Abstract: This thesis aims to explore how utopian desires re/shape the posthuman, cyberspace and histories by means of information technologies in William Gibson¡¦s Idoru and All Tomorrow¡¦s Parties, which construct a fragmented but subversive power by representing the world in a utopian text that allows the free play of ideology. Gibson uses utopian imagination to cobble together a near future that reflects his concern with information technologies and media over contemporary society. Utopian imaginations on the one hand open up possibilities and transform fixed ideas; on the other, utopian imaginations are easily turned into utopian desires that are subject to manipulation if utopian designers want to sell. I intend to discover how desires to realize a utopia (body, space, and history), which is the ultimate goal of utopian program, are being manipulated by utopian designers. I will mainly adapt and blend Katherine Hayles¡¦s notion of the posthuman perspectives to challenge human possibilities, Donna Haraway¡¦s notion of the cyborg as a blasphemy to Western traditions, Louis Marin¡¦s Disneyland analysis as an apparatus to examine utopic expressions in William Gibson¡¦s textual constructions of utopias, and Walter Benjamin¡¦s notions of material historiography and history¡¦s messianic power in tracing individual memories under a capitalist contextualized History. In Chapter One, I will argue that Idoru as well as Idoru metamorphosize from a dialectical structure into an informational pattern-random structure, from a commodity into a posthuman subjectivity. I will adopt Katherine Hayles¡¦s concept of information narratives in explaining the re/shaping of Rei¡¦s body and her concept of the posthuman to explicate the struggle between the posthuman and the transhuman. In Chapter Two I will argue that cyberspace serves as a utopia that brings forth the desire to transcend the flesh. This utopian desire is a transgressive discourse that breaks up the totality of a closed system. Moreover, cyberspace exposes the feedback looping of the discourses of capitalism and anti-capitalism. Respectively, by the representation of virtual Venice and the Walled City, these two utopias write proposals that project discourses of pleasure and criticism for achieving their programs. I will adopt Donna Haraway¡¦s cyborg ontology in explaining cyberspace as a transgressive discourse and Louis Marin¡¦s Disneyland analysis as an apparatus of utopic expressions and the limits of utopia. Next, in Chapter Three, I shall expose how Harwood the capitalist manipulates the world to fit into his utopian proposal: modernization of the city as a manifestation of a utopia by means of cyberspace as a network that connects people globally. To contravene Harwood, Idoru, Laney and the Walled City denizens collaborate to checkmate Harwood¡¦s king. I will elaborate on the interactions between the universal history and the individual histories based on Walter Benjamin¡¦s concept of history.

My dissertation examines some of the ways in which new technologies alter traditional readings of the female body and of feminine subjectivity in contemporary fiction. To illustrate these alterations, I have selected two short stories, one by William Gibson and the other by Margaret Atwood, published in the speculative fiction Tesseracts2 anthology in 1987, both of which deal with disease and women's technological access. Within this context, I examine how feminine sexuality and embodiment are deconstructed and re-written. While historically women have been represented as victims of technology and/or intimately connected with the natural world, I propose that women's increased access to both bio-technologies and communications technologies offers an unprecedented route to self-definition and cultural power. I explore ways in which analogue technology mimics women's reproductive enslavement in Atwood's The Handmaid's Tale, and in which the emergence of digital technology offers some emancipation in The Blind Assassin. Subsequently, I discuss the intersections of sex work and virtual reality in William Gibson's Cyberpunk Trilogy and associated short fiction, demonstrating that digitality is not a panacea for gendered oppression. However, digitized women may have unexpected opportunities for self-definition. In comparing Gibson's Idoru and Atwood's Oryx and Crake, I discuss how women “created” for the male gaze (either virtually or by cloning) may evade that gaze and both assert their individuality and create communities among women with similar origins. Subsequently, I examine the interconnections among women, animals, and food that emerge within technologized cultures. Self-protective anorexia provides a link among Atwood's earliest writing (The Edible Woman) and her most recent (Oryx and Crake, The Year of the Flood), and suggests that the same technological facility which provides access to power also induces profound bodily anxieties in female characters. Building on those anxieties, I conclude with a discussion of the ways in which disability disrupts expectations of feminine embodiment. The constant abjection of women with disabilities is counter-balanced by those women's ability to create radical innovations of technology that transform the larger culture.

My dissertation examines some of the ways in which new technologies alter traditional readings of the female body and of feminine subjectivity in contemporary fiction. To illustrate these alterations, I have selected two short stories, one by William Gibson and the other by Margaret Atwood, published in the speculative fiction Tesseracts2 anthology in 1987, both of which deal with disease and women's technological access. Within this context, I examine how feminine sexuality and embodiment are deconstructed and re-written. While historically women have been represented as victims of technology and/or intimately connected with the natural world, I propose that women's increased access to both bio-technologies and communications technologies offers an unprecedented route to self-definition and cultural power. I explore ways in which analogue technology mimics women's reproductive enslavement in Atwood's The Handmaid's Tale, and in which the emergence of digital technology offers some emancipation in The Blind Assassin. Subsequently, I discuss the intersections of sex work and virtual reality in William Gibson's Cyberpunk Trilogy and associated short fiction, demonstrating that digitality is not a panacea for gendered oppression. However, digitized women may have unexpected opportunities for self-definition. In comparing Gibson's Idoru and Atwood's Oryx and Crake, I discuss how women “created” for the male gaze (either virtually or by cloning) may evade that gaze and both assert their individuality and create communities among women with similar origins. Subsequently, I examine the interconnections among women, animals, and food that emerge within technologized cultures. Self-protective anorexia provides a link among Atwood's earliest writing (The Edible Woman) and her most recent (Oryx and Crake, The Year of the Flood), and suggests that the same technological facility which provides access to power also induces profound bodily anxieties in female characters. Building on those anxieties, I conclude with a discussion of the ways in which disability disrupts expectations of feminine embodiment. The constant abjection of women with disabilities is counter-balanced by those women's ability to create radical innovations of technology that transform the larger culture.

For several millennia man has in some way farmed his waters by holding fish captive in ponds. Not until the second half of the nineteenth century, however, as a result of a general concern in the industrialised nations that fishery stocks were declining, were serious attempts made to breed fish artificially. The most concerted of these attempts in Britain effectively began in 1873 when Sir James Maitland (1848-1897), a Scottish landowner, commenced experiments which evolved into the construction of the world's largest salmonoid piscicultural establishment. This operation, the Howietoun Fishery, sold its produce nationally on the open market, a new departure in pisciculture. It also advanced the piscicultural process scientifically in selectively breeding fish superior to nature's own. Maitland's work was not, in itself, particularly successful commercially. This was not, however, the result of commercial failure on his behalf but rather a reflection of his desire to develop pisciculture for the public good in an attempt to restock impoverished fisheries and to disseminate knowledge in the hope that others would be encouraged to imitate his example on a more commercial basis. Maitland's piscicultural work was highly important to the development of what has today become a significant global industry, though his contribution has not hitherto been recognised. The thesis intends to set out Maitland's piscicultural advances and their significance. It offers a detailed analysis of Maitland's entrepreneurship and casts its net wider to draw in some discussion of his work away from Howietoun, particularly on his membership of the Fishery Board for Scotland where it examines the debate over state support for nineteenth century British science. The thesis concludes with an analysis of the development of Howietoun in the seventy years after its founder's death. In addition to Maitland's own writings, the thesis uses evidence from Howietoun's general records, Maitland's family papers, Fishery Board for Scotland material, and a very wide variety of published sources.

Thesis (Ph. D.)--West Virginia University, 2006. / Title from document title page. Document formatted into pages; contains iv, 228 p. Includes abstract. Includes bibliographical references (p. 219-228).

Because cities act as the primary site for the development and production of new technologies, they arguably act as crossing points into the growing digital environment. As information technologies such as computers, digital networks, and most specifically the Internet become normalized within American culture, a need arises to examine the impact these technologies have on those who use them. Science fiction texts often explore technological influence on the human body, social relationships, and developing culture, and typically utilize cities as settings for this exploration. An examination of four primary science fiction texts, Philip K. Dick's Do Androids Dream of Electric Sheep?, William Gibson's Neuromancer, the Wachowskis' The Matrix, and M.T. Anderson's Feed, and the connections they draw between cities and cyberspace reveal not only an ongoing ambivalent relationship between humans and the technology they create, but also a concern for the growing power of that technology's influence. Louis Wirth's observations of the early twentieth century city serve as a guide in looking at digital cityscapes first as structural, then as social, and finally as points of direct influence on human identity within these texts, suggesting mirrored concerns not only within American culture, but the global digital culture that is forming as a result of the connectivity offered by digital information technologies.

The stories we tell about "the economy" in discourses of regional economic development play an active role in shaping our economic realities. The construction of more equitable, democratic and ecologically-sound economies must involve an interrogation of our assumptions about what “the economy” is, how it works, and how these conceptions shape our senses of agency and possibility. I argue in this thesis that key texts in regional economic development present a concept of economy that renders the interrelationships between social, economic and ecological processes invisible or beyond ethical contestation, restricts the field of economic possibility, and generates a problematic sense of necessity in the pursuit of endless growth and competition. Effectively enacting different forms of economic relationship requires different economic ontologies. After exploring in some detail, through engagement with the work of Butler, Laclau and Mouffe and Latour, the proposition that "the economy" is socially-produced and that economic ontologies can be "performative,” I investigate the alternative economic ontologies of Karl Polanyi, Stephen Gudeman and J.K. Gibson-Graham. Offering a conceptualization of economy as a process of actively constructing livelihoods in which human and more-than-human participation are recognized and the ethical nature of this interdependence is placed at the forefront of economic negotiation and construction, I distill a provisional toolbox of economic questions, concepts and coordinates which might become sites of new learning, imagination and construction when placed in the hands of communities who seek a different kind of development.

We live in a world where not only humans but also any object around us is believed to have agency. A shifting relationship exists between everything, specifically between humans and technology. However, the relationship between humans and technology has become much more complicated in the world of Neuromancer. Technology is projected to have much more agency than humans in the future, going as far as affecting the subjective consciousness and identity of the characters in the novel. This research paper seeks to prove whether the agency of technology has overwritten that of humans in the world of Neuromancer.

Prior research has shown that positive psychological states and attitudes are known outcomes in students who are engaged on their college campus. Although many studies prove this to be evident, literature lacks examination between these two variables. The purpose of the current study was to find a cognitive link between student engagement and the measured outcomes of self-esteem, college self-efficacy, college affiliation, and levels of optimism/pessimism. The study proposed that there is a process of developing an internal sense of presence on campus, which occurs in those students that are actively engaged in activities outside of the classroom. Individual personality traits are additionally measured as a variable for tendencies of involvement. Measurements of presence level in students were analyzed by administering a Campus Presence Scale, modified from the Witmer & Singer Presence Scale. The study subscales that examine levels of student engagement and its outcomes were measured in an online questionnaire format via Qualtrics. A total of 371 students at the University of Central Florida participated in the study. This study hypothesized that students who spend more time on campus engaged in co-curricular activities would display higher levels of presence development. The study also sought a flow of development in these processes, hypothesizing that campus presence mediates the actions in which students engage and their psychological well-being and attitudes towards their institution. Analyses in SPSS were used to examine these relationships. Results indicated that presence is significantly correlated with higher student self-esteem, self-efficacy, college affiliation, and optimism. Results also showed that those involved with student organizations and those who regularly attend campus events are significantly more extroverted and have higher levels of presence, college affiliation and self-efficacy

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