Orientador: Fernão Ramos / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-25T18:17:36Z (GMT). No. of bitstreams: 1 Miranda_SuzanaReck_M.pdf: 3650245 bytes, checksum: f0a4026342db96e0e4783c077ead7f0d (MD5) Previous issue date: 1998 / Resumo: A pesquisa apresentada se propõe a descrever caracteristicas específicas da utilização da música de Zbigniew Preisner em dois filmes de Krzysztof Kieslowski: A Dupla Vida de Véronique - 1991 e A Liberdade é Azul - 1993. Acredita-se que, nos exemplos levantados, a relação da música com a ficção contribui de uma forma bastante relevante para a estruturação dos temas apresentados nos filmes. Verificou-se como a expressão filmica de Kieslowski desenvolve o uso da linguagem musical a partir da reflexão sobre algumas particularidades do fluxo da música entre os campos diegético e não - diegético, abordando os modos pelos quais ela atua como instância narrativa, bem como a sua participação como temática dos filmes.A narrativa filmica é extremamente enriquecida com a contribuição das "pistas musicais". Isto ocorre, entre outros fatores, devido à multiplicidadede interpretações que uma mesma melodia permite. Para conduzir tal verificação, foram utilizadas como referência metodológicaas propostas teóricas de alguns autores - como Michel Chion, Claudia. Gorbman, entre outros - sobre música no cinema / Abstract: The research presented has purpose of describing the specific charact.eristics of the use of Zbigniew Preisner music in KrzysztofKieslowsky's movies. It is believed that, in the shown examples, this relation of the music with the fiction contributes in a very relevant form to the structuring of the themes presented in the movies. lt was verified the way Kieslowski's filmic expression develops the use of musical language from the reflection about some particularities of the music flow between the diegetic and the nondiegetic fields, tacking the ways in which the music acts as a narrative instance, as well as its participation as the film subject. lt will be pointed possible contributions of "musical clues" to the enrichmentof the filmic narrative. It was utilised as methodological references the theoretical proposals of authors such as Claudia Gorbman, Michel' Chion, and others, on music in the movies / Mestrado / Mestre em Multimeios

L'objet de cette thèse est une étude de cas d'un ensemble de production cinématographique polonaise dans la période communiste des années 1970 - TOR (Kieslowski, Zanussi, Rozewicz). Cette recherche met en avant l'autonomie créatrice de l'auteur-cinéaste face aux bouleversements de la politique culturelle qui a déterminé la production cinématographique dans un pays non-démocratique, à savoir la Pologne populaire des années 1970. La filmographie de TOR est homogène et ses films communiquent un discours d’auteur sur les thématiques existentielles et morales où l’individu occupe une place centrale. Comment a-t-il été possible de produire des films mettant l’individu au centre dans un pays où régnait un discours officiel exaltant le collectif ? / The main subject of this thesis is a case study of Polish cinematographic production under the communist period in the 1970's called TOR (Kieslowski, Zanussi, Rozewicz). This research points out the author-filmmaker's creative autonomy confronted to the Cultural Policy upheavals which have determined film production in a non - democratic country : Polish People's Republic in the 1970s. The TOR filmography is homogeneous and its movies transmit the author-filmmaker's point of view about the existential and moral matters while the individual occupies the central place. How was it possible to produce films focused on the individual in a country where the political class and its collective policy occupied the central place?

This Masters thesis is based on the qualitative content analysis of four autobiographies of film directors Krzysztof Kieslowski, Vojtech Jasny, Roman Polanski and Juraj Herz. The main goal of his thesis is to find out what are the most important aspects of the craft of directing for the selected directors of fiction and documentary films. The second goal is to point to similarities between the craft of journalists and the craft of film directors. The thesis consists of two central parts. In the first part, the craft of the director is analysed from the perspective of personal character traits of the directors. In the second part, the craft is analysed from the perspective of making a film with focus on coming up with ideas, creating scripts and directors the actors. This thesis is written from the perspective of an author who wishes to follow a career in making documentary films. UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut Komunikačních studií a žurnalistiky Katedra Žurnalistiky Filmové řemeslo v autobiografiích filmových režisérů Diplomová práce Autor práce: Lubomír Ballek Studijní program: Žurnalistika Vedoucí práce: prof. MgA. Martin Štoll, Ph.D. Rok obhajoby: 2020

This Masters thesis is based on the qualitative content analysis of four autobiographies of film directors Krzysztof Kieslowski, Vojtech Jasny, Roman Polanski and Juraj Herz. The goal of this thesis is to find out what are the most important aspects of the craft of directing for the selected directors of fiction and documentary films. The thesis consists of two main parts. In the first part, the craft of a director is analysed from the perspective of personal character traits of the directors. In the second part, the craft is analysed from the perspective of making a film. The focus of the second part is on how the directors come up with ideas, create scripts and direct actors. UNIVERZITA KARLOVA FAKULTA SOCIÁLNÍCH VĚD Institut komunikačních studií a žurnalistiky Katedra žurnalistiky Filmové řemeslo v autobiografiích filmových režisérů Diplomová práce Autor práce: Lubomír Ballek Studijní program: Žurnalistika Vedoucí práce: prof. MgA. Martin Štoll, Ph.D. Rok obhajoby: 2021

<p>Det här är en jungiansk filmstudie med fokus på synkronicitet i handlingen från början till slutet. Hur manusförfattarna skildrar en människas försök att glömma och förneka delar av sin historia till att via omständigheter hon inte själv kan råda över, bland annat tack vare ett intensivt inflöde av omedvetet material som manifesteras via synkronistiska skeenden, slutligen kan förlösas och gå vidare i livet igen. En slags mild chockterapi som upprepas till dess att huvudpersonen ger upp sin ensidiga hållning och börjar tro på livet igen.</p><p>Jag kommer också att komma in på något som jag här kallar länkade händelser eller objekt.</p>

Det här är en jungiansk filmstudie med fokus på synkronicitet i handlingen från början till slutet. Hur manusförfattarna skildrar en människas försök att glömma och förneka delar av sin historia till att via omständigheter hon inte själv kan råda över, bland annat tack vare ett intensivt inflöde av omedvetet material som manifesteras via synkronistiska skeenden, slutligen kan förlösas och gå vidare i livet igen. En slags mild chockterapi som upprepas till dess att huvudpersonen ger upp sin ensidiga hållning och börjar tro på livet igen. Jag kommer också att komma in på något som jag här kallar länkade händelser eller objekt.

Submitted by Bruna Rodrigues (bruna92rodrigues@yahoo.com.br) on 2016-09-21T14:22:16Z No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-21T18:27:32Z (GMT) No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Approved for entry into archive by Marina Freitas (marinapf@ufscar.br) on 2016-09-21T18:27:44Z (GMT) No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) / Made available in DSpace on 2016-09-21T18:27:51Z (GMT). No. of bitstreams: 1 DissHH.pdf: 3913934 bytes, checksum: c71f30d226a7e462e602307c00b0a3e6 (MD5) Previous issue date: 2015-03-18 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / This project aims to investigate aesthetic and signal subjects of Kieslowskian cinematographic language from the analysis of the episode 5 of the television series Decalogue (1988) and its respective version for cinema A short film about killing (1988). The aim is to study how Kieslowski constructs new relationships in extended version of this episode, the motivations that led him to rearrange them and/or reconstruct them, and what this option by “duplicating” the same movie can tell us about the cinema conception of this Polish director. / Serão investigadas questões sígnicas e ético-estéticas do discurso cinematográfico kieslowskiano, a partir da análise do episódio 5 da minissérie televisiva Decálogo (1988), em comparação com sua versão estendida no longa-metragem Não matarás (1988). O objetivo é estudar como Kieslowski constrói novas relações entre o formato de média-metragem (Decálogo 5) e o longa-metragem, quais as motivações que o levaram a rearranjá-los e/ou reconstruí-los, bem como o que esta opção, por “duplicar” uma mesma história, pode nos revelar sobre o projeto poético deste diretor polonês, naquele momento.