Immigration is a highly politicized topic increasingly on the forefront of the nation’s consciousness. Though news media and academia have drawn attention to evidence of physical health needs of undocumented immigrants being compromised due to their documentation status, relatively less attention is brought to their mental health needs. The purpose of this paper is to review literature about the mental health care needs of immigrants and refugees to the United States, with a particular focus on recent adult immigrants from Latin America and their youth, who may directly or indirectly suffer trauma related to deportation, violence, family separation and/or loss. This paper serves to provide ethical arguments for increased awareness, education and resources towards trauma-informed, culturally sensitive mental health care for immigrants and refugees to the United States. The ultimate aim of this paper is to provide its readers with essential information regarding the impact of trauma and cultural identity in the mental health care (or lack thereof) of Latinx immigrants. / Urban Bioethics

"The Gordita's Guide to Body Positivity" is an autobiographical documentary reflecting on society's expectations of the female body image and how it affects Latinx women. Through personal recollections, media content, and archival material, the film explores beauty expectations, body discrimination, and body positivity. The document analyzes the documentary styles such as autoethnography and narration incorporated into the film and provides historical and theoretical context to body image in the Latinx culture and how the media has affected body image, beauty ideals, and eating disorders. In addition, the pre-production, production, and post-production process is detailed.

This novel is conceived as the first in a series of seven books. It takes place 25,000 years in humanity’s future, primarily on a space station - Laniakea Station - made from the combined cultures and habitations of beings from many galaxies outside our own. It floats eternal in the space between galaxies. It is a utopia of sorts. The novel is a series of connections between: Sainn-Temo, a human clone, grown from the genetic library rescued from the plight of interstellar slavery plaguing the human species; Ailu, a human woman born from actual human parents, stowed away on Laniakea; Swasim, a non-human mining executive attempting to sell off rights to the abandoned human solar system; and Revac, Ailu’s friend, a scientist of renowned fame and importance, inventor of a gene therapy that can stop the aging of living cells. These beings coalesce and bind together across space and time, leading to a discovery with profound consequences for the galaxy and the fate of humanity. The work is not just a sci-fi series but part of a wider universe I am creating across different artistic mediums. The series of works is called Hojas, or leaves. Over the next 2 years, as part of my PhD in anthropology, I will be constructing installation works, sculptures, video art, short stories, and interactive software art (video games!) to complement and build out the backstory leading up to the novel series. I hope for these works to engage participants and readers in co-creating a future mythology where brown and black bodies are triumphant, living well, and free. I will likely keep writing Hojas books until I die (unless we crack immortality!).

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Puerto Rican culture often includes music as a method of expressing cultural identity. For instance, music has been considered a symbol of resistance, identity, and performative culture for many Puerto Ricans. This thesis will heavily rely on the involvement of Afro-Latin music in literature to determine ways that Puertorriqueñidad can be defined. To do this, I will examine how Puerto Rican writers present their identity in their works to define what it means to be Puerto Rican. These writers include the poet Sandra María Esteves and author Judith Ortiz Cofer. Throughout their literary works, they express several connections to their Puerto Rican identity, and through close examination, I was able to compile these connections to music, feminist ideologies, and themes of resistance and oppression. Using the scholarship of Puerto Rican scholar Juan Flores' From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity and Chicana feminist theorist Chela Sandoval's Methodology of the Oppressed, this thesis will contribute to the examination of music in literature as defying systems of oppression in Puerto Rican culture and explore the relationship between music and Puerto Rican identity.

Undocumented, unafraid, and unapologetic is how our students should be able to communicate to us; yet this is not the reality for many. There are an estimated 65,000 undocumented students who graduate from high schools every year in the United States, and another 7,000 to 13,000 enrolled in colleges and universities. As of September 2017, the Deferred Action for Childhood Arrivals (DACA) program has granted about 800,000 individuals deferment from deportation. DREAMers are those brought to this country, are out of status, and likely also qualify for the DREAM Act if it were passed. Many undocumented students in general are prone to experiencing stress that exists as a result of their immigration status. Fear and concerns about physical safety cause many students to keep their status a secret from peers, school personnel, and even close friends. Their fears are rooted in a system that separates families, imprisons migrants without due process, and incites violence against those who are undocumented or are perceived to be, in this country. Thus, navigating life in the shadows for them is understandable; but doing so also comes with real consequences, negatively impacting them academically, socially, and psychologically. The purpose of this study is to seek to understand the experiences of Latinx undocumented college students in the current political climate and under the current administration in terms of how their student experiences and overall wellness as Latinx undocumented students are being impacted. The study was guided by several questions: a) How do Latinx undocumented students talk about their experiences on the college campus? b) How do Latinx undocumented students perceive how the institution responds to issues they face due to their undocumented status? c) What incidents in particular have most impacted them as college students? And, d) How do students describe their own sense of efficacy and self-care as they navigate college within this current climate? Through the lens of Latino/a Critical Race Theory and semi-structured interviews with college students in New England and California, coupled with reflections from field experiences, analysis of multiple forms of data, and the researcher’s personal connections to immigration via family history—findings of this study illuminate the lived experiences, challenges, and trauma faced by these students within the ongoing political divisiveness around matters of immigration. It is important that we as higher education and student affairs personnel understand the lived experiences of these students so that we can more compassionately and competently serve the community while also enabling their success and wellness. It is intended that the findings from this study will illuminate the experiences of undocumented students and provide new ways to support and guide these students.

This study includes the experiences of six first-generation Latinx alumnae who attended three private, predominantly-White universities in Southern California. It applied a critical race theory (CRT) framework and an anti-deficit ideology to their experiences. Importantly, because the participants and the researcher are of different identities, the study employed principles of culturally responsive methodologies (CRM). Most quantitative research and existent theory concerning first-generation Latinx collegiate women excludes the voices of first-generation Latinx alumnae, so this study included the telling of their counter-stories concerning their undergraduate experiences. These experiences included identity-threat, microaggressions, and the enactment of White privilege. Additionally, their counter-stories contradict majoritarian stories concerning first-generation students and their families, as well as institutional values of fairness, meritocracy, colorblindness, and diversity. The methodology of the study was CRT counter-storytelling. Concepts of narrative inquiry informed the research design. Counter-stories of the participants were shared during conversations and interviews, then interpreted using the framework of CRT and a method of thematic analysis. All members of the study have graduated with a bachelor’s degree, and their experiences provide direction for additional research concerning first-generation theory as it applies to Latinx collegiate women, as well as implications for policy and praxis regarding the future experiences of Latinx students on U.S. higher education campuses.

abstract: Research on cultural socialization, the process in which individuals learn messages regarding the traditions and values of their culture (Hughes et al., 2006), has dedicated little attention to Latinx and Asian American groups. This study examined whether an interdependent self-construal (i.e., viewing oneself as connected to others and endorsing behaviors that depend on others; Singelis, 1994) was a mediator between cultural socialization and ethnic identity for these two groups. The current study utilized mediation analyses to explore the associations between cultural socialization via different agents (i.e., parents, teachers, romantic partners, peers), interdependent self-construal, and ethnic identity exploration and commitment for Latinx (N = 258, 68.6% female, Mage = 20.54) and Asian (N = 281, 66.5% female, Mage = 20.34) American college-attending emerging adults. Results revealed that for the Latinx sample, interdependent self-construal mediated the relation between cultural socialization and ethnic identity exploration or commitment in regards to parents and peers, but not teachers. In addition, interdependent self-construal mediated the association between cultural socialization from romantic partners and ethnic identity commitment, but not exploration. For the Asian American sample, interdependent self-construal mediated the association between cultural socialization and ethnic identity exploration or commitment in regards to romantic partners and peers, but not parents and teachers. These results highlight the important role of different cultural socialization agents in ethnic identity formation for these two groups and suggest that the endorsement of cultural values can be a mechanism through which ethnic identity is strengthened. / Dissertation/Thesis / Masters Thesis Counseling Psychology 2017

It seems as of late the most acclaimed advertising campaigns have found a formula to commodify the politically correct through what has come to be described as “woke advertising”. This winning strategy has won public appeal for connecting with an ever-evolving audience that is young, diverse and liberal. Specifically, newcomer agency, Anomaly, has publicly proclaimed themselves as the “change-agent” in the space of advertising, capitalizing on the culture wars by positioning themselves as the leading advertising experts in challenging societal stereotypes and biases. This is a case study that explores one of Anomaly’s 2016 campaigns for Johnnie Walker, “Keep Walking America”, as they attempt to engage in cultural politics with the Latinx community during a period of heightened political tension for immigrant populations. Through a Social Semiotics analysis and postcolonial criticism, the focus of this thesis is to explore how Johnnie Walker leveraged woke capital and consequently attempted to represent the lived experiences of marginalized groups whose stories are generally silenced.

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