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Religiösa föremål : En jämförande studie av vikingatida gravar från Östergötland / Religious objects : A comparative study of Viking Age burials from ÖstergötlandGustafsson, Hide January 2024 (has links)
Studien handlar om vikingatida kvinnogravar från Aska, Hagebyhöga och Kvarnbacken, Vadstena. Syftet med studien är att tolka variationen av religiösa föremål i båda gravarna. Gravarnas konstruktion, innehåll och religiösa föremål jämförs i syfte att analysera om det finns likheter och skillnader, tillsammans med en teoretisk utgångspunkt i rituell praktik och genusperspektiv. Endast en grav från vardera undersökta kontexter i Aska, Hagebyhöga och Kvarnbacken, Vadstena analyseras eftersom deras religiösa föremål är mer jämförbara i denna studie. Tidigare forskning och tolkningar tillämpas för ett bredare perspektiv i variationen av religiösa föremål. Jämförelser visar likheter i gravskick och föremål som exempelvis uppsättning pärlor. Skillnader är bland annat Frejasmycket och järnstaven från graven i Aska, Hagebyhöga. I Kvarnbacken, Vadstena är krucifixet särskiljande. Variation i religiösa föremål kan tolkas som en typ av förändring i rituell praktik i Kvarnbacken, Vadstena. Religiösa föremål i Aska, Hagebyhöga tolkas ha en generationsbunden betydelse men eftersom de begravs kan det tolkas som ett avslut på äldre traditioner för kommande generationer. / This thesis concern Viking Age burials from Aska, Hagebyhöga and Kvarnbacken, Vadstena. The goal of this thesis is to interpret the variety of religious objects in the graves. The formation of the grave, its content and the religious objects is compared based on the idea of ritual practice and gender perspective. The comparison is made to analyse differences and similarities which will be interpreted. The material consist of one Viking Age female burial from each place, based on the amount of religious objects and the contemporary dating of the graves. Previous research is applied to create a wider interpretive perspective on the variety of religious objects. Comparisons show, for example, that both graves contain a collection of beads. Distinctions is, for example, the Freja pendant and the iron rod in the burial from Aska, Hagebyhöga and the crucifix from Kvarnbacken, Vadstena. The variety of religious objects can be interpreted as a form of change in ritual practice from Kvarnbacken, Vadstena. The religious objects from Aska, Hagebyhöga can be interpreted as bounded by family traditions, which could indicate an end of older traditions, based on the fact that these objects is buried.
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Sigrid Blomberg och altargruppen i Oskarshamns kyrka : en kvinnas verk / Sigrid Blomberg and the altarpiece in the church of Oskarshamn : a woman’s work of artAndersson, Anna-Malin January 2020 (has links)
Sigrid Blomberg and the altarpiece in the church of Oskarshamn – a woman’s work of art, is an essay with the aim to describe, analyse and to discuss the gypsum altarpiece in the city church of Oskarshamn and its artist, the Swedish sculptor Sigrid Blomberg. The essay begins with a brief historical description of the situation for female artists in Sweden at the turn of the 20th century and a comment on the material chosen for the altarpiece – gypsum. This is followed by a short summary of the life of Sigrid Blomberg and two other examples of her work to illustrate and discuss similarities with the altarpiece in the church of Oskarshamn. This is followed by a description of the church and its interior, as well as the altarpiece’s history, creation process and problems. The essay then focuses on an analysis of the different parts, as well as the whole, of the altarpiece – characters, meanings and interpretations. The essay ends in a discussion of the findings and the author’s conclusions regarding the altarpiece and the artist’s place in the art history. Central in the essay is the apparent lack of female artists in the art canon and the reasons and effect due to this. The author uses a semiotic method and a feminist theory premiss to find the answers to questions such as: why was a female artist chosen for the assignment; how does the artwork compare to other, equivalent and contemporary artworks; how may the placing of the work have effected the perception of the altarpiece; have the perception changed over time; and finally what’s characteristic for the artist Sigrid Blombergs idiom?
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