謝尚偉. / "2008年8月". / "2008 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 193-218). / Abstracts in Chinese and English. / Xie Shangwei. / Chapter 第一章 --- 導論 --- p.7 / Chapter (一) --- 緒 言 --- p.7 / Chapter (二) --- 「西南事變」與「兩廣事變」 --- p.17 / Chapter (三) --- 前人研究概論 --- p.21 / Chapter 第二章 --- 國民黨廣東地方政權的特徵 --- p.47 / Chapter (一) --- 革命正統與半獨立實況間的矛盾 --- p.50 / Chapter (二) --- 現代國家建構與地方政權 --- p.54 / Chapter (三) --- 直達基層的軍事教化 --- p.60 / Chapter 第三章 --- 思想灌輸 --- p.73 / Chapter (一) --- 地方主義與國家主義的悖理 --- p.76 / Chapter (二) --- 效忠黨國與叛逆中央的矛盾 --- p.91 / Chapter (三) --- 保守思想與時代潮流的背離 --- p.104 / Chapter 第四章 --- 社會控制 --- p.117 / Chapter (一) --- 軍事化的地方行政系統 --- p.120 / Chapter (二) --- 整飭學風 --- p.130 / Chapter (三) --- 國民革命與專制統治 --- p.140 / Chapter 第五章 --- 軍事動員 --- p.147 / Chapter (一) --- 第一集團軍為主軸的廣東武裝力量 --- p.151 / Chapter (二) --- 派系整肅與嫡系獨大 --- p.160 / Chapter (三) --- 動員的失效 --- p.170 / Chapter 第六章 --- 結語：對國民黨地方政權統治危機的審視 --- p.184 / 參考書目 --- p.193

從浙西詞派已成強弩之末後，學者就將研究重點放在新興的常州詞派身上，是以對常州派未興、浙西派未衰前的詞壇樣貌未予釐清。再者，有「浙派殿軍」之稱的郭麐，力圖進行浙西詞派晚期之嬗變，為了明瞭浙西詞派後期的嬗變情形，以及釐清這段詞史上發展的脈絡，本文即以清代乾、嘉前後詞壇概況為經，而以郭麐詞論為緯，定名為「郭麐詞論研究」。本論文除了緒論與結論之外，共分為六章：第一章〈郭麐其人其事〉：對其生平試作梗概之介紹，希望從中了解郭麐生平經歷是如何影響，並形成他個人特有之生命情調以及其文學觀念與創作表現。第二章〈郭麐詞論產生之背景〉：詞學的產生，無不有其特定的時代背景和詞學自身之歷史發展。所謂知人要論世，為了深入了解郭麐詞論形成的因素及對其所處之時代背景作一通盤了解，筆者擬就其時代背景以及有清一代之詞學流變概況作一探討。第三章〈郭麐詞論淵源〉：郭麐既以浙西派成員自居，故其論詞則盛推朱、厲，並以姜、張為宗。因此，筆者擬同時參看朱、厲詞論，一方面可理解郭麐詞論精髓，一方面也可看出他承繼浙西派詞論的地方。第四章〈郭麐詞論主張（上）〉：由於郭麐所處時代已與朱、厲不同，所要面對、解決之詞壇問題亦有所不同，因此，郭麐詞論可說既有所承繼也有所創新，故本文另就其對浙派詞論改革、發展、補充之處，加以體會和整理，分別剖析郭麐對詞體之內容、流派、創作等方面之主張。第五章〈郭麐詞論主張（下）〉：由於郭麐《詞品》是詞史上第一部有系統地以詞體風格為分類品評之著作，故筆者專立一章來探究郭麐《詞品》之內涵、體製特色與價值，以得見郭麐在詞體風格方面的看法。第六章〈郭麐詞論之特色、價值與影響〉：在針對郭麐詞論的背景、淵源、內容等各方面作深入分析之後，綜合以上各章之探討結果，為郭麐詞學作整體性的評價及省視。並以此為基礎，因鑑於各家對郭麐的評論，將之歸納分析，期對郭麐詞論之成就入一中肯評價。

Thesis (Ph. D.)--Stanford University, 1953.

Thesis (Ph. D.)--Yale University, 1995. / Includes bibliographical references (leaves 227-235).

Thesis (Ph.D.)--Hong Kong University of Science and Technology, 2005. / Includes bibliographical references. Also available in electronic version.

Thesis (Ph. D.)--Hong Kong Baptist University, 2005. / Thesis submitted to the Dept. of Chinese Language and Literature. Includes bibliographical references (leaves 176-199).

The vernacular fiction 'novel' is a genre typically associated with the explosion of commercial printing activity that occurred in the late sixteenth century. However, by that time, representative works such as the Shuihu zhuan and Sanguo yanyi had already been in print for several decades. Moreover, those early print editions were printed not by commercial entities but rather the elite of the Jiajing court. In order to better understand the genre as a print phenomenon, this paper explores the publishing output of one of those elites: Guo Xun (1475- 1542), Marquis of Wuding. In addition to vernacular fiction, Guo printed a number of other types of books as well. This paper examines the entirety of his publishing activities in order to better contextualize the vernacular novel at this early stage in its life in print.

前言部份，將先界定本論文的起止斷限─一八九七年至一九二七年，並說明研究動機 。 第一章定名：張國燾的早年生涯，計分二小節，就傳統與西化衝擊的背景及革命運動 的響往這兩條主脈，探究張氏的早年生活。 第二章定名：逐步走向馬克思主義之路，計分三小節，就時代背景及張氏所受教育環 境的影響，探究其走向馬克思主義的緣由。 第三章定名：張國燾及中國共產黨的成立，計分三小節，由張氏參與中共建黨的實際 工作，及對工人運動的積極態度，探討張氏在中共黨內所扮演的角色。 第四章定名：從容共到清黨，計分三小節，將以國共之分合為經，以中共政策轉變之 緣由為緯，經緯交錯，說明張氏在中共黨內所堅持的理想為何？並解釋之。 結論中將綜合各章，分別就張氏的人格、時代背景、教育環境等等，說明張氏成為中 共黨員的一個歷程，並提昇它的時代意義。

Countries around the world are increasingly making use of public diplomacy methods in order to advance their interests and garner favour with foreign publics, with the aim of creating 'soft power'. One of the most direct methods of doing such is through state-sponsored media outlets, which serve as government mouthpieces with the ability to speak directly to foreign populations. Such practices have recently gained more attention from Western practitioners and academics due to their increased use by countries like Russia and China, and especially in regards to their increasing media presence around the globe. However, this ignores the fact that countries like the United States have been using such outlets since the mid-1900s in openly propagandistic attempts to 'win hearts and minds. In order to understand the practices and ideologies used by such media outlets in their quest to influence foreign publics and create soft power, this research combines a content analysis with a Discourse-Historical Approach to critical discourse studies of two state-sponsored radio programmes, China Radio International and Voice of America, broadcast in March 2016. Of particular interest is the ideology and tactics used to portray countries such as China, the United States, and other countries into which these programmes are broadcast. The results demonstrate that cultural and media values feature subtly but significantly in these programmes, offering justification for their respective governments' actions, while also being used to condemn actions of other countries. Furthermore, the results reveal a hierarchical approach to coverage of countries, with many countries being reduced to inactive bystanders in global affairs.

本論文約九萬字，根據宋郭茂倩所撰「樂府詩集」，選出南北朝樂府中採諸民問者五 百四十七首，而立要部分則分兩大方而進行討論。 一為外緣的研究：首章研究其產生、盛行之社會背，景凡分自然環境、政治因素、經 濟條件以及社會風尚。次章則從文學潮流著手，討論其與民間文學、音樂文學、文人 文學之關係。 二為內在研究：首章先探討其音樂性，凡分曲名、樂器與曲調、唱法、節奏與旋律之 美等。第二章論表現藝術，凡有意象之特、色修辭技巧，分別右以討論。第三章則以 其所表現的世界為主，分別研析南朝庶民的愛情觀、北朝庶民對戰爭的反省、南北朝 婦女的形象以及南北朝人民的生活狀態等。 結論則總結其特色，並論述其對後代的影響，肯定它在中國文學史上的價值。