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Sehnsucht nach Lebendigkeit : das Problem der "Natur" im europäischen und japanischen Denken : eine interkulturell philosophische VegleichsanalyseHori, Iku January 2007 (has links)
Zugl.: Augsburg, Univ., Diss., 2006
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Gretchen am Spinnrade : um estudo analítico-interpretativo de quatro Lieder compostos sobre o mesmo poema de J. W. von Goethe / Gretchen am Spinnrade : an analytic-interpretative study of four Lieder composed on the same poem by J. W. von GoetheDomingues, Melissa Sofner, 1990- 25 August 2018 (has links)
Orientador: Adriana Giarola Kayama / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-25T18:27:46Z (GMT). No. of bitstreams: 1
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Previous issue date: 2014 / Resumo: Música e poesia. Como as duas artes interagem, que significados são criados, reiterados, modificados e como a performance se constrói e se enriquece a partir desta interação é a reflexão que impulsiona o presente trabalho. Propomos uma análise músico-textual visando a interpretação e performance de quatro Lieder do período Romântico construídos sobre o poema Gretchen am Spinnrade de J. W. Goethe. Serão contempladas as canções dos compositores Louis Spohr (Gretchen), Franz Schubert (Gretchen am Spinnrade), Carl Loewe (Meine Ruh ist hin), e Richard Wagner (Meine Ruh ist hin). Para isso, é feita uma introdução sobre o gênero Lied e sobre o poeta. Em seguida, é proposta uma análise literária do poema, que servirá de base para a interpretação das canções. São abordados aspectos conteudísticos e formais do texto, assim como sua contextualização dentro da peça Fausto I, de que foi extraído. Em seguida, é feita uma análise musical das obras, com foco nas relações texto-música presentes e contemplando aspectos tanto da linha vocal quanto do acompanhamento. Ao longo da análise são feitas sugestões interpretativas baseadas nas relações texto-música / Abstract: Music and Poetry. How the two art forms interact, what meanings are created, emphasized, modified and how the performance is built and enriched from this interaction is the reflection that impels the present work. A text-music analysis aiming towards the interpretation and performance of four Lieder - settings from the Romantic period of the poem Gretchen am Spinnrade from J. W. Goethe is presented here. The settings of Louis Spohr (Gretchen), Franz Schubert (Gretchen am Spinnrade), Carl Loewe (Meine Ruh ist hin), e Richard Wagner (Meine Ruh ist hin) will be approached. After introductory considerations about the genre Lied and about the poet are made, an analysis of the poem is presented, which will ground the interpretation of the songs. Content and formal aspects of the text are considered, as well as its contextualization in the play Faust I, from where it was extracted. Afterwards, a musical analysis of the songs is presented, focusing on the existing text-music relations and taking aspects from the vocal line as well as the accompaniment into consideration. During the analysis interpretative suggestions are made, based on the text-music relations / Mestrado / Praticas Interpretativas / Mestra em Música
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Personalien und Lebensumstände Unserer verablebten Frau Mutter: Goethes Feyerliches Andenken und sein Entwurf einer Grabinschrift für Anna AmaliaMüller, Frank-Bernhard 31 January 2023 (has links)
No description available.
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Minstrels in the drawing room: music and novel-reading in Johann Wolfgang von Goethe, Walter Scott, and George EliotLynn, Andrew January 2014 (has links)
"Minstrels in the Drawing Room" is an investigation of the representation of musical listening in the nineteenth-century novel. Theoretical accounts of the novel have tended to see it as a universal form, one that opportunistically subsumes all others as its represented content; descriptions of the novel's implied audience often interpret novel-reading as an essentially absorptive activity linking private reading to public belonging through an act of identification. For the writers I discuss here, however, musical listening is interesting because it is a rival mode of shared aesthetic experience that, before the advent of sound recording, was necessarily social. This dissertation draws on recent developments in the history of reading and media theory to describe how novels by three central figures of the European novelistic canon - Goethe, Scott, and Eliot - turn to musical listening to reflect upon the ways in which the absolutely open nature of the novel's mode of address is nevertheless prone to limitation. The dissertation thus complicates often all-or-nothing theories of novel-reading, offering instead a description of how novels model a distanced identification between reader and text.
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Bortsprungna katter ropar tillbaks! : Håkan Hellströms svar på ett splittrat jags sökande efter meningMarko Englund, Leo January 2010 (has links)
No description available.
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Fragmente der hermetischen Philosophie in der Naturphilosophie der Neuzeit historisch-kritische Beiträge zur hermetisch-alchemistischen Raum- und Naturphilosophie bei Giordano Bruno, Henry More und Goethe /Sladek, Mirko. January 1900 (has links)
Originally presented as the author's Thesis (doctoral)--Universität Heidelberg, 1983. / Includes bibliographical references (p. 187-208).
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Die Götter Griechenlands und die dent-che klassik c von Rudolf Sühnel ...Sünel, Rudolf, January 1935 (has links)
Inaug.-diss.--Leipzig. / Lebenslauf.
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Adán y Eva, Fausto y Dorian Gray: Tres mitos de transgresión /González de la Llana, Natalia. January 2009 (has links) (PDF)
Universidad Complutense, Diss--Madrid, 2006.
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Interkulturalität und Perspektive zur Präsenz Goethes und Brechts in Themen der kritischen Intelligenz Afrikas ; am Beispiel Senghors und SoyinkasBa, Amadou Oury January 2005 (has links)
Zugl.: Mannheim, Univ., Diss., 2005
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Fragmente der hermetischen Philosophie in der Naturphilosophie der Neuzeit historisch-kritische Beiträge zur hermetisch-alchemistischen Raum- und Naturphilosophie bei Giordano Bruno, Henry More und Goethe /Sladek, Mirko. January 1900 (has links)
Originally presented as the author's Thesis (doctoral)--Universität Heidelberg, 1983. / Includes bibliographical references (p. 187-208).
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