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41	Tradition. Passio. Poesis. Retreat: Comments around “The Gallery” Lipson, Daniel B 01 January 2013 (has links) Although Andrew Marvell wrote and published relatively little, his poetry collects from the full range of “schools” and idiosyncratic styles present in the seventeenth century: echoes of Herbert, Donne, Milton, Traherne, Herrick, Lovelace, and Jonson, among others, permeate throughout his work. Although much of his imagery seems novel, if not strange, it is clear that Marvell has a deep engagement with several important long-running traditions. His work is conversation with Ovid, Horace, and Theocritus as much as it responds directly to the poets whose lives overlapped with his own. In his engagement with such varied sources, Marvell demonstrates an astounding degree of poetic flexibility. He is a master of imitating voice and style. Literature Renaissance Andrew Marvell Erich Auerbach Passio Poesis Retreat English Love Love Poetry Talion Economy Loss Accounting Loss-Aversion Anne Carson John Donne Lyric Katherine Philips Pastoral The Garden The Gallery Definition of Love Marvell Donne Sonnet Psychomachia Christianity European Languages and Societies Literature in English, British Isles Other Classics Other English Language and Literature
42	Tradition. Passio. Poesis. Retreat: Comments around “The Gallery” Lipson, Daniel B 01 January 2013 (has links) Although Andrew Marvell wrote and published relatively little, his poetry collects from the full range of “schools” and idiosyncratic styles present in the seventeenth century: echoes of Herbert, Donne, Milton, Traherne, Herrick, Lovelace, and Jonson, among others, permeate throughout his work. Although much of his imagery seems novel, if not strange, it is clear that Marvell has a deep engagement with several important long-running traditions. His work is conversation with Ovid, Horace, and Theocritus as much as it responds directly to the poets whose lives overlapped with his own. In his engagement with such varied sources, Marvell demonstrates an astounding degree of poetic flexibility. He is a master of imitating voice and style. Literature Renaissance Andrew Marvell Erich Auerbach Passio Poesis Retreat English Love Love Poetry Talion Economy Loss Accounting Loss-Aversion Anne Carson John Donne Lyric Katherine Philips Pastoral The Garden The Gallery Definition of Love Marvell Donne Sonnet Psychomachia Christianity European Languages and Societies Literature in English, British Isles Other Classics Other English Language and Literature
43	The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature Jeffrey, Anthony Cole 12 1900 (has links) This dissertation argues that early modern writers such as William Shakespeare, Thomas Middleton, George Herbert, John Milton, and Andrew Marvell played a critical role in the transition from the Neoplatonic philosophy of beauty to Enlightenment aesthetics. I demonstrate how the Protestant Reformation, with its special emphasis on the depravity of human nature, prompted writers to critique models of aesthetic judgment and experience that depended on high faith in human goodness and rationality. These writers in turn used their literary works to popularize skepticism about the human mind's ability to perceive and appreciate beauty accurately. In doing so, early modern writers helped create an intellectual culture in which aesthetics would emerge as a distinct branch of philosophy. Early Modern Renaissance Aesthetics Theology Beauty Sin Depravity Calvinism Protestant religion Reformation John Calvin William Shakespeare Thomas Middleton George Herbert John Donne John Milton Andrew Marvell Aesthetics in literature Sin in literature Aesthetics, Modern -- 16th century Aesthetics, Modern -- 17th century sixteenth century (dates CE) seventeenth century (dates CE)

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