the King. They could rely on too their friends and family and parents to keep their faith alive, and the Edict of Nantes re-established the French nobility’s civil and religious rights. However the persecution of the Protestant did already start. Therefore many French Protestants nobles chose exile. Otherwise they were banished by the French Kingdom. Some of them hid their real faith, refusing to have to choose between their God and their king.

This MA thesis is concerned with the analysis of three poems by Dante Gabriel Rossetti. The theoretical basis of this work is the theory of "ut pictura poesis" which examines the relationship between poetry and fine arts. In the case of Rossetti, this theory can be easily applied since Rossetti was not only a poet but mainly a painter. "The Blessed Damozel" which is the first poem to be analyzed, exists as a painting as well as a musical composition by Claude Debussy. The second poem in this thesis is "The Card Dealer" which was inspired by an actual painting by Theodor Van Holst, a copy of which Rossetti himself owned, though the original visual image is considerably modified in the poem. The last poem is "My Sister's Sleep" whose dramatic elements of individual scenes are quite outstanding. Just like the two preceding poems, "My Sister's Sleep" uses "painterly techniques" as well (the spatial composition of figures on the scene, emphasis on details, "painting" the scene and atmosphere, characterization, gestures, colours, materials, slowed-down tempo, general stasis of depiction, elongation of the tense moment to which the entire poem aspires, symbolism, mysticism, etc), which in effect create an easily imaginable mental picture that can be compared to actual Pre-Raphaelite paintings. These (and...

This diploma thesis deals with mestizaje and illegitimacy matters within Chile and Latin America. In consequence, it is focusing on reflexion of these phenomenons in literature, principally in essays. In the introduction to the thesis, I describe unique and peculiar features of Chilean identity and there also appears a definition of the chilenidad conception. The main attention is concentrated on el huacho figure as it symbolizes Chilean illegitimacy and mestizaje. The main aim of this thesis was to find out similar and dissimilar attributes between the huacho and Chilean society. In addition, patrial aim was to decide whether the huacho belongs either to location or to community. Final part is dedicated to comparison of huacho and pachuco figures and, it also confronts Chilean essays with Octavio Paz essay works. Powered by TCPDF (www.tcpdf.org)

The aim of this diploma thesis is to point out how personal experience and memories on the drug violence that was common in Colombia during 80's - 90's reflect in the novelistic works of a few contemporary Colombian writers. The thesis is based on the following five novels: Noticia de un secuestro (Gabriel García Márquez), El olvido que seremos (Hector Abad Faciolince), El ruido de las cosas al caer, Reputaciones (Juan Gabriel Vásquez) a La luz difícil (Tomás González). Aforementioned books were published after the year 2000 (Noticia de un secuestro makes an exception), thus they come from the writers that represent same generation. Almost all of the analyzed books are connected with the topic of terrorism of drug mafia and they take interest in the life of ordinary people. By analyzing novels, the thesis tries to point out also another topics, such as death or power of the fame and public opinion in the country. In each novel are analyzed also autobiographical features, language style and the process of the creation of the text. The last chapter contains memories and opinions of ten Colombian respondents which we can compare with the memories of the writers. Thanks to these opinions we can imagine not only the past of Colombia but partly also her current state. Key words: contemporary Colombian...

Dissertação apresentada ao Programa de Pós-Graduação Interdisciplinar em Estudos Latino-americanos da Universidade Federal da Integração Latino-Americana, como requisito parcial à obtenção do título de Mestre em Estudos Latino- Americanos. Orientador: Prof. Dr. Bruno López Petzoldt. / Submitted by Luis Eduardo Pereira (l.edupereira@hotmail.com) on 2017-04-26T16:56:49Z No. of bitstreams: 1 Dissertação revisada FINAL.pdf: 2370088 bytes, checksum: 58526bd349803aebf251cf28cba29ce1 (MD5) / Approved for entry into archive by Nilson Junior (nilson.junior@unila.edu.br) on 2017-04-26T17:24:24Z (GMT) No. of bitstreams: 1 Dissertação revisada FINAL.pdf: 2370088 bytes, checksum: 58526bd349803aebf251cf28cba29ce1 (MD5) / Made available in DSpace on 2017-04-26T17:24:24Z (GMT). No. of bitstreams: 1 Dissertação revisada FINAL.pdf: 2370088 bytes, checksum: 58526bd349803aebf251cf28cba29ce1 (MD5) Previous issue date: 2017-04-26 / The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as backround. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works "La increíble y triste historia de la cándida Eréndira y su abuela desalmada" (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse. / O objeto central de estudo assumido neste trabalho são os diálogos midiáticos e semióticos da relação cinema-literatura. Essa relação principal será observada tendo como pano de fundo representações ligadas ao imaginário cultural latino-americano. A partir de múltiplos fatores e modelos de estudo que incluem o cinema, busca-se analisar o movimento do processo criativo entre as obras “La increíble y triste historia de la cándida Eréndira y de su abuela desalmada” (1972), de García Márquez, e o filme Eréndira (1983), de Ruy Guerra. Para além de cuidar de uma relação de análise na qual o filme é apenas baseado no conto, busca-se pensar como os contextos culturais dos artistas e os potenciais representativos das mídias em jogo ressignificam leituras que se materializam criando uma interpenetração dos discursos artísticos. Portanto, o presente trabalho empenha-se em apresentar leituras cruzadas que possibilitam compreender o tratamento de questões culturais representadas no conto pelo ponto de vista dos recursos cinematográficos e o mesmo ao revés.

Ng Chui-yin, Christine. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 148-156). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgement --- p.vi / Contents --- p.vii / "Introduction: History, Fiction, and Narrative" --- p.1 / History and Narrative in Traditional Historical Narrative --- p.4 / A Rethinking of the Relationship between History and Narrative --- p.6 / Historical Narrative in a Postcolonial Context --- p.21 / Historical Novel Writing and Postcolonial Counter Discourse --- p.26 / Chapter Chapter One: --- Resistance to Solitude: Garcia Marquez's Vision of a New World in One Hundred Years of Solitude / Imperial Historical Narratives and Latin America --- p.35 / Magical Realism and Historical Representation of Latin America --- p.44 / "Solitude, Family History and the Problem of Identity" --- p.59 / Conclusion --- p.71 / Chapter Chapter Two: --- Midnight's Children and Hybridity / Imperial Historical Narratives and India --- p.74 / Metafictional Writing and Historical Novel Writing --- p.80 / Hybridity of Indian Cultural Identity --- p.91 / Conclusion --- p.101 / Chapter Chapter Three: --- Non-resistance to National Historical Narratives: Xi Xi's Flying Carpet / "British Colonial Narratives, Chinese National Narratives and Hong Kong" --- p.102 / Fairy-tale Realism and an Alternative Historical Representation --- p.112 / The Representation of the HongkongnesśؤHeterogeneity and All-inclusiveness --- p.119 / Conclusion --- p.129 / Conclusion: Postcolonial Counter Discourse in Historical Novel Writing --- p.131 / Notes --- p.141 / Work Cited --- p.148

El presente trabajo busca comprender y explicar los procesos compositivos del ballet La delicadeza de lo sublime, de Gabriel Iwasaki. Para lograrlo, primero será necesario fundamentar la postura estética adoptada para esta obra, para lo cual se realizará una reflexión y crítica sobre la estética musical académica contemporánea. El resultado de dichos procesos reflexivos hará posible proponer una visión particular sobre cómo entender la apuesta estética del ballet. Por ser el amor un eje central en el guion del ballet, se reflexionará sobre la vigencia de temas como este en la composición musical. Se explicará hasta qué punto la composición de la obra ha sido influida por vivencias pasadas del compositor y ha constituido un mecanismo de maduración emocional frente a un proceso de duelo personal, razones por las cuales será necesario evaluar el rol del inconsciente a lo largo del proceso de composición. En cuanto a lo propiamente musical, se explicará el proceso de concepción de la música, su elaboración y subsiguiente desarrollo, así como la forma en la cual el compositor ha hecho uso de recursos musicales para representar y reforzar los conceptos planteados en el guion del ballet a través de la composición. / The aim of this study is to understand and explain the compositional processes of the ballet La delicadeza de lo sublime (The Delicacy of the Sublime) by Gabriel Iwasaki. In order to achieve this, it was firstly necessary to substantiate the musical aesthetics stance of this piece, for which a reflection and criticism of the aesthetics of academic contemporary music is needed. The result of these processes of reflection will enable to propose a particular vision on how to understand the musical aesthetics of the ballet. Since love is the focal point in the script of this ballet, it is necessary to reflect on how valid it is to touch on these topics nowadays. The study will explain to what extent the composition of the ballet has been influenced by past experiences of the composer and has worked as an emotional growth mechanism to deal with a personal grief process, which is why it will be necessary to assess the role the unconscious mind plays throughout the compositional process. In regards to the musical aspect, this study will show the conception process of the music, its elaboration and following development, as well as how the composer has made use of different musical resources to represent and reinforce the concepts established in the ballet script through composition. / Tesis

Made available in DSpace on 2016-04-29T14:27:25Z (GMT). No. of bitstreams: 1 Rodrigo Pires Vilela da Silva.pdf: 615859 bytes, checksum: 238dc87ffc85dfae925e2752d596999a (MD5) Previous issue date: 2014-05-06 / This dissertation develops on the issue seen as hagiographic literature from the life of Father Gabriel Malagrida which aims to extract an understanding of holiness from the colonial era . Problematizes the subject , with the backdrop of theological reflection , questions such as: What is the cultural context in which the narratives of the life of Malagrida then inserted ? You can establish a hagiographic model of holiness from the investigation of biographies of Malagrida ? What is the relationship that we establish between narrative Matias Rodrigues , Life of Father Gabriel Malagrida and more relevant information about the lives of saints hagiographic work , Legenda Aurea ? The method used is the investigation of literary , biographical and hagiographic literature of life Malagrida and other texts that contribute in understanding the thematic sources. The research aims to contribute to this approach in the valuation of a character of historical importance to Brazil , Jesuit Malagrida . It was found , first, that the current model of holiness has its origins in the medieval conception of Portuguese mother permeates all Brazilian colony . Then proved the hypothesis that an investigation of biographical works Malagrida views from the understanding of hagiographic literature , could provide us sufficient evidence to establish a model of colonial medieval holiness. Finally , we relate this concept to the hagiography contained in Legenda Aurea in order to delineate this paradigm of holiness / Esta dissertação desenvolve-se acerca da questão hagiográfica entendida como literatura a partir da vida do padre Gabriel Malagrida do qual pretende-se extrair a compreensão de santidade da época colonial. Problematiza-se o assunto, tendo como pano de fundo da reflexão teológica, questionamentos como: Qual o contexto cultural em que as narrativas da vida de Malagrida então inseridas? É possível estabelecer um modelo hagiográfico de santidade a partir da investigação das biografias de Malagrida? Qual é a relação que podemos estabelecer entre a narrativa de Matias Rodrigues, Vida do padre Gabriel Malagrida e a obra hagiográfica mais relevante sobre a vida dos santos, Legenda Áurea? O método utilizado é a investigação de fontes literárias, biográficas e da literatura hagiográfica da vida de Malagrida e de outros textos que contribuíssem na compreensão da temática. A pesquisa pretende com essa abordagem contribuir na valorização de um personagem de importância histórica para o Brasil, o jesuíta Malagrida. Verificou-se, primeiramente, que o modelo de santidade vigente tem suas origens na concepção medieval de matriz portuguesa que impregna toda a Colônia brasileira. Em seguida, comprovou-se a hipótese de que uma investigação das obras biográficas de Malagrida vistas a partir da compreensão da literatura hagiográfica, poderia-nos fornecer elementos suficientes para estabelecer um modelo de santidade medieval colonial. E por fim, relacionamos essa concepção com a hagiografia contida em Legenda Áurea de modo a delinear esse paradigma de santidade

Made available in DSpace on 2015-04-22T22:06:23Z (GMT). No. of bitstreams: 1 wagner vicente.pdf: 2089743 bytes, checksum: 6661b777a0ac7e6692b2418e057d2896 (MD5) Previous issue date: 2013-02-25 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Aiming to assess the degree of implementation services oral health care in the municipality of São Gabriel da Cachoeira - AM we conducted a survey of evaluative implementation analysis addressing the determinants contextual dimensions with emphasis on structure and process. The strategy used was the single case study. A logical model and an evaluation matrix was developed as a reference for assessing the degree of implementation of the services to be evaluated. Information was collected from semi-structured interviews with key informants and documentary analysis. The study results showed a degree of implementation of oral health services rated as acceptable (50,25%). Regarding size structure obtained a degree unsatisfactory deployment in all units analyzed. With the exception of unit F which showed a poor level of implementation regarding the process dimension, the other units showed an acceptable degree of implementation. This study revealed deficiencies in the infrastructure of health facilities, need for improvement in the information system and planning as well as changes in sub dimensions access and promoting and protecting the health of DSEI / ARN. / Com o objetivo de avaliar o grau de implantação dos serviços de atenção à saúde bucal no município de São Gabriel da Cachoeira - AM foi realizada uma pesquisa avaliativa do tipo análise de implantação abordando os determinantes contextuais com ênfase nas dimensões estrutura e processo. A estratégia utilizada foi a de estudo de caso único. Um Modelo lógico e uma matriz avaliativa foram elaborados como referência para apreciação do grau de implantação dos serviços a serem avaliados. As informações foram coletadas a partir de entrevistas semiestruturadas com informantes-chaves e análise documental. Os resultados do estudo mostraram um grau de implantação dos serviços de saúde bucal classificado como aceitável (50,25%). Em relação à dimensão estrutura obtiveram um grau insatisfatório de implantação em todas as unidades analisadas. Com exceção da unidade F que apresentou um grau de implantação insatisfatório em relação à dimensão processo, as demais unidades apresentaram um grau de implantação aceitável. Esse estudo revelou deficiências quanto à infraestrutura das unidades de saúde, necessidade de melhoria no sistema de informação e planejamento além de mudanças nas subdimensões de acesso e promoção e proteção de saúde do DSEI/ARN.

Partindo da noção de interdisciplinaridade, este trabalho, realizado na área da literatura comparada, centra-se na relação entre o escritor Gabriel García Márquez e o pintor Fernando Botero, com ênfase na interpretação da realidade colombiana presente nas obras desses artistas. Os quadros de Botero – O Capitão, Retrato Oficial da Junta Militar, O Jogador de Cartas, A Casa de Amanda Ramírez, A Rua e Cena Familiar – são analisados em comparação à obra Cem anos de solidão, de Gabriel García Márquez. O foco está nos personagens retratados, sendo esses os militares, as prostitutas e amantes, os empregados, o povo e a família, representantes da sociedade colombiana da qual fazem parte os dois artistas. Para tanto, faz-se incursões teóricas em distintas direções: a interdisciplinaridade na literatura comparada e a pintura como representação. Dessa forma, estabelecem-se elos entre os dois autores e suas respectivas obras. / Beginning with interdisciplinarity notion, this work has been made in the comparative literature’s area, its center is in the relation between Gabriel García Marques writer and Fernando Botero painter, with emphasis in Columbian’s reality interpretation that has been present in theirs works. Botero’s pictures – The Captain, Official Portrait of the Military Joint, Carts Player, Amanda Ramírez’s House, The Street, and Familiar Scene has been studied in the same manner like Cem anos de solidão, work by Gabriel García Márquez. The focus is the people worked like these militaries, prostitutes and lovers, employers, people and family; they are representatives in Columbian society. In this society, two artists, Gabriel García Marques writer and Fernando Botero painter, have been included in it. Then, theoretical incursion has been made in different directions: the interdisciplinarity in comparative literature and the picture like representation. It has settled a link between the authors studied and theirs works.