The main aim of this project is to explore the construction of national identity as performed by members of the Russian-speaking communities living in Scotland through the analysis of intergenerational narratives and conversations between parents and their children appearing in families in everyday situations. The subject of the research is the Russian community living in Scotland. This thesis aims to answer the following questions: How do Russian migrants construct and re-construct their Russianness during the constant process of interpretation of the new reality, new country, new culture. In what way do they attempt to exhibit their Russianness to their children in the process of everyday interaction? How do the children respond to these attempts and how do they contribute and co-construct the creation of identity? Which linguistic means and strategies are used to display and pass on the elements of the identity constructed? Are there any patterns used by adults in identity creations or any likely systematic actions undertaken during the identity performances? Do the adults achieve their intended aims, if they have any? The methodological framework of the thesis exploits Foucault’s, Goffman’s and Blumer’s theories in which the identity is seen as a discursive phenomenon created and shaped by interactions appearing in everyday situations. The empirical data are analysed using Bucholtz and Hall’s sociocultural linguistic approach which enables the embedding of the study of interaction in a broader ethnographic context. Moreover, in the analytical part of the thesis the Conversational Analysis, Narrative Analysis and Membership Categorisation Analysis are employed.

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In this study, I argue that theorizing about the lived experiences of Black diasporic subjects, specifically, Sub-Saharan African women living in the U.S., must simultaneously take into account cultural parameters of their home country and host culture. I use the term “Black feminisms” as an umbrella term to advocate for an interdisciplinary approach to Black feminist thought and African feminism as tools for analyzing the lived experiences of Sub-Saharan women in diaspora. Specifically, this dissertation investigates how Sub-Saharan women living in the U.S. define, understand and orient to feminist practices in everyday life and how such processes shape their identities as diasporic subjects. By doing so, it seeks to examine how Black feminisms can operate as a tool for promoting social justice through the analysis of Sub-Saharan women’s identity politics in diasporic contexts. To gain insights on Sub-Saharan women’s understanding and performance of feminisms across cultures, I relied on a combination of ethnographic methods. First, I used a critical-performance ethnographic framework to explore how feminism is understood and deployed by Sub-Saharan women in diasporic contexts. My data were collected via a combination of in-depth qualitative interviews, co-performative fieldwork, and every day interactions. Second, I used autoethnographic narrative to explore my own everyday performances of feminisms as a diasporic Congolese woman moving between Congolese and American cultures. Participants’ lived experiences reveal that diaspora operates as a liminal/third/”in-between” space where Sub-Saharan women have to constantly negotiate gendered practices in everyday life at the borderland of two cultural worldviews: African and American. By immigrating to the U.S., these women are expected to integrate the cultural and social values of their host culture while maintaining the customs, traditions, and beliefs that constitute their African cultural legacy and which continue to shape their identities in their daily life. Consequently, while participants unanimously agreed on the relevance of feminism for improving the living conditions of African women on the continent and elsewhere, they insisted on a feminist agenda resonant with the peculiarities of African culture, yet promoting cultural exchange between African and American cultures. In light of these findings, this dissertation advocates for a hybrid feminist agenda - which I refer to as “Black diasporic feminism”- applicable to the lived experiences of Sub-Saharan women in diasporic contexts.

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abstract: In this dissertation I present data gathered from an eleven-month qualitative research study with adolescents living and working on the streets of Lima, Peru. Through the pairing of photovoice with participant observations, this work incorporates distinctive methodological and theoretical viewpoints in order to complicate prevailing understandings of street life. In this dissertation, I examine the identities that children and adolescents on the street develop in context, and the ways in which photography can be a useful tool in understanding identity development among this population. Through a framework integrating theories of identity and identity performance with spatial theories, I outline how identity development among children and adolescents living on the street is directly connected to their relationships with the urban landscape and the outreach organizations that serve them. The organizations and institutions that surround children on the street shape who they are, how they are perceived by society, and how they view and understand themselves in context. It is through the interaction with aid organizations and the urban landscape that a street identity is learned and developed. Furthermore, as organizations, children and adolescents come together within the context of the city, a unique street space is created. I argue that identity and agency are directly tied to this space. I also present the street as a thirdspace of possibility, where children and adolescents are able to act out various aspects of the self that they would be unable to pursue otherwise. Weaved throughout this dissertation are non-traditional writing forms including narrative and critical personal narrative addressing my own experiences conducting this research, my impact on the research context, and how I understand the data gathered. / Dissertation/Thesis / Ph.D. Educational Leadership and Policy Studies 2011

This dissertation presents a thick ethnography that engages in the micro-analysis of the situationality of black middle-class collective identification processes through an examination of performances by members of the nine historically black sororities and fraternities at Atlanta Greek Picnic, an annual festival that occurs at the beginning of June in Atlanta, Georgia. It mainly attracts undergraduate and graduate members of these university-based organizations, as they exist all over the United States. This exploration of black Greek-letter organization (BGLO) performances uncovers processes through which young black middle-class individuals attempt to combine two universes that are at first glance in complete opposition to each other: the domain of the traditional black middle-class values with representations and fashions stemming from black popular culture. These constructions also attempt to incorporate—in a contradiction of sorts— black popular cultural elements in the objective to deconstruct the social conservatism that characterizes middle-class values, particularly in relation to sexuality and its representation in social behaviors and performances. This negotiation between prescribed v middle-class values of respectability and black popular culture provides a space wherein black individuals challenge and/or perpetuate those dominant tropes through identity performances that feed into the formation of black sexual politics, which I examine through a variety of BGLO staged and non-staged performances.

This paper explores the complexity of the texts women create through blogging and their inherent value. I seek to explore how the mothers who blog are constructing online identities for their family units and family members in this space and how those constructions affect and inform the mothers' construction of their personal identities online. I analyze how perceptions of gender norms and practices of gender performance may affect and inform the identities thus constructed, and further complicate the liminal nature of blogging spaces. I begin with the sociological framework of Erving Goffman, which is commonly used to deconstruct identity performance in social and digital mediums through his explanation of social performance and identity construction. After presenting the shortcomings of this framework, such as its inability to deal with the more private aspects of blogging, I introduce theories of gender performance and feminist autobiographical studies to frame a constructive discussion of the subjectivities and constructed identities within women's blog posts. I explore the role and effects of audience relationships in creating autobiographical writing. I illustrate the co-constitutive relationship between understood norms, gender norms, and genres in blogging, as well as the forms that bloggers' self-representations take. , I analyze factors that inform female authorship and how these factors are shaped by prior models of female authorship, demonstrating how the private/public paradox of blogging informs how women perceive of their audiences in a gender-conscious way, and how that in turn affects their blogging behavior. I offer suggestions for how the study questions in this thesis can inform the decisions women make when they perform their identities through disclosive blogging. I demonstrate how an increased awareness of the unique qualities and tendencies of female subjectivity can decrease women's inclination to define their experiences as an “other” to a male normative. I also show that as women highly regard their autobiographical blogging, blogging can become more effective in fulfilling the autobiographical urge and can have a democratizing effect on global dialogue about blogging.

At the beginning of the sixteenth century, the Muslims of the newly conquered territory of Granada rebelled against their Catholic Castilian and Aragonese masters. The Muslims of Granada were subsequently given the choice of expulsion or conversion, with many choosing to remain and convert to Catholicism. Beginning with these initial conversions, the question of Morisco Muslim-ness is one that has historians for years. For many scholars, Morisco religiosity represents a form of syncretic religion that blends both the Catholic and the Muslim in specific instantiations of religious practice. For others, the Moriscos represent a crypto-Islamic community that practiced a form of taqiyya, or the Islamic practice allowing Muslims to conceal their religious affiliation under duress or the threat of death. What these analyses fail to take into account is the performative aspects of Morisco religious practice at the boundaries of Catholicism and Islam. This dissertation intends to look at Moriscos as a suspect community from the perspective of the Spanish state, but also from the vantage point of the Moriscos themselves, who attempted to navigate the boundaries of Catholicism as articulated in legislation, polemical texts, and inquisitorial trials, while framing their religious practice in terms of cultural preservation. Similarly, this dissertation will examine the methods employed by the Moriscos in their performance of an oppositional Muslim identity set in direct contrast to a developing Spanish nationalism. Performance here is being employed to investigate how Moriscos, who represented a “fifth column” for the nascent Spanish state, constructed fluid identities that fluctuated in response to the socio-cultural and/or political context. / Religion

The purpose of this research was to study identity performance among undergraduate Muslim international women on college campuses in the U.S. Identity performance was defined as the way in which these women acted, engaged, interacted, behaved, and situated themselves in their various environments (Goffman, 1959). The conceptual framework for the study was Bronfenbrenner's Ecological Systems Theory (1979) that identifies five environmental systems in which an individual interacts (microsystems, mesosystems, ecosystems, macrosystems, and chronosystems). This study focused on identity performance in microsystems. Narrative inquiry, a qualitative methodological approach, was utilized to pursue two research questions: (1) how do undergraduate Muslim international women describe their experiences of identity performance inside college environments; and (2) how do undergraduate Muslim international women describe their experiences of identity performance outside college environments? Two in-person interviews were conducted with eight participants representing six countries (Kuwait, Malaysia, Morocco, Oman, Pakistan, and Saudi Arabia). Interviews were transcribed verbatim, and data were analyzed with four iterations of coding (narrative coding, refining narrative coding, pattern coding, theming the data) (Saldaña, 2015). Five themes emerged: Muslim identity performance in home country, Muslim identity performance and family, Muslim international identity consciousness, religious engagement on campus, and understandings of new Muslim international identity. The stories shared revealed that identity performance was a complex process; it was ever changing and evolving as Muslim international women navigated their way from a religiously homogeneous environment in the home country to a heterogeneous environment within the U.S. Their microsystems and interactions with various environments influenced their performances of their various identities. These influences were also related to contextual conformity, psychological awareness, agency, resilience, persistence, positivity and appreciation of their experiences in the ever-changing environments. The study has implications for faculty and university administrators who are seeking to create inclusive and encouraging academic and social environments. Findings also have implications for future research on identity performance, contextual conformity, and experiences of Muslim international students. / Doctor of Philosophy / The population in the United States of America is rapidly becoming more diverse in terms of ethnicities, religions, and resident demographics. As a result of this shifting pattern towards heterogeneity, colleges and universities are also becoming more diverse (Seidman, 2005). International students and Muslim students are two such populations that have contributed to the increased diversity of the student body. Among these populations, international Muslim women reside at a unique intersection of gender, religion, culture, ethnicity, and national identities. Literature reveals that Muslim international women are often stereotyped and they experience Islamophobia in gendered ways (Cole & Ahmadi, 2003). The purpose of my research was to study identity performance of Muslim international women on two college campuses in the U.S. Identity performance was the ways in which these women acted, engaged, interacted, behaved and situated themselves in their various environments (Goffman, 1959). I used Bronfenbrenner's Ecological Systems Theory (1979) as the conceptual framework for this study. This theory identifies five environmental systems in which individuals interact (microsystems, mesosystems, ecosystems, macrosystems, and chronosystems). This study focused on identity performance in microsystems, which were their immediate environments. I used narrative inquiry, a qualitative methodological approach, to pursue two research questions: (1) how do undergraduate Muslim international women describe their experiences of identity performance inside college environments; and (2) how do undergraduate Muslim international women describe their experiences of identity performance outside college environments? I conducted two interviews each with eight participants to collect their stories of identity performance. The stories shared revealed that identity performance was a complex process. Contextual conformity, psychological awareness, agency, resilience, persistence, positivity and appreciation of their experiences influenced their identity performances. This study has implications for faculty and university administrators who are seeking to create inclusive, convenient and encouraging academic and social environments for all students. Findings also have implications for future research on identity performance, contextual conformity, and experiences of Muslim international students.

This dissertation deals with the changing conditions for schools and the teaching profession from a teachers’ perspective. The process of the global restructuring of national educational systems that gained momentum in Sweden in the 1990s, involved the introduction of a school voucher system, competition mechanisms and the decentralization of responsibilities to schools and teachers.  The aim of this dissertation is to examine teachers’ professional identities in relation to changes in local and global conditions for schools and the teaching profession.     Empirically, this study is anchored in 15 life history interviews conducted with eight teachers who have been working at the same secondary school in a Swedish mid-sized town. The school opened in 1965 in a residential area and closed down 2007 facing difficulties in attracting students. The teachers’ professional identities are analyzed in terms of identity performances, that is, the socially situated actions embedded in the stories and the interviews, in which they express and negotiate who they are or would like to be as a teacher. Methodologically this study contributes to a new way of investigating the relation between local school contexts and teacher identities by analyzing the institutional memories of a school.     Results show that educational restructuring in this local school context entailed shifts in the meanings of previously known social relationships and phenomena, such as the school’s mixed student base, reputation and forms of cooperation, and that the local press became an important actor when market mechanisms were introduced. The study highlights the complexity and variability when professional identities take shape in the teachers’ stories. Some features of the professional identities focused on in this study appear to be relatively stable, while others appear to be more varying. Self biographical factors, culturally available narratives of the teaching profession, as well as local factors tend to have a stabilizing effect on the identities shaped in the stories. However, diverse professional aims, life events and changing working conditions contribute to changes in the identity constructions. In the analysis of the institutional memories presented in the thesis, it is evident that identity performances are shaped in the teachers’ retellings of those memories. In different teachers’ versions of institutional memories, identity performances that stress e.g. the importance of discipline in school and opposition to women’s subordination are shaped.