Esta pesquisa tem como objetivo abordar a História da História em Quadrinhos como sendo um ramo da História da Arte, analisando a produção estadunidense das décadas de 1930 a 1960, principalmente as correntes artísticas conhecidas como Era de Ouro e Era de Prata, segundo conceitos como o da Kunstwollen e da Escola de Viena de História da Arte. Tal trabalho tem como objetivo compreender tais movimentos artísticos a partir de suas características e convenções artísticas próprias e das relações que estabeleceram entre si, com outras linguagens e tradições artísticas e com o contexto social e político de seu tempo. Ainda, tem como intuito contribuir para a compreensão do desenvolvimento temático e estético dos estilos artísticos do período e o estabelecimento da História em Quadrinhos como uma linguagem artística autônoma que produziu em um conjunto de tradições estéticas e narrativas próprias. / This research intends to approach the History of Comics as an Art History branch, analyzing US production of the 1930s to 1960s, mainly artistic movements known as the Golden Age and Silver Age, according to concepts such as Kunstwollen and from the Vienna School of Art History. This work intends to understand these artistic movements from its specific features and artistic conventions and the relationships they have established between themselves, with other languages and artistic traditions and the social and political context of their time. Also this research intends to contribute to the understanding of the thematic and aesthetic development of the artistic styles of the period and the establishment of the Comics as an autonomous artistic language that established a set of aesthetic traditions and narratives themselves.

The practical part of diploma work consist of five figurative paintings, medium and bigger sized, made with acrylic colors on the canvas. The whole painting set is called `` Touches{\crqq}. The reflection principle goes trough the entire work and is also the name of subtitle. The reflection is important in a symbolic sense while choosing particular motives and colorful paintings. The work is inspired by the book Golden age written by Czech contemporaneous author Michal Ajvaz. In written section of diploma work the reader gets better idea about the work and each motif as well. There is a description of artistic aims, symbolic, colorness, painting techniques and used material.

The seventeenth century represents formankind the creation of great literary works that narrate the events that occurred in the reality of that time flawlessly. This article wants to analyze the implications and reviews of some literary texts by renowned authors of that time like Miguel de Cervantes and William Shakespeare with modern legal institutions. Also, to think about how literature enriches the science of law. / El siglo XVII representa para la humanidad la creación de grandes obras literarias que narran los sucesos acontecidos en la realidad de aquella época de manera impecable. El presente artículo busca analizar las implicancias y críticas de algunos textos literarios de renombrados autores de aquella época como Miguel de Cervantes y William Shakespeare con instituciones jurídicas modernas. Asimismo, reflexionar acerca de la manera en que la Literatura enriquece la ciencia del Derecho.

O presente trabalho tem como objetivo contextualizar a novela exemplar \"Rinconete y Cortadillo\" no conjunto da obra de Miguel de Cervantes, bem como analisá-la estabelecendo o diálogo com alguns gêneros literários de sua época, como a picaresca e o teatro. Será examinada a trajetória do texto desde sua menção no Dom Quixote de 1605 até a sua publicação entre as Novelas Exemplares em 1613. Serão estudados os diversos discursos presentes na composição da obra, considerada a grande aproximação de Cervantes à literatura picaresca. Ao incorporar elementos do gênero dramático à narrativa, o autor realiza, com comicidade, uma interessante aproximação aos temas cotidianos, assim como a comédia o fazia. Será possível observar como \"Rinconete y Cortadillo\" expõe, de maneira cômica e satírica, algumas máculas e vícios da sociedade sevilhana dos séculos XVI e XVII. / The objective of this work is to contextualize Rinconete y Cortadillo exemplary novel within the works of Miguel de Cervantes and analyze it by establishing a dialogue with some of the literary genres of its time, namely the picaresque novel and drama. This current dissertation examines how the text evolves since it was first mentioned in Don Quixote (1605) until its publication among the Exemplary Novels in 1613. I will analyze the several forms of speech pervading the novel in light of Cervantes propinquity to the picaresque literature .By incorporating into the narrative drama-related elements, the author brings his work to deal more closely with everyday topics, as comedy has been used to. Thereby one can notice how Rinconete y Cortadillo displays, both comically and satirically, certain vices and blemishes present in the 16th- and 17thcentury Sevillan society.

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My thesis explores how female writers of the Golden Age of children’s literature used their domestic stories to convey their visions of a more desirable society to their child readers, and thus to widen their influence beyond the homely sphere. My first chapter reconsiders the nineteenth-century historical circumstances wherein the woman and the child came to be constructed and enshrined as the domestic woman and the Romantic child within the home, and excluded from the public discourses. I then consider how in domestic stories women writers tried to overcome this shared deprivation of autonomy with the child, focusing on the works of Charlotte Yonge, Juliana Ewing, and Mary Louisa Molesworth. It emerges that these women writers were all keen to encourage their young readers to question the boundaries that separate home from the public realm, and to imagine a society wherein these dividing lines would be mitigated and even be extinguished. The thesis argues that these female writers’ literary efforts to exhaust the potential of the domestic story, and that their motivation to provide their child readers a sense of agency were integral in the development of Golden Age children’s literature. Charlotte Yonge’s technique of evoking sympathy for the child characters forged a more intimate relationship between adult author and young reader, and initiated the unsettling of the hierarchy between old and young, and author and reader. Juliana Ewing’s experiments with child narrators and her mingling of adventure and fantasy stories with domestic stories showed successive writers the various directions the domestic story could go. Mary Louisa Molesworth’s nursery stories realized the purpose of Ewing’s literary experiments, as her stories’ natural interweaving of quotidian nursery and fairy tale elements not only alleviated the hierarchy between fantasy and domestic realism, but also opened an era in which the blending of these two modes would become one of the most popular genres in children’s literature.

Ce travail porte sur les représentations féminines dans les nouvelles d’Alonso de Castillo Solórzano. Reflet de l’évolution d’un genre en vogue au XVIIe siècle en Espagne, les nouvelles étudiées sont caractérisées par l’extrême diversité et la complexité des images féminines. Cette étude propose ainsi de révéler les différents visages de la femme et leurs rôles inédits à travers une approche analytique des textes. À travers la perspective féminine, nous montrons que cet auteur privilégie constamment la variété, l’invention et l’admiratio. Son propos est avant tout de divertir et de captiver ses lecteurs.L’étude des représentations collectives et individuelles de l’existence féminine permet de souligner combien l’auteur affectionne les images féminines transgressives et de mettre en évidence l’espace d’autonomie et d’expression accordé aux héroïnes, par le biais d’une écriture spécifique. Sous sa plume, le schéma traditionnel régissant les rapports de domination et de pouvoir entre les hommes et les femmes se voit profondément bouleversé. Loin de revendiquer la cause des femmes ou de remettre en question l’ordre établi, les récits de Castillo Solórzano donnent néanmoins à voir le fléchissement des valeurs morales et les bouleversements qui ont marqué la société espagnole dite « décadente » de Philippe IV. / This thesis focuses on the representation of women in the short stories of Alonso de Castillo Solórzano. Mirroring the evolution of a genre popular in XVIIth century Spain, the short stories here under scrutiny are characterized by the extreme diversity and complexity of the female image. This study proposes to reveal the different faces of women and their new roles through an analytical approach to the text.Through the feminine perspective, we show that the author constantly favours variety, invention and admiratio. His aim is above all to entertain and charm his readers. The study of collective and individual representations of the female existence serves to underscore how much the author loves this transgressive feminine image, and to highlight the area of autonomy and expression granted to heroines, by means of a peculiar writing.Through his pen, the traditional framework governing the relations of domination and power between men and women is seen to be profoundly altered. Far from championing the feminine cause or questioning the established order, Castillo Solórzano's stories demonstrate, nevertheless, the decline in moral values and the upheaval which characterized the so-called « decadent » Spanish society of Philip IV.

The subject matter of the present paper is the culture of the Russian nobility and its image in the 19th century Russian literature. The aim of the thesis is to study the issue of the closeness of the nobility to the Russian nation's culture. The theoretical part of the paper deals with the history of the nobility: its formation, advancement and prosperity. The concepts of «culture», «Russian culture» and their constituents are explored in the thesis next. This part is aimed at analyzing the main elements of the noble class' culture. A philological analysis of the two 19th century literary works, namely «Eugene Onegin» by A.S. Pushkin and «War and Peace» by L.N. Tolstoy, is conducted in the third chapter to identify the elements of the nobility's culture. After the spheres of culture have been established they were analyzed, namely the relation between the upper class' culture and the culture of the whole Russian nation; education and upbringing; everyday culture; life conditions; matters of marriage, family, love and relationships; leisure and social life; the notion of the manor as the center of the countryside culture. The study showed the examples of both elements of remoteness and closeness to the culture of Russian people. Studies carried out in the theoretical and practical part of the...

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