LEISURE CENTRUM ON THE BORDER OF TWO TERRITORIAL UNITS. RIVER SVRATKA AS A BORDERLINE, RIVER SVRATKA AS A CONNECTION POINT. DESIGN OF A BUILDING AND URBAN STRUCTURE IS BASED ON THE MOVEMENT OF THE RIVER AND ON THE VISUAL CONNECTION OF THE TWO RIVER SIDES. TWO WAYS ARE CROSSING AND IN THE MIDDLE CREATING DOMINANT. POINT OF INTEREST. PLACE OF RELAXATION. IDEAL HAPPY DAY.

Diploma thesis deals with embankment of the river Svratka in Brno. The project follows two previous semesters when I elaborated the analysis of embankment and also designed small interventions. The project tries to support the activities along the river to attract people to visit its embankment. One of the designed interventions is the "Sculpture Park" - nature gallery of sculptures. The thesis also deals with the design of objects which are dedicated to housing for the elderly. This housing is supplemented by public facilities which serve both accommodated people and people nearby.

Completion of the ring - the completion of the city ring road in the quest reserves the historical city center

In this thesis I consider Henry Scheffer's Entrée de Jeanne d’Arc à Orléans, le 8 mai 1429 (1843) in relation to female audiences of the July Monarchy. As a part of the larger Galerie des Batailles in the Musée Historique instituted in 1837 by Louis-Philippe, Entrée de Jeanne d'Arc has been addressed relative to the political objectives of the monarchy. Limited scholarship surrounding the Galerie des Batailles has focused on its evolution from royal apartments in the château de Versailles to public museum. However, the broadening of audiences during the July Monarchy and potential points of engagement between viewer and artwork have remained largely overlooked, especially in relation to Scheffer's Entrée de Jeanne d'Arc. Though feminist scholars have addressed the formation of the female spectator in post-revolutionary France, women in the art world during the July Monarchy remain understudied. This thesis discusses the expanding of audiences to whom Salon artists and Louis-Philippe were trying to appeal. The emergence of books and periodicals directed towards women during the July Monarchy, as well as the renewed interest in historicism affected female viewers' interaction with Scheffer's Entrée de Jeanne d'Arc. Additionally, the unrecognized fervor surrounding women of the July Monarchy who sought to emulate noble women of the past reflects these opportunities for women viewers. The emergence of contemporary women who were associated with the historical heroine, including Marie d'Orléans, expanded women's understanding of their place in history and their engagement in political, religious, and literary change within the public sphere. I attempt to show how all of these overlooked contextual circumstances empowered the viewing position of the female viewer in relation to Scheffer's Entrée de Jeanne d'Arc.

Aux alentours de 1830, le romantisme s'impose sur les scènes théâtrales. À une manière nouvelle d'envisager le ballet fait écho une manière nouvelle de le représenter. Celui-ci peine toutefois à se dire pour lui-même, et dans cette bataille du dire, c'est la danseuse, à défaut de la danse, qui devient l'objet principal des représentations. La ballerine cristallise le dualisme essentiel de l'imaginaire romantique et se retrouve au cœur d'une entreprise de mise en légende et de légitimation de l'art chorégraphique. Le dire de la danse passe désormais par une mythographie. L'enjeu ultime est dans la définition du corps romantique de la danse. Les procédures de mythification déterminent un corps proprement décent - le corps glorieux de la danse. Ce corps métaphorique n'est pourtant que l'avers d'un autre corps - le corps terrestre de la danse. Dans les envers du théâtre est ainsi dévoilé le corps de la danse au travail, corps faillible et souffrant, éternel prix à payer de la féerie. / Around 1830, Romanticism prevails on theatre stages. The new perspective on performance as a whole leads to a new perception of ballet. However, ballet struggles to assert its specificity and in the battle of words that unfolds, the ballerina, rather than the ballet, becomes the main focus onstage. The ballerina cristallizes the duality that is key to the Romantic vision. She thus finds herself at the heart of a campaign to elevate her to the status of legend, which is also a way for ballet to gain recognition. The narrative of ballet, from this point onwards, has to rely on a mythography. What is ultimately at stake is the definition of the Romantic dancing body. The mythologizing process creates a chaste body : the glorious dancing body. However, this metaphorical body is but the antithesis of another one : the earthy dancing body. Finally, it is backstage in the theatre that the dancing body is unveiled at work, frail and in pain, forever the price to pay for enchantment.

This Master thesis with a title of "The Art Scene in Zlín in Sixties" considers Zlín's culture of the era on the institutional level. It consists of three main parts including the issues of (1.) the Regional Gallery of Fine Arts in Zlín (called Gottwaldov during the era of communist regime in Czechoslovakia from 1949 to 1989), (2.) The Gallery Dílo Gottwaldov, a branch of ČFVU (the Czech Archive of Art), and finally (3.) The Design Competition for Theater of Workers. This thesis aims to describe foundation, development, work and exhibition activities for both galleries. The chapter about the Regional Gallery also pursues acquisition activity of the Institution. A part of the thesis dealing with a competition to decorate Theater of Workers describes development of the competition since its manifestation, follows the announcement of a winning designs and considers the official opening of the building as well. The competition was launched for the construction of monumental sculpture in front of the Theater, the monumental mosaic for the front lobby of the Theater, sculpture in the fountain in a park behind the Theater and decorative textile curtain for the stage.

Elisa est un oscillateur saphir cryogénique (CSO) dont la vocation est d'équiper la nouvelle station sol de l'ESA. Les performances requises sont une stabilité de fréquence σy (τ) ≤ 3 × 10−15 pour τ ∈ [1 − 1000 s] et un bruit de phase Sφ (1 Hz) = −93 dB.rad2 /Hz pour une autonomie de 2 ans. Cette référence de fréquence doit également possèder des sorties aux fréquences de 10 GHz, 100 MHz et 5 MHz pilotées par le CSO. Elisa intègre dans une boucle d'entretien un résonateur saphir (Al2 O3 ) excité sur des modes de galeries (WG) et refroidi à 4,2 K dans un cryogénérateur. A cette température, le facteur de qualité à vide peut atteindre 1 × 109 . Le mode opérationnel W GH15,0,0 a été choisi par rapport à notre savoir-faire et à la littérature. Sa fréquence de résonance a été fixée à 10GHz - D où D est un “intervalle de confiance” égal à 10 MHz. La fréquence de 10 GHz est suffisament éloignée des fréquences de transition des ions paramagnétiques présents dans le cristal de saphir et l'écart de fréquence D permet de faire face aux tolérances d'usinage. D peut être compensé par l'intermédiaire d'un “Direct Digital Synthesizer” intégré dans le chaîne de synthèse pour atteindre 10 GHz. Les dimensions du cylindre de saphir ont été calculées par la méthode des éléments finis. Après avoir validé les caractéristiques du résonateur, différentes méthodes de couplage ont été expérimentées dans le but d'atteindre une sélection modale performante. Tous les éléments nécessaire à la construction d'Elisa sont analysés en détails. Une méthode originale de mesure de bruit d'amplitude de détecteurs quadratiques, l'étude d'électroniques faibles bruits, le principe d'une chaîne de synthèse sur base d'un DDS et la description de deux technologies cryogéniques sont présentées. Pour ces dernières, nous avons focalisé notre étude sur un modèle de cryogénérateur à faible vibration mécanique. Les performances démontrées par Elisa satisfont le cahier des charges de l'ESA. Une stabilité de fréquence inférieure à 3 × 10−15 a été mesurée pour τ ∈ [1 − 1000 s]. Elle atteint 1, 4 × 10−15 à τ = 20 s. La mesure de bruit de phase montre Sφ (1 Hz) = −98 dB.rad2 /Hz. La chaîne de synthèse permet le tranfert des performances du CSO aux fréquences de 10 GHz et 100 MHz. La stabilité journalière de 4, 5 × 10−15 place Elisa à l'état-de-l'art.

Nowdays, cultural institutions use modern ways how to communicate to people. Institutions tend to be interactive and engaging attendes to expositions. Technological improvements bring even new kinds of art pieces presentation. Thesis focuses on virtual gallery concept, called Google Art Project. Concept brings selected art pieces from art colection institutions. Google Art Project has given opportunity to use high quality technology to upload institutional works for free. In fact platform enables closer interaction than before. Work gives complex understanding on project technical and organisational point of view. Further focuses on Czech Google partnership organisations, stress is put on mutual perception of cooperation, technological tasks, views, whole project contribution and at the same time on Google Cultural Institute communication.

O presente estudo tem por objeto o processo de tradução e suas dificuldades a partir da análise da obra La Chasse-Galerie, do escritor franco-canadense Marie-Louis-Honoré Beaugrand (1848-1906). Nosso objetivo é mostrar as diferentes marcas culturais e linguísticas presentes na citada obra e os caminhos percorridos para encontrar uma tradução capaz de transpor, a partir da língua alvo, os mesmos significados e os mesmos sentimentos expressados na língua de partida, sem que a obra parecesse estrangeira aos olhos do leitor. Para atingir esse objetivo, tomamos por base os conceitos teóricos de Eco (2007) sobre a tradução que afirma que quando se traduz nunca se diz a mesma coisa, mas quase e Berman (2002), porque o seu posicionamento é o de que, uma tradução só é boa ou bem sucedida quando o tradutor deixa nela as marcas do estrangeiro, isto é, deixa entrar a cultura do estrangeiro (do texto de partida) para dentro da sua cultura (texto de chegada). / The object of study of the present research is the translation processes and their difficulties. Based on La Chasse-Galerie, the piece of the French-Canadian writer Marie-Louis-Honoré Beaugrand (1848-1906), we aim at demonstrating the various cultural and linguistic aspects present in the mentioned work as well as the methods we used to reach a translation capable of transmitting to the target language the same meanings and feelings expressed in the original language of the tale without making the piece strange to the readers eyes. To meet this goal, we used the translation theory by Eco (2007), according to which something translated never says the same thing, but nearly, and by Berman (2002), because he believes an effective translation is the one which allows the reader to recognize traces of the source text, that is, traces of the original culture.

Ces travaux de thèses portent sur l’étude de la dynamique du laser à mode de galerie dans le but de réaliser une source micro-onde en utilisant un laser à mode de galerie doublement monomode. Nous montrons ici les résultats expérimentaux sur le bruit relatif d’intensité (RIN) d’un laser à mode de galerie en verre ZBLALiP dopé aux ions Er3+. Outre l’aspect performances d’utilisation du laser, le spectre de RIN donne un certain nombre d’informations sur la dynamique du laser (temps de vie des photons, taux de pompage effectif, sources de bruit, ...).Les très forts facteur de qualités de ces résonateurs ainsi que leurs propriétés de confinement spatial amène un couplage non-linéaire etre les photons et les atomes du milieu amplificateur, faisant apparaitre dans le spectre de RIN des harmoniques de la fréquence de relaxation du laser. Le modèle harmonique développé permet d’estimer le volume de mode du mode de galerie en régime laser, quantité difficilement estimable dans ce régime d’émission. D’autre part, les mesures de RIN réalisées sur un verre industriel IOG-1 codopé Yb3+/Er3+ montrent la signature d’un couplage modal, induit par la diffusion Rayleigh, où les deux modes couplés fonctionnent au dessus du seuil laser. La dynamique de ce laser est également étudié et les comportements obtenus sont mis en parallèle avec les études réalisées sur le gyro-Laser à l’état solide. / This thesis presents the studies of whispering gallery mode laser dynamics in order to realize a micro-wave source using simultaneous oscillations in a unique whispering gallery mode micro-laser. We show experimental results on the relative intensity noise (RIN) of a Whispering Gallery Mode Laser in ZBLALiP glass doped with Er3+ ions. Besides the pure laser specifications, the RIN spectrum gives informations about the dynamics inside the cavity, such as photon lifetime, effective pumping rate and noise sources. Moreover, we have shown that a single-mode emission comes with the presence of multiple harmonics of the relaxation frequency. The theoretical model taking account the non-linear coupling between photons and atoms allows us to determine the mode volume of the whispering gallery mode in laser regime, which is quite difficult to evaluate in this regime. On the other hand, we have studied the laser dynamics in an industrial IOG-1 glass codoped with Yb3+/Er3+ ions where the signature of a modal coupling, induced by Rayleigh scattering, lies in the RIN spectrum. In this particular case, the two coupled modes operate above threshold. The observed behavior is compared with thoses of a solid state gyro-laser.