Bakalauro baigiamasis darbas šviečiantis dekoratyvus objektas „220“ sukurtas 2010 m. Darbo tikslas – sukurti šviečiantį objektą atskleidžiant dirbtinės šviesos, meniškumo ir funkcionalumo galimybių sintezę, panaudojant floristines medžiagas. Tikslui pasiekti buvo keliami tokie uždaviniai: išanalizuoti literatūrą pasirinkta tema; suprojektuoti šviečiantį dekoratyvų objektą; išnagrinėti technologinius gaminamo darbo ypatumus; sukurtą objektą pritaikyti pasirinktam interjerui. Lietuvos interjeruose pasigendu savito, išskirtinio apšvietimo, netikėtų, originalių šviestuvų ar šviečiančių objektų parinkimo ir pritaikymo interjere. Europoje šiuo metu sparčiai populiarėja rankų darbo šviestuvai. Į Lietuvą ši mada po truputį ateina. Yra keletas dizainerių, kurie gamina būtent tokius šviestuvus. Tai Dovas Serapinas, Eduardas Bytautas, Laura Keblytė. Manau šią tendenciją vertėtų populiarinti. Tokie daiktai ne tik atlieka savo funkciją, bet ir yra traktuojami kaip meno kūriniai. Atlikus darbą gautos tokios išvados: 1. Nors apšvietimo dizainui dar tik apie 100 metų, jo raida gausi faktais, atradimais, besikeičiančiomis mados tendencijomis. Dabar populiariausi ekologiško dizaino šviečiantys objektai. Inovatyvus ir perspektyvus šviečiantis objektas privalo taupiau naudoti elektros energiją, o jo gamybai panaudotos medžiagos turi natūraliai irti gamtoje. 2. Šiuo metu Lietuvos ir užsienio privačiuose interjeruose dominuoja minimalizmas. Interjerų paletėse populiarios balta, juoda, ruda... [toliau žr. visą tekstą] / Bachelor‘s Thesis is a luminous decorative object „220“ made in 2010. The aim is to create a luminous object combining the synthesis of artificial light, artistic and functional opportunities and using floristic materials. In order to achieve the goal the following objectives have been set: to analyse the literature on the chosen subject, design a luminous decorative object, determine the technological peculiarities, adjust the created object to the interior, prepare theoretical part. Lithuanian interior lacks unique and special lighting, more exactly, there are no surprising, original lights, or luminous objects that can be applied in the interior. At present handmade chandeliers or illuminators become more and more popular in Europe. This fashion is slowly coming to Lithuania too. Some designers who make such chandeliers are Dovas Serapinas, Eduardas Bytautas, Laura Keblytė. I suppose, that this tendency has to be popular in future. The mentioned objects do not onle fulfil their main function, but also are pieces of art. Having performed the work the following conclusions have been set: 1. Light desing is relatively new, just about 100 years, but its development is featured by facts, discoveries, changing fashion trends. At present the most popular are ecological luminous objects. Innovative and perspective luminous object is obliged to use less electricity and its material has to disintegrate or decompose naturally in nature. 2. Recently in foreign... [to full text]

Darbo tikslas: Parengti lauko baseino vandens šildymo sistemą naudojant saulės kolektorius, siekiant prailginti jo naudojimo laiką. Nagrinėjama tema yra aktuali, kadangi bet koks saulės energijos panaudojimas žmonių tikslams energiją paverčiant šiluma yra aktyviai skatinamas, nes ši energija yra atsinaujinanti, nieko nekainuoja ir neteršia aplinkos, o panaudojimo galimybės - didelės. Atlikti įvairūs tyrimai ir skaičiavimai leidžia teigti, jog baseino panaudojimo negalima prailginti naudojant savos gamybos saulės kolektorių. Vandens temperatūrų pokyčiai esant skirtingiems gyliams yra nežymūs, kai apšvieta yra pakankama veikti saulės kolektoriui, o apšvietai esant mažai, skirtumai tarp skirtingų sluoksnių siekia net 3,7 oC, o tai yra pakankamai daug, kai baseino gylis yra 60 cm. Atlikus temperatūrų ir apšvietos tyrimus ir išanalizavus rezultatus matyti, jog daugeliu atvejų vandens temperaūros pokyčiai maketiniame baseine atitinka dienos apšvietos pokyčius. Šių tyrimų rezultatus galima pritaikyti, siekiant apskaičiuoti, kokių išmatavimų savadarbio kolektoriaus reikės, norint pašildyti pasirinktą lauko baseino vandenį. / Work purpuose: to prepare the open air swimming pool heating system by using sun collectors, to extend it’s working period. The relevance of investigating theme is really big, because of any sun energy using for people purpouse transferring sun energy into heat is active promoting, because this energy is renewable, costs nothing and it’s better for the environment and the usabilitys are big. Studies let’s state, that we can’t extend the use of open air swimming pool by using home made sun collector. The changes of water temperature, when the depth is different are not big when the lighting is enough to work sun collector, and when the lighting is small, the differences between water depth reaches even 3,7oC and it’s really big, when the depth of swimming pool is just 60 cm. When all the researches are done and results are analyzed, we see, that in many cases the temperature changes of pool water corresponds lighting changes. These research results may be adapted by calculating parameters of collector, by which we want to heat the open air swimming pool.

Image based lighting, (IBL), is a computer graphics technique for creating photorealistic renderings of synthetic objects such that they can be placed into real world scenes. IBL has been widely recognized and is today used in commercial production pipelines. However, the current techniques only use illumination captured at a single point in space. This means that traditional IBL cannot capture or recreate effects such as cast shadows, shafts of light or other important spatial variations in the illumination. Such lighting effects are, in many cases, artistically created or are there to emphasize certain features, and are therefore a very important part of the visual appearance of a scene. This thesis and the included papers present methods that extend IBL to allow for capture and rendering with spatially varying illumination. This is accomplished by measuring the light field incident onto a region in space, called an Incident Light Field, (ILF), and using it as illumination in renderings. This requires the illumination to be captured at a large number of points in space instead of just one. The complexity of the capture methods and rendering algorithms are then significantly increased. The technique for measuring spatially varying illumination in real scenes is based on capture of High Dynamic Range, (HDR), image sequences. For efficient measurement, the image capture is performed at video frame rates. The captured illumination information in the image sequences is processed such that it can be used in computer graphics rendering. By extracting high intensity regions from the captured data and representing them separately, this thesis also describes a technique for increasing rendering efficiency and methods for editing the captured illumination, for example artificially moving or turning on and of individual light sources.

This reports describes a master thesis project in Industrial Design Engineering at Lulea University of Technology in collaboration with Clas Ohlson.The master thesis was performed during 2015/2016 and is part of a product development project at Clas Ohlson aiming to develop a new kind of solar powered out door light. Clas Ohlson have limited experience with in house product development, and this project could be a pilot project to evaluate future in house product development.This projects main focus is the creative parts of the product development process and the detail development.The product developed resulted in a product with high customisation potential in many aspects including aesthetic, mounting, electronic and packaging.The resulting material, such as CAD-files, is handed over to Clas Ohlson for them to adjust if necessary in order to take the result in to production. The starting point is the company ́s desire to comply with one of their main objectives: provide sustainable products.The desire was for me to develop a solar powered outdoor light.The result is a module based system which can be expanded in multiple ways, from changing the function, to changing the appearance. In the chapter results you also find a suggested launch plan showing the width of the presented solution and the many opportunities the end user would have to upgrade their product without generating excessive waste.

"Spark Gap" is an invisible electrical force made visible in spaces between things. This usually describes the space of air between two conductors; a non-conductive gap in an otherwise complete electric circuit, across which a quick luminous disruptive electrical discharge occurs. This interstitial space is the distance between two ideas, arced with a running leap. The arc can also be the difference between two things, a gap that becomes apparent only when the two are held in close proximity. In my thesis exhibition, "Spark Gap," a sea urchin shaped orb sits atop a tower of ladders. The orb is broken into five sections and reassembled, each fault line occurring along the perfect zigzag line of its cellular structure. On the floor, there is a linen shag rug, marked as if struck by lightning. This exhibition is named for an interstitial charge, arcing across distance or difference. But this charge is also found in intersections and similarities. Imagine the friction created by rubbing together the circles of a Venn diagram: the overlapping section would begin to spark. It is in these gaps and overlaps that I find the impetus for my work.

Det övergripande syftet med avhandlingen var att beskriva och undersöka patienters - vårdade inom intensivvård - upplevelser och effekter av en cyklisk belysningsintervention utifrån hälsa, välbefinnande och återhämtning. Metod: En intervention bestående av ett automatiskt styrt belysningssystem var installerat på ett intensivvårdsrum. Belysningsinterventionens mål var att efterlikna dagsljuset i styrka, kvalitet, och lokalisation. Ett ordinarie intensivvårdsrum fungerade som kontrollmiljö. I studie I eftersöktes i en systematisk litteratursammanställning tidigare forskningsresultat rörande cykliska belysningsinterventioner inom intensivvård. Belysningsmiljöerna i intervention- och kontrollmiljön bedömdes i studie I av besökare och i studie II av patienter samt jämfördes och analyserades statistiskt. Ljus och belysningsmätningar utfördes i både forsknings- och kontrollmiljön. I studie II undersöktes patienters upplevelser av den cykliska belysningsmiljön genom kvalitativa intervjuer vilka analyserade med innehållsanalys. I studie II mättes och jämfördes patienters sömn, dygnsrytm samt fysiologiska parametrar och analyserades statistiskt. I studie IV undersöktes och jämfördes patienternas självskattade återhämtning efter sex och tolv månader. Resultat: Cykliska belysningsinterventioner exponerade för vuxna patienter var få. Resultatet visade dock att interventioner med cykliskt ljus inom neonatal intensivvård kunde inverka positivt på förtidigt födda barns hälsa. Den cykliska interventionsmiljön bedömdes som mer trivsam och mätningar av belysningen utförda i interventionsmiljön visade på samstämmighet med europeiska rekommendationer. Belysningsnivåerna i kontrolmiljön var manuellt styrda och mätningarna visade på antingen för låga eller för höga belysningsnivåer under dagtid jämfört med europeiska rekommendationer. Patienterna bedömde den cykliska belysningsmiljön som starkare dagtid och under nattetid bedömdes belysningen i kontrolmiljön som mer varierande. Patienters individuella upplevelser av den cykliska belysningsinterventionen presenterades i fyra kategorier: en dynamisk belysningsmiljö, belysningens påverkan på patientens sömn, ljus/belysnings påverkan på dygnsrytm samt en lugnande belysning. Patienternas dygnsrytm stärktes inte av den cykliska belysningsmiljön under deras sista 24-timmarsperiod. Patienternas självrapporterade återhämtning efter intensivvård var bättre efter 12-månader efter utskrivning hos de som vårdats i interventionsmiljön. Slutsatser: Genom att studera de båda forskningsområdena vårdvetenskap och ljus/belysning tillsammans skapades ny kunskap till vårdvetenskapen. Trots svår sjukdom eller skada kunde patienterna bedöma och reflektera kring belysningsmiljön. Ämnesområdet lämpar sig väl för att undersökas med både kvantitativa och kvalitativa metoder. / Aim: The overall aim of this thesis was to describe and evaluate patients’, who were cared for in the intensive care unit (ICU), experiences and effects concerning a cycled lighting intervention based on health, wellbeing and recovery. Methods: An automatically controlled cycled lighting intervention aimed to mimic natural light levels, quality and position throughout the day was evaluated. An ordinary lit room was used as a control. A multiple-method approach was used. In study I, there were three aspects: a systematic review of the previous research concerning cycled lighting interventions in the intensive care; visitor evaluations of the lighting environments in the intervention and ordinary room; and measurements of illuminance, luminance and irradiance in both conditions. In study II, the patients evaluated the lighting environment in the two rooms. Data were compared and analysed. Furthermore, patients’ experiences regarding the cycled lighting environment were investigated through qualitative interviews, which were subsequently analysed by content analysis. In study III, patients’ sleep, activity and physiological parameters were measured and compared. Study IV consisted of statistical analysis of a questionnaire concerning patients’ self-reported recovery six and 12 months after their ICU treatments. Results: The literature review on cycled lighting interventions in adult ICUs was rare but more common in the neonatal ICU (NICU). Findings showed that cycled lighting interventions improved health in preterm infants, but there were also non-significant results reported. The visitors reported the cycled lighting environment as more pleasant, and based on measurements, the lighting levels were at equivalent levels with European recommendations for hospitals. The lighting levels in the ordinary room were manually controlled and were reported as being either too low or too bright during the daytime. Patients evaluated the cycled lighting environment as brighter in daytime, and this was in coherence with the results from the measurements of illumination. Patients’ individual experiences concerning the cycled lighting environment were reported in four categories: a dynamic lighting environment, the impact of lighting on patients’ sleep, the impact of light/lighting on the circadian rhythm and the degree to which the lighting calmed them. Patients’ circadian rhythms were not further strengthened by the cycled lighting intervention during their final 24-period in the ICU. Twelve months after their ICU treatments, patients cared for in the intervention environment self-reported their recovery as significantly better than those who received treatment in the ordinary room. Conclusions: A multiple methodology was used to explore theresearch field from a wider perspective. Combining knowledge from both the lighting research field and caring science has brought new knowledge to both and especially to the practice of nursing. Despite their severe illnesses or injuries, patients were able to assess their experiences with the lighting environment and reflect on how the lighting was able to support their health. This thesis reports findings that indicate that environmental/lighting interventions may improvepatients’ health. Lighting interventions are harmless, safe, sustainable and, in comparison to technical and medical interventions, considerably cheaper. With this knowledge, we believe all vulnerable patients in the ICU should be surrounded by a lighting environment around the clock to support their health, wellbeing and recovery.

Master of Landscape Architecture / Department of Landscape Architecture/Regional and Community Planning / Jason Brody / Many cities are beginning to embrace the 24-hour city concept, where people stay up later, businesses are open 24 hours a day, and nighttime economies are expanding (Bianchini, 1995). Cities can reap social, economic, and cultural benefits by extending business hours into the night, creating safe and attractive reasons for people to utilize urban public spaces during these times, and connecting these spaces both physically and culturally to surrounding districts (Roberts, 2009). Washington Square Park in Kansas City, Missouri is an underused civic space identified as a potential anchor park for the city that could become a downtown destination, both day and night (KCDC, 2012). This report focuses on the nighttime aspects of the park, making it a vibrant evening destination for downtown Kansas City that could help boost economic activity, create new social opportunities and strengthen physical, and cultural connections to surrounding districts. Through a process of project goal finding, questioning and analysis, a set of programming strategies was developed and applied to a design for Washington Square Park that reflects the needs of stakeholders, relevant theory, and lessons learned from built precedents. Key components of a successful nighttime programming strategy for Washington Square Park include: extending business hours into the night; increasing the amount of retail, restaurant and building uses; establishing a sense of place with lighting; enhancing views; creating strong connections to surrounding areas; creating attractive amenities that extend into the night; and creating a space that is welcoming and safe with appropriate levels of lighting, activity and security. Through this research I have found that nighttime programming for an urban civic park can be an effective way of helping to create an active downtown destination for cities, benefiting the area socially, economically and culturally. Utilizing evening programming strategies in Washington Square Park can, not only help to activate the space during more hours of the day, but also create a unique sense of place that defines the park as an urban destination both day and night. By including nighttime programming strategies into design considerations, new opportunities for economic growth and social interaction can be revealed.

In accordance with an experimental setup this thesis investigates to what extent the participants' attitudes and aesthetic preferences are influenced by the lateral direction of light in moving image sequences. It is also investigated whether the participants' handedness correlates with their advertising evaluation. The purpose of the study is to generate new knowledge of potential biases in moving images that could be applied by image producers to create more compelling commercials. Our work is based on a transdisciplinary theoretical approach and the results are analyzed based on biopsychological, sociocultural and perceptual explanatory models. Three self-designed commercials with a left oriented illumination position were used as stimulus, the stimulus were also inverted horizontally. The participants were asked to assess their attitudes toward the commercials with either left or right oriented lighting. Two surveys were conducted: one with a within-subjects design and one with a between-subjects design, a total of 172 people participated. No significant difference between left and right oriented illumination position occurred in any of the groups for neither feelings toward ad, Aad , Ab , or PI. The results suggests that a bias does not occur in dynamic images, unlike the left oriented bias that has been reliably shown in previous studies that relate to still images. Nor could any correlation be established between reported attitudes and handedness.

Abstract The report investigates computer generated (CG) lighting techniques with a focus on the rendering of interior architectural visualisations. With rapid advancements in CG technology, the demand and expectation for greater photorealism in visualisations are increasing. The tools to achieve this are widely available and fairly easy to apply; however, renderings on a local scale are still displaying functionality and lack visual appeal. The research discusses how design principles and aesthetics can be used effectively to create visual interest and display mood in the visualisation, with strong attention to the elements that are defined as the fundamentals in achieving photorealism. The focus is on a solid understanding of CG lighting techniques and principles in order to achieve high quality, dynamic visualisations. Case studies examine the work of lighting artist James Turrell and 3D artist Jose Pedro Costa and apply the findings to a creative project, encompassing the discussions in the report. The result is the completion of three photorealistic renderings of an interior visualisation, using different CG lighting techniques to convey mood. The research provides a platform for specialisation in the 3D environment and encourages a multidisciplinary approach to learning.

Dans le domaine de la synthèse d'image, la simulation de l'apparence visuelle des matériaux nécessite, la résolution rigoureuse de l'équation du transport de la lumière. Cela implique d'incorporer dans les modèles tous les éléments pouvant avoir une influence sur la luminance spectrale énergétique reçue par l'œil humain. La caractérisation des propriétés de réflectance des matériaux, encore sujette à de nombreuses recherches, est très évoluée. Cependant, l'utilisation de cartes d'environnement, pour simuler leurs comportements visuels restent essentiellement trichromatiques. Caractériser la lumière naturelle avec précision, est une interrogation ancienne et il n'existe pas aujourd'hui de cartes d'environnement comportant à la fois les informations de luminance spectrale énergétique et de polarisations correspondant à des ciels réels. Il nous est donc apparu nécessaire, de proposer à la communauté de l'informatique graphique des environnements lumineux complets exploitables dans un moteur de rendu adapté en conséquence.Dans ce travail, nous exploitons des résultats issus d'autres domaines scientifiques tels que la météorologie, la climatologie..., pour proposer un modèle de ciel clair, c'est-à-dire sans nuage.Toutes les situations réelles ne pouvant pas être abordées par cette méthode, nous développons et caractérisons un dispositif de capture d'environnement lumineux incorporant à la fois, la gamme dynamique de l'éclairage, la répartition spectrale et les états de polarisation.Nous proposons, dans le but de standardiser les échanges, un format de données utilisable dans un moteur de rendu spectral, exploitant le formalisme de "Stokes - Mueller". / In the field of computer graphics, the simulation of the visual appearance of materials requires, a rigorous solving of the light transport equation. This implies to incorporate into models all elements that can influence the spectral received by human eyes. The characterization of the reflectance properties of materials, still subject to many researches is very advanced. However, the uses of environment maps, to simulate their visual behaviors remain essentially trichromaticity. Characterize the natural light with precision, is an old question. Today, there are no environment maps, including both spectral radiance and polarization informations, corresponding to a real sky. It was therefore necessary for us to design and propose to the computer graphics community a full of bright environments exploitable in a rendering engine adapted accordingly. In this work, we use the results of other scientific fields as meteorology, climatology..., to propose a new model of clear sky. As all actual situations are not addressed by this method, we develop and characterize an environment capturing device both incorporating the light dynamic range, the spectral distribution and the polarization states.