The length of human life is compared with a book. The closed book shows the end of life. To me a book is the source of inspiration, imagination and intention. Some time after reading a book I get a lot of impulses for my new creations. My book of illustrations ”The Tale of Time” is a book about the everlasting circle of life. My book has no reading function as a normal book. The meaning of my book “The Tale of Time” is expressed visually through my emotions about the temporality of human life. The book also contains poems about various periods of life, my thoughts and a part of me.

no / Raymond Pettibon's work sits uncomfortably in the world of comics or cartoons. Instead of jokes or punch-lines, his work promotes an intense form of narrative and exhibits a unique ‘illustrative-comic style’ (O'Connor, The Believer [online], 1995). His work emerged from and reflects upon underground pop culture (rock music, TV, films), and it is the dark side of humanity that his work explores. Pettibon says that he actually prefers writing to drawing and the importance of ‘texts’ can be seen in Raymond Pettibon: A Reader (1998, Philadelphia Museum of Art), a collection in which the written inspirations for his psycho-graphic style is clear. This paper examines how the disturbing subject of Charles Manson oozes into the consciousness of writers, artists and musicians, using Pettibon's work as a powerful case study of this weird phenomenon. Manson has haunted the art of our time; he typifies the way in which, as Pettibon acknowledges, ‘There are certain figures, without even my meaning to do it, that become subjects’ (O'Connor, The Believer [online], 1995). In his cartoons, Pettibon depicts Charles Manson in a variety of ways. This reflects the various multiple readings of Manson and his story evident since his trial and conviction in the late 1960s. Pettibon's links with the American music underground brought him in contact with Manson as a symbol. The media obsession with celebrity – especially ‘bad’ celebrities – is a powerful force which Pettibon addresses. In 1989, Pettibon even made a low-budget movie about Manson and his followers. It is a fascinating intersection of graphic art, music and murder which this paper opens up.

v anglickém jazyce Abstrakt This thesis describes life and work of Ludmila Jiřincová. She was a czech illustrator, painter, graphic and pedagogue. Thesis includes description of her illustration of czech poetry of the 19th and 20th century, especially illustration of poems written by Karel Hynek Mácha, Karel Jaromír Erben and Jaroslav Seifert. Thesis contains three main parts. The first part describes cultural-historical background of Ludmila Jiřincová's life, which was almost the whole 20th century. The second part of the thesis includes work of Ludmila Jiřincová in the area of czech poetry of 19th and 20th century. There are mentioned illustrations made by Ludmila Jiřincová to poems of Karel Hynek Mácha, Karel Jaromír Erben and Jaroslav Seifert. The third part presents her position in the area of czech art in the second half of the 20th century. There are also described expositions of Ludmila Jiřincová. Keywords Ludmila Jiřincová, illustration, graphic, art, poetry, poems, books.

Yes / Background: The growing literature on Patient and Public Involvement and Engagement (PPIE) and dementia identifies specific problems related to the influence involvement has on research outcomes, over-reliance on family members as proxies, and lack of representation of seldom-heard groups. Adaptations to the PPIE process are therefore needed in order to make possible the involvement of a broader spectrum of people living with dementia. Objective: To adapt the PPIE process in order to make participation in co-creation by people living with dementia accessible and meaningful across a spectrum of cognitive abilities. Design: Narrative elicitation, informal conversation, and observation were used to co-create three vignettes based on PPIE group members’ personal experience of dementia services. Each vignette was produced in both narrative and graphic formats. Participants: Nine people living with dementia and five family members. Results: Using enhanced methods and outreach it was possible to adapt the PPIE process so that not only family members and people with milder cognitive difficulties could participate, but also those with more pronounced cognitive problems whose voices are less often heard. Conclusions: Making creative adaptations is vital in PPIE involving people living with dementia if we wish to develop inclusive forms of PPIE practice. This may, however, raise new ethical issues, which are briefly discussed. / National Institute for Health Research. Grant Number: PR-R10-0514-120006

No description available.

Vadovėlio poligrafinė kokybė yra susijusi su mokymosi rezultatais, nes tinkamai parengtas vadovėlis gali pozityviai orientuoti mokinį mokomojo dalyko atžvilgiu, skatinti jo smalsumą, didinti mokymosi motyvaciją tuo atveju, jei vaikui patinka vadovėlio iliustracijos, jei jo tekstas sukomponuotas logiškai, nuosekliai, jei akcentuotini dalykai išskirti išraiškingomis ir matomomis priemonėmis. Problema: Į mokyklas patenka ne tik profesionalūs, kokybiški vadovėliai, t.y. tie, kurie yra įdomūs ir nenuobodūs, neblaško mokinio dėmesio, padeda mokytis bei pažinti, tačiau ir margi, nuobodūs, prastos kokybės tiek maketo, tiek poligrafiniu aspektu, kurie sudaro sudėtingesnes sąlygas mokiniui priimti žinias. Tyrimo objektas: vadovėlių poligrafija, kaip mokymosi veiksmingumą ir pažinimo kokybę ugdantis veiksnys. Tyrimo tikslas: išsiaiškinti humanitarinių vadovėlių poligrafinės ir meninės kokybės santykį su mokymosi ir pažinimo kokybe. Tyrimo uždaviniai: 1) Išanalizuoti su darbo tema susijusią literatūrą ir teisinius aktus, reglamentuojančius vadovėlių leidybą. 2) Išskirti poligrafinius ir higieninius nagrinėjamų vadovėlių ypatumus. 3) Išnagrinėti 6–10 klasių mokinių mokymąsi ir pažinimą lemiančius psichologinius veiksnius. Tyrimo metodai: 1) Teoriniai: teisinių aktų, reglamentuojančių vadovėlių leidybą, menotyrinės, psichologinės ir pedagoginės literatūros, nagrinėjančios vadovėlio poligrafinius estetinius ir higieninius ypatumus, panaudojimas 2) Empiriniai: vadovėlių poligrafinės ir... [toliau žr. visą tekstą] / The quality of a textbook‘s graphic art is related to learning results, because a properly prepared textbook can positively orient the pupil towards the subject studied, can stimulate his curiosity, to increase learning motivation in the case when the child likes the textbook’s artwork, when its text is arranged in a logical, coherent way, when the issues to be emphasized are highlighted by expressive and apparent means. The problem: Not only professional, high quality textbooks, i.e. those that are interesting and not boring, do not distract pupils’ attention, facilitate learning and cognition, but also variegated, boring, low quality, both in terms of layout and graphic art textbooks, which create more difficult conditions for a pupil to accept knowledge find their way to schools. Research object: graphic art of textbooks as a factor developing learning efficiency and cognition quality. Research objective: to reveal the relationship between the humanities textbooks’ graphic art and artistic quality and the quality of learning and cognition. Research tasks: 1) To analyse the literature related to the topic of the paper and the legal acts regulating publishing of textbooks. 2) To distinguish graphic arts’ and hygienic peculiarities of the examined textbooks. 3) To research psychological factors determining learning and cognition of 6-10 grade students. Research methods: 1) Theoretical: Application of legal acts regulating publishing of textbooks, art criticism... [to full text]

Vietnam went through diverse historical development that contributed to the diversity of today's culture and specific craft industry. Vietnamese culture was mostly influenced by China, where we can probably find the origin of folk prints production. Two famous folk prints production workshops gradually developed in northern Vietnam, but many other smaller centers can be found throughout Vietnam. The diversity of folk motives illustrates the richness of traditional vietnamese folk culture. Vietnamese collection from Náprstek Museum started without any approach of systematic collecting, mainly from purchases or gifts of travelers or professionals who reside or traveled to Vietnam for work or research purposes. Within approximately past fifty years collection of vietnamese folk prints has become the most comprehensive part of asian collections from Náprstek Museum.

En beskrivning av ett borgarhus i trä från 1700-talet, tillika grafisk verkstad för konstnärer. Huset Krogen Amerika i Linköping är ett av de äldsta trähusen som är bevarat på sin ursprungsplats. Det sätts här in i en historisk och socialhistorisk kontext. Syftet är framförallt att beskriva hur konstnärsföreningeen " Krogen Amerika- Grafikcentrum i Östergötland" bildades och flyttade in sin verksamhet i det gamla huset. Här ges också en förklarande teori om hur föreningslivets höjdpunkt, grafikens uppsving som konstform och rivningsvågen i Sverige under 1960-1970-talet sammanstrålade och gav upphov till att flertalet konstnärdrivna föreningar bidrog till att rädda äldre byggnader från rivning. Vidare fastställs även varför just kulturaktörer är en exemplarisk grupp vad gäller bevarandet av äldre hus på sin ursprungsplats.

This thesis focuses on the topic of aging and memories connected with a woman's life. Theme is incorporated into the wider art-historical context and secondarily deals with the issue of social status of woman-artist. Attention is among others devoted to the topic of feminine identity and to the outline of links with cultural involvement of women. The thesis concerns with the description of the specifics of the aging process and mechanisms of memory function and remembrance, then it returns to the realm of an individual and a reflection of a personality.

Orientador: Nelson Alfredo Aguilar / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-20T11:12:27Z (GMT). No. of bitstreams: 1 Mol_EliasPerigolo_M.pdf: 45699349 bytes, checksum: 0aa0676c63c1f2a73f7b7c3e9192234d (MD5) Previous issue date: 2012 / Resumo: Este estudo analisa a obra do artista mineiro Amilcar de Castro (1920-2002) e busca as relações existentes entre as suas diferentes produções: o desenho, a pintura, a gravura, sua atuação à frente da reforma gráfica no Jornal do Brasil e o restante de sua produção escultórica / Abstract: This study examines the work of artist Amilcar de Castro (1920-2002). It investigates the relationships between his various activities: drawing, painting, printmaking, his role leading the redesign of Jornal do Brasil as well as his sculpture production / Mestrado / Historia da Arte / Mestre em História