Darbe analizuojami neformalaus muzikinio ugdymo ypatumai paauglių motyvacinių interesų kontekste. Baigiamojo darbo tikslas – nustatyti veiksnius, įtakojančius paauglių, besimokančių muzikos (meno) mokykloje, motyvacinius interesus. Tikslui pasiekti iškelti uždavinai: išanalizuoti mokslinę literatūrą apie neformalųjį muzikinį ugdymą; aptarti paauglių psichofizin÷s raidos ypatumus; išryškinti veiksnius, reikšmingus paauglių neformalaus muzikinio ugdymo motyvacijai skatinti, parengti tyrimo instrumentą, leidžiantį įvertinti paauglių neformalaus muzikinio ugdymo motyvacinius interesus. / The analysis of informal musical education peculiarity of teenagers‘ in the context of motivating interests is presented in a final work. The aim of the work is to set the factors that make influence on teenagers, who learn at music (art) shool, motivating interests. To achieve the aim of the work the following was done: analysis of science literature about informal musical education; highlighihted the features that are important in stimulation of teenagers‘ informal musical education motivation; discussed the peculiarity of teenagers’ psycho-physical development; prepared the instrument of research, that allowed to evaluate the motivating interests of teenagers’ musical education.

In the current paper it is striven to define the connection between a pedagogue and a child applying a complex influence methodology. The subject is important trying to activate teaching and learning methods in music and art schools. Educational process and its organization are not indiscrete, they have common and specific principles and their implementation requires diligent and structural activities from the educator. For the efficiency of education humane interaction between a pedagogue and a child is important. It is striven to have a close correlation between different parts of activities using a complex educating system. Therefore, a pedagogic interaction is based on the contents of teaching and education, it is conditioned by the educating methods, organizational forms and pedagogy ethics. The Hypothesis of the research raised: interaction of a pedagogue and a child will be effective applying a complex influence method. The purpose: to estimate striving for the interaction between a pedagogue and a pupil applying a complex influence method. The tasks raised: a) to study the references of Lithuanian and foreign educology and art science; b) to collect data about the methodology used for the definition of efficiency and importance; c) to compare schoolchildren’s assessment criteria applying different musical activity parts; d) to compare the link between a pedagogue and a child applying a complex influence method in Mazeikiai Music School (hereinafter referred to MMM)... [to full text]

Neformaliojo muzikinio ugdymo poreikiui patenkinti ir jo tikslų įgyvendinimui užtikrinti svarbu ne tik galimybė pasirinkti interesus atitinkančią ugdymo įstaigą ar mokymo programą, bet ir sudaryti sąlygas vaikui džiaugtis pasirinkta muzikine neformalia veikla. Deja, neretai susiduriama su sėkmingai vaiko neformaliai muzikinei veiklai trukdančia motyvacijos šiai veiklai stokos problema. Kadangi vaiko motyvaciją lemia ne vienas veiksnys, susijęs su visa vaiko aplinka, pedagogui ypatingai svarbu į neformaliojo muzikinio ugdymo procesą įtraukti ir mokinių tėvus bei su jais bendradarbiauti. Todėl darbe nagrinėjamos pedagogų ir tėvų bendradarbiavimo galimybės įtakoti vaiko neformalios muzikinės veiklos motyvacijai poveikį darančius veiksnius. / In order to meet the need for musical education and to ensure achievement of it’s goals it is important not only to have a possibility to select an educational institution or an educational program meeting personal interests, but also to create conditions for a child to enjoy the informal musical activity selected. Unfortunately, very often the problem is encountered related to the lack of motivation in a child for informal musical activity and preventing him from successfully involving into such activity. Since motivation of the child is predetermined by several factors related to his whole environment, it is particularly important for a pedagogue to also involve children’s parents into the process of informal musical education as well as to cooperate with the latter. Therefore, the paper analyses possibilities of cooperation between pedagogues and parents in influencing the factors affecting the child’s motivation for informal musical activity: personal characteristic features of the child, family, pedagogue’s personality and competences, contemporaries.

Made available in DSpace on 2016-12-08T17:06:45Z (GMT). No. of bitstreams: 1 116065.pdf: 2527920 bytes, checksum: cde95bed61e962ea977452c288eb3d22 (MD5) Previous issue date: 2014-03-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of this study is to investigate the dynamics of musical learning established in the maracatu group Arrasta Ilha, from Florinópolis, Brazil. The theoretical foundation for the study combines Etienne Wenger‟s concept of community of practice and practices of informal musical learning presented by Lucy Green. These references were selected because they allow analyzing and understanding dynamics of musical learning in a community of musical practice. By examining attitudes and values of the practices of informal musical learning of popular music, Lucy Green explores the possibilities that these practices can offer to formal musical education, providing references for discussing learning processes that occur among peers through observation and imitation, in both casual meetings and organized sessions. A case study was conducted with a qualitative approach, including participant observation of weekly rehearsals, presentations and workshops promoted by Arrasta Ilha, which were recorded in audio and video. The research results point to five dynamics of musical learning in the group Arrasta Ilha. They are: listening and playing by ear, casual and organized meetings, observation and imitation, solfeje onomatopeais and learning by osmosis. These dynamics are mutually related among the musical activities conducted by the participants. They are given potential within a significant learning environment that is configured as a community of practice, where the participants share a common passion: interest for the musical practice of maracatu, which instigates and gives potential to the musical learnings in this context. / Este trabalho teve como objetivo investigar as dinâmicas de aprendizagem musical que se estabelecem no grupo de maracatu Arrasta Ilha, de Florianópolis-SC, Brasil. A fundamentação teórica da pesquisa combina o conceito de comunidade de prática de Etienne Wenger (2008) e de práticas de aprendizagem musical informal apresentadas por Lucy Green (2002). Tal referencial foi selecionado porque permite analisar e compreender dinâmicas de aprendizagem musical em uma comunidade de prática musical. Ao examinar atitudes e valores das práticas de aprendizagem musical informal de músicos populares, Lucy Green (2002) explora as possibilidades que essas práticas podem oferecer à educação musical formal, trazendo referências para discutir processos de aprendizagem que ocorrem entre pares, através de observação e imitação, tanto em encontros casuais como em sessões organizadas. Foi realizado um estudo de caso de abordagem qualitativa, incluindo observação participante que contemplou ensaios semanais, apresentações e oficinas promovidas pelo Arrasta Ilha grupo focal, registros em áudio e vídeo. Os resultados da pesquisa apontam para cinco dinâmicas de aprendizagem musical no grupo Arrasta Ilha. São elas: escuta e tirar de ouvido , encontros casuais e organizados, observação e imitação, onomatopeias solfejadas e aprender osmoticamente . Essas dinâmicas categorizadas se relacionam mutuamente entre as atividades musicais realizadas pelos participantes. E são potencializadas dentro de um ambiente de aprendizagens significativas que se configura como uma comunidade de prática, onde os participantes compartilham uma paixão em comum: o interesse pela prática musical do maracatu, que instiga e potencializa as aprendizagens musicais nesse contexto.