Films are art, language and symbolic materiality. As a kind of language, films get their meanings in history, as discourse. As a kind of discourse they relate to the socio-historical context and as a language they reverberate, change and spread. We analyze the film trilogy The Lord of the Rings as a piece of work an artistic production - that can be considered, according to NECKEL (2010), as a sample of the artistic discourse. We consider the theoretical framework of the Franco-Brazilian Discourse Analysis, mainly of authors such as Pêcheux (1969, 1975), Orlandi (2005) and Neckel (idem), to analyze our corpus. We aim to findthe discursive regularities that operate in the filmic narrative. Along the trilogy, we analyze the repetition of the focus of the camera in the eyes of some characters, resulting in what we see is ocularcentrism, and also of the discourse of hope by some characters. / Filmes são arte, linguagem, materialidade simbólica posta para interpretação. Enquanto linguagem, o filme ganha sentido na história e é dessa forma um discurso. Sendo discurso se inscreve sócio-historicamente e enquanto linguagem seus sentidos reverberarão, mudarão e se multiplicarão. Analisamos os filmes da trilogia O Senhor dos Anéis que chamaremos, em seu conjunto, como uma obra uma produção artística - que, segundo NECKEL (2010), pode ser entendida como da ordem do Discurso Artístico. Consideramos o quadro teórico da Análise do Discurso Francesa e Brasileira, principalmente Pêcheux (1969, 1975), Orlandi (2005) e Neckel (idem), para analisar nosso corpus. Buscamos, ao longo de nossa análise, as regularidades discursivas que se constroem na narrativa fílmica. Analisamos a repetição, ao longo da trilogia fílmica, do foco nos olhos, que compreendemos ser um ocularcentrismo, e também a fala de alguns personagens, no que entendemos ser a materialização do discurso da esperança. / Mestre em Estudos Linguísticos

Esta dissertação tem como objetivo analisar o diálogo intermidiático que se estabelece na passagem de A Sociedade do Anel, de John Ronald Reuel Tolkien (1892 – 1973) para o jogo The Lord of The Rings Online (Lotro) e pretende dar conta de aspectos importantes na construção desse diálogo, de como se instala e como se movimenta, dando enfoque, segundo o viés comparatista, ao processo de remidiação e aos aspectos de estrutura, meia-realidade e ficção interativa, próprios da interação entre as mídias pertencentes ao corpus. A obra de John R. R. Tolkien já passou por inúmeros e complexos processos (re)midiação, The Lord of The Rings Online é um deles. O jogo contempla toda a parte do mapa da Terra Média e a história narrada nos dois primeiros volumes de O Senhor dos Anéis e guia seus jogadores por missões denominadas epic books, que seguem, assim como os nove membros da sociedade do anel, os caminhos até as grandes batalhas em Mordor. A análise aqui realizada parte da problemática de classificação do que uma mídia é (MCLUHAN, 2013) e do modo como as mídias se relacionam entre si e o contexto em que são inseridas (BOLTER; GRUSIN, 2000), agregando os postulados teóricos do videointerativo. A partir do corpus de pesquisa, propõe-se um estudo comparado que compreende, exemplificando as devidas diferenças de articulações estruturais e de outros aspectos, a passagem (VAN TIEGHEM, 1931) da literatura para o videogame como um empreendimento bem-sucedido, que valoriza as duas mídias e promove novas experiências ao leitor. / This M.A. thesis analyses the intermediatic dialogue established between The Fellowship of the Ring, a book written by Professor John Ronald Reuel Tolkien (1892 - 1973), and The Lord of the Rings Online (Lotro), a Massively Multiplayer Online Role-playing Game. Here, I intend to explain important aspects for the construction of this dialogue such as how it is created and how it has been articulating itself, focusing, according to Comparative Literature Studies’, on the remediation process and on aspects such as structure, half-reality and interactive fiction, characteristic of the interaction between both media. John R. R. Tolkien’s book has gone through several complex processes of (re)mediation, being The Lord of the Rings Online one of them. The game features the part of Middle-Earth that is told in the first two volumes of The Lord of the Rings. Lotro guides its players through missions called epic quests, which follow the nine members of the fellowship of the ring to the great battles at Mordor. The analysis proposed starts from the problematic issue of classifying what a medium is (MCLUHAN, 2013), the way through which media relate to one another and the context in which they are created (BOLTER; GRUSIN, 2000), adding the theoretical postulates of videogames. It is a comparative analysis that includes, as an example of the appropriate differences in structural articulations and other aspects, the passage (VAN TIEGHEM, 1931) from literature into videogame as a successful exchange that values both media, while promoting new experiences to the reader.

Este artículo trata de los peregrinos de la ciudad de Cusco que participan en el juego de miniaturas en el santuario de Qoyllurit’i. Partiendo de una descripción del contexto socioeconómico urbano y de la ontología andina, este trabajo se propone explorar cómo podemos entender el juego, el significado de las miniaturas, y la importancia del peregrinaje en el contexto urbano contemporáneo. Una fuerte motivación para ir a Qoyllurit’i consiste en dar poder a los deseos en la vida y asegurar prosperidad económica para el futuro a través de relaciones recíprocas con lugares y objetos. En estas relaciones, valores como el respeto y la fe son importantes. Utilizando los conceptos analíticos de virtualidad y mímesis, analizo el juego como una forma de comunicación fundamentada en una ontología en la cual no se distingue entre naturaleza-cultura, materia-espíritu, significante-significado. Además, se muestra que las prácticas religiosas indígenas son procesos culturales y materiales que son recreados constantemente en relaciones continuas y recíprocas entre lo rural y lo urbano. El artículo se basa en dos años y dos meses de trabajo de campo etnográfico (2001-2002, 200-2007, 2008) en un pueblo joven de la ciudad de Cusco y en tres peregrinajes a Qoyllurit’i (2002, 2007, 2008). / This article is about the pilgrims from Cusco city who participate in the miniature game in the sanctuary of Qoyllurit’i. Starting with a description of the urban socioeconomic context and the Andean ontology, this text intends to explore how we may understand the game, the meaning of the miniatures, and the importance of the pilgrimage in the contemporary urban context. A strong motivation for going to Qoyllurit’i is to empower the desires of life and ensure economic prosperity for the future through reciprocal relations with places and objects. In these relations, values like respect and faith are important. Using the analytical concepts «virtuality» and «mimesis», the article analyzes the game as a form of communication based in an ontology in which there are no distinctions between nature-culture, signifier-signified, and matter-spirit. Furthermore, it shows that indigenous religious practices are cultural and material processes which are constantly recreated in continuous and reciprocal relations between the rural and the urban. The article is based on two years and two months of ethnographic fieldwork (2001-2002, 200-2007, 2008) in a neighborhood in Cusco city and in three pilgrimages to Qoyllurit’i (2002, 2007, 2008).

This essay focuses on J.R.R Tolkien’s The Lord of the Rings, how the different races in the text are portrayed and how they interact with each other. The essay uses postcolonial theories, mainly “Orientalism” and “Otherness”, to prove traces of racism in the text. It focuses on the text and what can be found in the characters opinions of each other. The aim of this essay is to prove that in The Lord of the Rings there is an underlying story of racial issues between the different races of Middle-Earth and that these issues can be described as racism.  The colonial themes of the text can mostly be found in the geographical descriptions, the colour of skin and the stereotypical descriptions of different races within the text. The stereotypical descriptions are probably sprung from the fact that J.R.R Tolkien grew up towards the end of the big Imperialist era of 19th century Europe and the similarities and descriptions of foreign cultures existing in the real world can be traced throughout the text.  The Lord of the Rings contains themes with racial issues and this can be described as racism, even though it is not possible to say that The Lord of the Rings is a racist text as whole. / Uppsatsen analyserar Sagan om Ringen av J.R.R Tolkien. Den visar på hur olika raser är beskrivna i texten och hur dessa grupper interagerar med varandra. Uppsatsen använder sig av Postcoloniala teorier, i huvudsak Orientalism och de andra för att visa på rasistiska spår i texten. Uppsatsen behandlar texten och undersöker karaktärernas åsikter om varandra. Målet med uppsatsen är att visa att Sagan om ringen har underligande rasistiska strömningar mellan de olika raserna i Midgård. Det koloniala temat i texten ses tydligast i de geografiska beskrivningarna, hudfärg på karaktärer och de steriotypa beskrivnnignarna av olika grupper i verket. De steriotypa beskrivnnigarna kommer troligtvis ifrån Tolkiens egen uppväxt i det imperialistiska Storbritanien under slutet av 1800-talet då tidstypiska beskrivingar från denna era kan skönjas i texten som helhet. Sagan om ringen innehåller flera rasistiska partier men det är inte möjligt att beskriva hela verket som rasistiskt.

This diploma thesis deals with urban studies on the territory of Svitavy river in Brno-Husovice. Part of the solved territory is defined as a brownfield - specifically, it is a former Zetor site. New backbone roads are proposed in the defined area, new residential complexes that integrate the area into the surrounding area. In the north of the proposed area, I propose the Park & Ride Park House at the large city ring road in Brno. The proposal also includes the creation of recreational areas - near the embankment, a city park is set up near the Provazníkova road. An interesting feature is the creation of a public space shielded from traffic.

This essay is a critical textual analysis of the poetry of Robert Lowell with focus on religious symbolism used in his work, and the Catholic theology which informed it. This results in a new, contrasting interpretation to the conventional view that he had abandoned his religious focus by mid-career, while accounting for his own assessment that he had not. Insights gained through this analysis, combined with those relating to Lowell’s personal history, reframe his confessional poetry while bolstering this claim.  Through this study, poems selected from Lord Weary’s Castle, The Mills of the Kavanaughs, Life Studies and For the Union Dead are reinterpreted in order to explore the consequences of what Lowell could have intended with this stylistic modification, and discover the religiosity that he claimed was hidden. Lowell’s confessional poetry up until 1964 is examined and recast as the anguished wails of a Catholic soul in Purgatory. This fresh approach to one of America’s finest twentieth-century poets provides a novel foundation for the reinterpretation of the entirety of Lowell’s professional oeuvre.

Das Liedschaffen Felix Mendelssohn Bartholdys war zu Beginn des 21. Jahrhunderts nur zu knapp zwei Dritteln der tatsächlichen Produktion bekannt. Erst im Jahre 2007 erschienene, bis dahin ungedruckte oder an entlegener Stelle veröffentlichte Lieder werden in vorliegender Studie zusammen mit den übrigen, nicht mit einer Opuszahl versehenen Liedern und Duetten zu thematischen Untergruppen geordnet und knapp in textlich-musikalischer Hinsicht charakterisiert. Diese Lieder und Duette, die nach dem Wunsch des Komponisten in den allermeisten Fällen nicht in die Öffentlichkeit gelangen sollten, stellen das gewohnte Bild Mendelssohns, das des Heiter-Sorgfältigen, in ein neues Licht.

In this investigation I will go to the bottom of the idea of progressivism by using one of the symbols of its consequences: The Titanic disaster. The purpose is to analyze the claims of Walter Lord, comparing his story with the historical development of the 1900’s and Thomas S. Kuhns theory of paradigm shifts. According to Lord the Titanic disaster changed humans’ view on the world and their place in it, leading to a paradigm shift. By using the method of hermeneutics and critical discourse analysis I will show that Lords claims, depending on the perspective, are somewhat exaggerated. Instead Titanic would become a powerful symbol for the critics of the current paradigm, which is that of progressivism. Even if the Titanic disaster led to some changes, the idea of progressivism has been able to modify and adapt itself, reproducing the current societal paradigm of progressivism.

The Diploma thesis Angels in the Bible. The role of angels in biblical texts tries to describe the role of angels in the Bible based on the contexts containing the term angel. Then it analyzes and briefly characterizes individual texts of the Old and New Testament in which the term angel occures. With the help of this analysis it is possible to observe what role did the angels serve: they announced the birth of a son, God's election, God's commands, they become the life savers, leaders and protectors of the Israel nation and executors of God's punishment. An angel - interpreter acts in the apocalyptic texts. In the New Testament, angels also announce the birth of Jesus and John the Baptist, announce the God's will to people, they announce the resurrection and protect the church similarly to Israel. The most angels figure in the Book of Revelation and they play all roles known from apocalyptic literature: angel - interpreter, angel - guardian, as well as angels who participate on the heavenly council and effect the judgement according to the God's commands.

No description available.