Play is one of the effective ways of assisting children to deal with their emotional problems in therapy. There are many methods and techniques that are scientifically proven that are used in play therapy. There are some indigenous types of play that have not yet been scientifically proven to be therapeutically effective. Mmaskitlane is one of these indigenous plays. The motivation of this study was firstly, to make a literature study against which Mmaskitlane was compared to commonly used play techniques. Then an empirical study was done to explore the therapeutic effects of the play. It was used in combination with the Children Apperception Test (CAT), Draw a Person (DAP) and the Rational Emotive Therapy (RET), during play therapy with learners experiencing emotional problems. The findings from this study indicate that the use of Mmaskitlane may be a valuable therapeutic tool in supporting learners with emotional problems. / Psychology / M. Ed. (Guidance and Counselling)

Play is one of the effective ways of assisting children to deal with their emotional problems in therapy. There are many methods and techniques that are scientifically proven that are used in play therapy. There are some indigenous types of play that have not yet been scientifically proven to be therapeutically effective. Mmaskitlane is one of these indigenous plays. The motivation of this study was firstly, to make a literature study against which Mmaskitlane was compared to commonly used play techniques. Then an empirical study was done to explore the therapeutic effects of the play. It was used in combination with the Children Apperception Test (CAT), Draw a Person (DAP) and the Rational Emotive Therapy (RET), during play therapy with learners experiencing emotional problems. The findings from this study indicate that the use of Mmaskitlane may be a valuable therapeutic tool in supporting learners with emotional problems. / Psychology / M. Ed. (Guidance and Counselling)

Este trabalho tem como objetivo fazer um estudo compreensivo clínico das vivências emocionais da gestante de alto risco com o diagnóstico de Diabetes Gestacional (DG). Realizamos a pesquisa no Centro de Parto Humanizado e Obstetrícia do Hospital do Servidor Público Estadual de São Paulo, Francisco Morato de Oliveira (IAMSPE). Fundamentamo-nos na leitura das Obras Completas de Sigmund Freud, Melanie Klein, Donald W. Winnicott, autores que trazem importantes contribuições teóricas para a psicanálise contemporânea. A avaliação foi feita, em entrevistas clínicas antes do nascimento do recém-nascido, com a aplicação do Teste das Relações Objetais de Phillipson, (TRO), técnica projetiva usada como instrumento facilitador do contato terapêutico e mediador do trabalho interventivo no contexto diagnóstico. As gestantes com Diabetes foram acompanhadas até a sala de parto e durante o puerpério, tiveram seguimento, em Consultas Terapêuticas no sentido de buscar suporte e propiciar alívio para o sofrimento de ver o seu bebê recém-nascido, internado em Unidade de Terapia Intensiva Neonatal (UTIN). O resultado revelou que este teste, utilizado como mediador do diagnóstico, facilitou a comunicação com o mundo interno da paciente e fez aumentar a compreensão dos problemas vividos pelas gestantes de alto risco com DG. Chegamos à conclusão de que a Compreensão Clínica e as Consultas Terapêuticas são formas de atendimento às gestantes diabéticas que contribuem para a evolução clínica das pacientes e são adequadas ao contexto hospitalar / This assignment has as a goal the comprehensive clinical study of the emotional experience of righ risk pregnant women with the diagnosis of gestational diabetes (GD). We performed this research consulting the Humanized Pregnant and Obstetric Center of Hospital of Publish State Servant of São Paulo, Francisco Morato de Oliveira- IAMSPE. We based our thesis on Sigmund Freud, Melanie Klein and Donald W, Winnicott, authors who have given an important contribution to contemporary psychoanalysis. The evaluation was performed in clinical interwies before the birth of the baby with the application of the Objective Relations Test, by Phillipson (ORT). This is a projective technique used as a facilitator instrument for therapeutic contact and as a mediator process of the interventive work, as well as the diagnostic source. The diabetic pregnant women were accompanied to the delivery room and during the puerperal they had follow up in Therapeutic Consultations with the aim to support and relieve the suffering of seeing their newly born babies in a New born Intensive Therapy Unite (UTIN). The results revealed that this test, used as a process mediator, facilitated communication with the internal world of the patient and the understanding of anxiety experienced by the high risk patients with gestational diabetes. We reached the conclusion that the Clinical Understanding and Therapeutic Consultant are forms of dealing with diabetic pregnant women, making the clinical evolution easier and the Test (ORT) are also appropriated to a hospital context

Este trabalho tem como objetivo fazer um estudo compreensivo clínico das vivências emocionais da gestante de alto risco com o diagnóstico de Diabetes Gestacional (DG). Realizamos a pesquisa no Centro de Parto Humanizado e Obstetrícia do Hospital do Servidor Público Estadual de São Paulo, Francisco Morato de Oliveira (IAMSPE). Fundamentamo-nos na leitura das Obras Completas de Sigmund Freud, Melanie Klein, Donald W. Winnicott, autores que trazem importantes contribuições teóricas para a psicanálise contemporânea. A avaliação foi feita, em entrevistas clínicas antes do nascimento do recém-nascido, com a aplicação do Teste das Relações Objetais de Phillipson, (TRO), técnica projetiva usada como instrumento facilitador do contato terapêutico e mediador do trabalho interventivo no contexto diagnóstico. As gestantes com Diabetes foram acompanhadas até a sala de parto e durante o puerpério, tiveram seguimento, em Consultas Terapêuticas no sentido de buscar suporte e propiciar alívio para o sofrimento de ver o seu bebê recém-nascido, internado em Unidade de Terapia Intensiva Neonatal (UTIN). O resultado revelou que este teste, utilizado como mediador do diagnóstico, facilitou a comunicação com o mundo interno da paciente e fez aumentar a compreensão dos problemas vividos pelas gestantes de alto risco com DG. Chegamos à conclusão de que a Compreensão Clínica e as Consultas Terapêuticas são formas de atendimento às gestantes diabéticas que contribuem para a evolução clínica das pacientes e são adequadas ao contexto hospitalar / This assignment has as a goal the comprehensive clinical study of the emotional experience of righ risk pregnant women with the diagnosis of gestational diabetes (GD). We performed this research consulting the Humanized Pregnant and Obstetric Center of Hospital of Publish State Servant of São Paulo, Francisco Morato de Oliveira- IAMSPE. We based our thesis on Sigmund Freud, Melanie Klein and Donald W, Winnicott, authors who have given an important contribution to contemporary psychoanalysis. The evaluation was performed in clinical interwies before the birth of the baby with the application of the Objective Relations Test, by Phillipson (ORT). This is a projective technique used as a facilitator instrument for therapeutic contact and as a mediator process of the interventive work, as well as the diagnostic source. The diabetic pregnant women were accompanied to the delivery room and during the puerperal they had follow up in Therapeutic Consultations with the aim to support and relieve the suffering of seeing their newly born babies in a New born Intensive Therapy Unite (UTIN). The results revealed that this test, used as a process mediator, facilitated communication with the internal world of the patient and the understanding of anxiety experienced by the high risk patients with gestational diabetes. We reached the conclusion that the Clinical Understanding and Therapeutic Consultant are forms of dealing with diabetic pregnant women, making the clinical evolution easier and the Test (ORT) are also appropriated to a hospital context

[ES] En esta tesis doctoral se aborda el concepto de la visión caleidoscópica con el fin de reflexionar en esta idea, asumiendo esta mirada en un sentido amplio, es decir, más allá de lo que se observa en un caleidoscopio. En concreto, el objeto de estudio determina la repercusión de esta polivisión caleidoscópica en el arte plástico y animación basada en la movilidad, reiteración simétrica, fragmentación y reintegración. De igual manera, asumiendo este principio se profundiza en la dinámica caleidoscópica, al subvertir los órdenes con la variación de algún elemento. De modo que se expone lo significativo de las disposiciones más singulares de los patrones, incorporando elementos de modificación o ruptura en la desintegración del lenguaje caleidoscópico con la finalidad de desestructurar o deconstruir la distribución de la red al alterar la simetría; o algún componente que visibilice estructuras menos lineales como alternativas a los patrones continuos, uniformes y cerrados, y en este caso se plantea un descentramiento y una abertura mayor. Se verificará en los procesos creativos un conjunto de obras en un contexto contemporáneo puede generar diversas lecturas y facetas que estimulen la creatividad. Por lo tanto, esta repercusión se analizará mediante obras plásticas y filmes de animación significativas, además, es relevante precisar que se analizará a través de métodos alternativos que pueden alterar la estructura convencional. Del mismo modo, se hará un recorrido y contextualización de esta visión en un orden conceptual y formal, junto a una exposición de juguetes ópticos vinculados a la imagen refleja entre los que se encuentra el caleidoscopio, con el fin de analizar la evolución del objeto y de la óptica del mismo, pasando por pequeños y grandes artefactos, analizando los elementos comunes que la conforman y también las diferencias, hasta ver en la actualidad la confluencia de esta óptica con los artefactos de gran formato. Este enfoque tiene el propósito de abrir la mirada y permitir una comprensión más amplia, interconectada y diversa, lo cual expresa aspectos de evolución. A la vez, se puede señalar, cómo finalmente esta óptica en la actualidad se lleva hacia la instalación o intervención artística con innovaciones a la par, es posible verificar cómo no es solo una visión en el arte, sino que esta idea de crecimiento se extiende, a la vida, al relacionarse con el entorno como un tejido de patrones en interacción. En este sentido, se sigue el concepto de "extimidad" (extimité), acuñado por Jacques Lacan en el siglo XX ya que, expresa la interrelación entre exterior e interior en un juego de inversión, donde lo íntimo pasa al exterior y viceversa. Esta noción en la tesis se extrapola al arte del caleidoscopio porque exterioriza algo que está en el interior y también en la visión caleidoscópica, donde se determina una sincronía entre el mundo externo e interno que transmite dicha visión. / [CA] En aquesta tesi doctoral s'aborda el concepte de la visió calidoscòpica amb la finalitat de reflexionar-hi, i s'assumeix aquesta mirada en un sentit ampli, és a dir, més enllà del que s'observa en un calidoscopi. En concret, l'objecte d'estudi determina la repercussió d'aquesta polivisió calidoscòpica en l'art plàstic i l'animació basada en la mobilitat, reiteració simètrica, fragmentació i reintegració. D'igual manera, assumint aquest principi s'aprofundeix en la dinàmica calidoscòpica, en subvertir els ordres amb la variació d'algun element; així s'exposa el significatiu de les disposicions més singulars dels patrons, incorporant elements de modificació o ruptura en la desintegració del llenguatge calidoscòpic amb la finalitat de desestructurar o desconstruir la distribució de la xarxa en alterar la simetria; o algun component que visibilitze estructures menys lineals com a alternatives als patrons continus, uniformes i tancats, i en aquest cas es planteja un descentrament i una obertura major. Es verificaran en els processos creatius un conjunt d'obres [que] en un context contemporani poden generar diverses lectures i facetes que estimulen la creativitat. Per tant, aquesta repercussió s'analitzarà mitjançant obres plàstiques i films d'animació significatives. A més, és rellevant precisar que s'analitzarà a través de mètodes alternatius que poden alterar l'estructura convencional. De la mateixa manera, es farà un recorregut i contextualització d'aquesta visió en un ordre conceptual i formal, al costat d'una exposició de joguets òptics vinculats a la imatge reflexa entre els quals hi ha el calidoscopi, amb la finalitat d'analitzar l'evolució de l'objecte i la seua l'òptica. Passarem per petits i grans artefactes i analitzarem els elements comuns que la conformen i també les diferències, fins a veure en l'actualitat la confluència d'aquesta òptica amb els artefactes de gran format. Aquest enfocament té el propòsit d'obrir la mirada i permetre una comprensió més àmplia, interconnectada i diversa, la qual cosa expressa aspectes d'evolució. Així mateix, es pot assenyalar com finalment aquesta òptica en l'actualitat porta cap a la instal·lació o intervenció artística amb innovacions i alhora, i és possible verificar com no és només una visió en l'art, sinó que la idea de creixement s'estén, a la vida, en relacionar-se amb l'entorn com un teixit de patrons en interacció. En aquest sentit, se segueix el concepte d'extimitat" (extimité), encunyat per Jacques Lacan en el segle XX ja que, expressa la interrelació entre exterior/interior i viceversa, en un joc d'inversió, on l'íntim passa a l'exterior i tots dos estan implicats. Aquesta noció en la tesi, s'extrapola a l'art del calidoscopi perquè exterioritza alguna cosa que està a l'interior i també en la visió calidoscòpica, on es determina una sincronia entre el món extern i intern que transmet la visió. / [EN] This doctoral thesis explores and reflects on the concept of the kaleidoscopic view, assuming this gaze in a broad sense; that is, beyond what is observed in a kaleidoscope. Specifically, the object of study determines the repercussions of this kaleidoscopic polyvision in plastic art and animation, with an image shaped by mobility, symmetrical reiteration, fragmentation and reintegration. Moreover, the kaleidoscopic dynamics are intensified by subverting the orders through the variation of certain elements. In this way, the significance of the most unique patterns is exposed, incorporating elements of modification or rupture in the disintegration of the kaleidoscopic language, with the aim of deconstructing the arrangement of the network by altering the symmetry. Similarly, the focus is shifted to less linear structures as alternatives to the continuous, uniform, closed patterns, through a decentring and greater opening. In the creative processes, a set of works in a contemporary context can generate multiple facets and diverse readings that stimulate creativity. Therefore, this repercussion will be analysed through significant works of plastic art and animation films, and applying alternative methods that can alter the conventional structure. Furthermore, there will be a conceptual and formal exploration and contextualisation of this vision, together with a discussion of optical toys linked to the reflex image, including the kaleidoscope. By so doing, the evolution of the object and its optics are analysed, passing through small and large artefacts, examining both the common elements and the differences, until we reach the confluence of these optics in the present-day large-format artefacts. This approach is intended to open the gaze and allow for a broader, interconnected and diverse understanding, incorporating aspects of evolution. At the same time, it is shown how this optic is nowadays is ultimately applied to installations or innovative artistic intervention. At the same time, it can be seen that it is not only a vision in art, but also the idea of growth extends out to life, relating to the environment as a series of woven, interacting patterns. In this sense, the concept of "extimacy" (extimité), a term coined by Jacques Lacan in the 20th century, is applied, as it expresses the interrelationship between exterior/interior in a game of inversion, where the intimate passes to the exterior and vice versa. In the thesis, this notion is extrapolated to the art of the kaleidoscope because it externalises something that is inside, and within the kaleidoscopic view there is a synchrony between the external and internal world that conveys this vision. / Quiero mostrar gratitud a las entidades financiadoras que han dado soporte a esta investigación por la ayuda de una FPI: Ministerio de Economía y Empresa, Gobierno de España y al Fondo Social Europeo por la cofinanciación recibida en la convocatoria: Ayuda para contrato predoctoral para la formación de Doctores. / Rama Sotos, T. (2021). La visión caleidoscópica en el arte plástico y la animación experimental. La movilidad basada en la reiteración simétrica, fragmentación y reintegración [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/175740 / TESIS