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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 10 of 10 (0.183 seconds)Spelling suggestions: "subject:"ainternational music educationization"" "subject:"ainternational music education.action""
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Teaching Chinese Traditional music with Generative instruction and Effective music teachingLi, Zheng 23 July 2019 (has links)
This text is the carefully adapted transcription of the recording of the presentation of Zheng Li and Huo Gua at the symposium in Leipzig 2014. Prof. Dr. Zheng Li read parts of her presentation in Chinese language alternating with her assistant Huo Gua, who translated into English. Only the English part is printed in this book. The title is given from the editor.
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Creating a classroom culture which promotes positive attitudes and motivated learnersSummers, Moira, Dässel, Carolin, Lauer, Marcus 23 July 2019 (has links)
Chapter and Analytical Short Films show the Scottish “aspects of quality” of music education. Four key capacities of comprehensive education: successful learners, confident individuals, responsible citizens, and effective contributors to society, and three key competences for comprehensive musicianship: listening, performing and composing.
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Talking about music lessons: implicit and explicit categories of comparisonPrantl, Daniel 23 July 2019 (has links)
This chapter presents a grounded-theory-oriented analysis of central discussions of the ICMLV symposium which tries to clarify which tertia comparationis the participants referred upon. In total, nine implicitly and seven explicitly used T.C. are presented. An additional analysis yields that a meaning-oriented understanding of culture was in majority used throughout the symposium.
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What can we expect from international comparison in the field of music education?: Opportunities and challengesRolle, Christian 23 July 2019 (has links)
Analysing the conversations at the conference the chapter addresses fundamental issues of cultural comparison in music education. There is a disciplinary bias that can tempt the researcher to overestimate cultural conditions. This could lead to cultural relativism that keeps us from critically addressing normative issues associated with aims and contents of music education.
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Didactical encounters: a topic-based analysis of attempts at shared understanding in eight music classrooms from seven countriesZandén, Olle 23 July 2019 (has links)
Excerpts from classroom interaction in video recorded music lessons is analysed for dialogical structure and evidenced degree of shared topics. Each single turn is analysed according to agent, modality and function. It is suggested, that this analytical approach can be used both for comparative studies and as a means for teachers to improve their teaching.
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On comparing: Mapping the field of comparative research in music educationWallbaum, Christopher, Stich, Simon 23 July 2019 (has links)
The chapter starts systematically clarifying the meaning of comparing and then steps into the field addressing systematic problems of comparative research in music education historically and theoretically. Picking up an idea of Bray & Thomas, finally the field of comparative music education is sketched in the form of a cube.
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Internationale und nationale MusikpädagogikWallbaum, Christopher 10 July 2015 (has links) (PDF)
Es besteht Einigkeit darüber, dass über „die Wahrheit“ im Allgemeinen und in der Musikpädagogik im Besonderen keine Einigkeit besteht. Vor diesem Hintergrund stellt der Text das Verhältnis zwischen einer nationalen Sprache (Deutsch) und Englisch als Lingua Franca in der Wissenschaft allgemein, der Musikwissenschaft und der Musikpädagogik dar. Der Text schließt mit dem Bedarf an Kommunikation und der Skizzierung einiger „Bojen“ zur Verständigung in internationaler Musikpädagogik. / Realizing the common sense of having no common sense about the truth, the article presents the relation between a national language (German) and English as lingua franca in international practices of science in general, musicology and music pedagogy. It concludes with the need of communication and some buoys of understanding in international music education.
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Internationale und nationale Musikpädagogik: ein Blick aus Deutschland: (Basisartikel)Wallbaum, Christopher January 2013 (has links)
Es besteht Einigkeit darüber, dass über „die Wahrheit“ im Allgemeinen und in der Musikpädagogik im Besonderen keine Einigkeit besteht. Vor diesem Hintergrund stellt der Text das Verhältnis zwischen einer nationalen Sprache (Deutsch) und Englisch als Lingua Franca in der Wissenschaft allgemein, der Musikwissenschaft und der Musikpädagogik dar. Der Text schließt mit dem Bedarf an Kommunikation und der Skizzierung einiger „Bojen“ zur Verständigung in internationaler Musikpädagogik. / Realizing the common sense of having no common sense about the truth, the article presents the relation between a national language (German) and English as lingua franca in international practices of science in general, musicology and music pedagogy. It concludes with the need of communication and some buoys of understanding in international music education.
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Enacted possibilities for learning in goals- and results-based music teachingZandén, Olle 23 July 2019 (has links)
In this chapter, enacted possibilities for learning in a Scottish and a Swedish music lesson are analysed and compared with the intended learning outcomes as defined in the Swedish national curriculum. The Scotland-Lesson proves to place more emphasis on music's auditive aspects while the Sweden-Lesson focuses playing as individual manual skills.
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Summary comparing normative constellations in music educationWallbaum, Christopher 23 July 2019 (has links)
This summary connects parts of nearly every chapter of the book with a thick brush regarding normative constellations. Comparing the constellations shows both, how practices within lessons are normatively connected with practices in other social fields, and that there are fractures that show a need for further research. In conclusion I sketch a model for comparative praxial music education.
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