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1	Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916 Kim, Sangah 21 November 2016 (has links) From the late nineteenth century, works inspired by Western art spread to China and Korea through Japan. Thus, Western art came to be accepted in China and Korea as a reinterpretation of Japan’s development of Western art, rather than a direct transmission from Western sources. This act of reinterpretation went on to have a lasting effect on the practice of Western-style painters in East Asia with their own acceptance modes. This thesis provides a study of self-portraits and nude paintings, two categories of painting without precedent in East Asia prior to the late nineteenth century, created by Kuroda Seiki, Li Shutong, Go Hui-dong, and Kim Gwan-ho in order to illustrate how East Asian countries established their own versions of modern art. Asian art history Go Hui-dong Kuroda Seiki Li Shutong Pan-Asianism Tokyo School of Fine Arts
2	惠棟之經學研究耿志宏, KEN, ZHI-HONG Unknown Date (has links) 第一章緒論。分二節：第一節政治背景，第二節學術風尚，以見當時之學風與惠棟之關係。第二章惠棟之生平考。分三節：第一節惠棟之先世，第二節惠棟之經歷，第三節惠棟之交遊考，以見其一生之梗概。第三章惠棟之家學與著述考。分二節：第一節惠棟之家學，第二節惠棟之著述考。第四章惠棟之易學。分六節：第一節引言，第二節易例探述，第三節周易述探述，第四節易漢學探述，第五節周易本義辨證探述，第六節結語。第五章惠棟之尚書學。分四節：第一節引言，第二節古文尚書考探述，第三節與閻若據古文尚書疏證比較，第四節結語。第六章惠棟之禮學。分四節：第一節引言，第二節明堂大錄探述，第三節禘說探述，第四節結語。第七章惠棟之春秋左氏學。分四節：第一節引言，第二節左傳痡註詁訓略例，第三節左傳補註缺失，第四節結語。第八章惠棟之九經古義學。分四節：第一節引，言第二節九經古義要義敘述，第三節九經古義缺失，第四節結語。第九章結論。總論惠棟治學特色及得失。惠棟經學治學九經古義學春秋左氏學禮學尚書學易學 HUI-DONG THE-BOOK-OF-CHANGE

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Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916

惠棟之經學研究