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noneS. Tsai, Wehnsam 08 September 2006 (has links)
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The light show : mathematics, mysticism, and the music of the spheres / Mathematics, mysticism, and the music of the spheresMasch, Ezra J. 22 August 2012 (has links)
My background in music and visual art has led to an exploration of combined disciplines. Throughout the past three years of graduate study at The University of Texas at Austin, my research has focused on the visual representation of music using light and sound. This area of study has touched upon a wide range of historical developments, from ancient Greek philosophy to contemporary experimental film. Through my research, I have examined the ways in which music-visualization has been influenced by shifting social and philosophical views. In turn, my own artistic practice has come to include the production of music-visualization devices. I'm interested in both the history of the light show as a cultural phenomenon, and in the development of new approaches to musical performance incorporating the union of light and sound. The following report discusses two major projects that I have worked on at UT, reflecting on the influences behind them, and their potential for growth beyond graduate school. / text
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Zeppelinbend : Multiplicity, encyclopaedic strategies and nonlinear methodologies for a visual practiceStansbie, Lisa January 2010 (has links)
No description available.
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Stochastic near-field theory and techniques for wideband electromagnetic emitters at in-band and out-of-band frequenciesCown, Barry Joe 12 1900 (has links)
No description available.
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The Time of Cinema: A Case Study of Temporality in Contemporary ArtCullen, Frances Unknown Date
No description available.
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Tillväxt av solceller i fastighetsbranschen : Investeringar i småskaliga solcellsanläggningar ur ett nätverksperspektivLy, Sandra, Sundin, Helena January 2014 (has links)
Användningen av solceller har haft global exponentiell tillväxt sedan 2000-talet och många experter menar att solceller har stor potential att utvecklas. På den svenska elmarknaden bidrar solceller dock med en försumbar andel på endast 0,01 %. En av fördelarna med solceller är att de kan nyttja ytor effektivt genom att appliceras på eller integreras i byggnader, vilket har skapat ett intresse hos fastighetsägare. Denna studie avser att studera samspelet mellan aktörerna i processen bakom solcellsinvesteringar samt hur interaktionen skapar värde för involverade aktörer. Detta studeras för att utreda vilka faktorer som kan påverka tillväxten av solceller på den svenska elmarknaden. För att undersöka detta har två fallstudier utförts för fastighetsbolagen Uppsalahem och Specialfastigheter som båda har befintliga solcellsanläggningar. Studiens teoretiska ramverk utgår ifrån en övergripande nätverksteori samt en resursanalys med hjälp av 4R-modellen där interaktionerna mellan aktörernas resurser analyseras. Genom att studera interaktionerna kan värden identifieras. Vår studie visar att på grund av höga initialkostnader och låg ersättning för producerad el kan solcellsinvesteringar vara ekonomiskt olönsamma beroende på solcellsteknik och installationsteknik. Dessutom har verkningsgraden potential att utvecklas och priset för solcellsgenererad el är högt i förhållande till det låga elpriset. Ytterligare en utmaning är att bibehålla balansen vid ökad anslutning av solceller, vilket kan kräva stora satsningar och investering i elnätet. Dessa skapar utmaningar för solcellernas tillväxt på elmarknaden. Dock visar resultaten att solcellsinvesteringar bidrar till både sociala och miljömässiga aspekter, såsom långsiktig hållbarhet, stärkt varumärket och kunskapsutbyte. Dessutom bidrar det till att företaget skapar affärsrelationer med andra aktörer samt ligger i framkant vad gäller tekniken, och detta är i sig viktigt i omställning mot ett hållbart samhälle. Investeringar i solcellsanläggningar har därmed inte alltid en direkt ekonomisk lönsamhet men indirekta effekter skapar värde som gör att det finns incitament att investera.
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Four Corners GatewayMartinello, Linda Clementina 01 June 2012 (has links)
Though an installation, the exhibition Four Corners Gateway, examines how history and memory construct us as individuals and construct our national and personal identities and worldviews. All such constructions are ultimately fragmented and fictional. This body of work points at how ideologically formed, subjective narratives are made into ‘truths’. Connecting the personal with the public is my way of playing with history and its paradoxes. The resulting landscapes that I construct can be read as archives of fragments.
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Story telling as koha: consolidating community memoriesTanoai, Tuafale January 2009 (has links)
This project will explore a fusion of Tangata Whenua and Pacific perspectives within a performance installation framework. I intend to juxtapose community narratives within a video art form. I will explore the recording and transmitting of indigenous stories and will create contemporary narratives linking the past to the present. Working within my communities, (Tangata Whenua1, Pacific2, artists from different disciplines, LGBT3, and extensive friends networks), this project will investigate aspects of performance installation using live sets amid recordings of conversations and develop an interviewing practice. The performances are temporary and the devices ad-hoc.
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Story telling as koha: consolidating community memoriesTanoai, Tuafale January 2009 (has links)
This project will explore a fusion of Tangata Whenua and Pacific perspectives within a performance installation framework. I intend to juxtapose community narratives within a video art form. I will explore the recording and transmitting of indigenous stories and will create contemporary narratives linking the past to the present. Working within my communities, (Tangata Whenua1, Pacific2, artists from different disciplines, LGBT3, and extensive friends networks), this project will investigate aspects of performance installation using live sets amid recordings of conversations and develop an interviewing practice. The performances are temporary and the devices ad-hoc.
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The unsettled objectSharek, Elizabeth January 2007 (has links)
The Unsettled Object is an installational art project that considers the instability of objects in regards to their assembly, classification, and presentation, underpinned by the context of the museum and supported by Michel Foucault’s notion of the classificatory grids he discusses in The Order of Things: an archaeology of the Human Sciences. (Foucault,1970) The artefacts are being fabricated as a response to the corporeal body-on-display; its surfaces, spaces and volumes. An underlying notion of temporality and mutability is indicated in the processes of making, the objects, material responsiveness and the devices employed in the presentation of the work.
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