Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-10-04T16:55:20Z No. of bitstreams: 1 Ayrson Heráclito Novato Ferreira.pdf: 5161682 bytes, checksum: bdffc485b91663e0fd4b750a917a9839 (MD5) / Made available in DSpace on 2016-10-04T16:55:20Z (GMT). No. of bitstreams: 1 Ayrson Heráclito Novato Ferreira.pdf: 5161682 bytes, checksum: bdffc485b91663e0fd4b750a917a9839 (MD5) Previous issue date: 2016-06-22 / This thesis has as its universe the political and cultural tensions in the field of art in Bahia. The main axis of this research is to point out to the emergence of collections and institutionalized artists, and as a result of this vision to signalize the artists who remained marginal of these process. This initiative scrutinizes documents, interviews and artistic productions to understand how the art scene in Bahia was built from the 1960s, trying to critically analyze conceptual constructions about the art of Bahia. The research reveals how civilizations projects and personal utopias contributed to the tessitura and modification of the specific cultural policies in the state of Bahia. In this sense, the work is settled on an ideal which observes the most institutionalized art system and also on the existence of an independent scene materialized by artists who have a radical artistic production, highlighting the social tensions in Bahia in the period of military dictatorship. So, this thesis is backed by the following questions: 1) the links between civilization projects and cultural policies; 2) the creation of cultural structures in the Bahia’s art scene due to utopias; 3) the collectionism action as a political strategy for the arts; 4) the cultural resistance of artists who produced a marginal condition to art systems in Bahia. Therefore, the relevance of this work is the possibility of thinking about reinforcements and leakages of the art circuit - by attending to the power of producers, although they are not recognized in the Art History of Bahia, who worked significantly in building an innovative and imminently radical visuality / Este trabalho tem como universo de pesquisa as tensões políticas e culturais no campo das artes na Bahia. O eixo principal da investigação é pontuar a emergência de coleções e artistas mais institucionalizados e, em consequência disso, sinalizar a resistência de artistas que permaneceram às margens desse processo. Esta iniciativa esmiúça documentos, entrevistas e produções artísticas para compreender como se erigiu um cenário artístico na Bahia a partir da década de 1960, tentando analisar criticamente construções conceituais sobre a arte baiana. A pesquisa evidencia como projetos de civilização e utopias pessoais contribuíram na tessitura e modificação de políticas culturais específicas no estado da Bahia. Nesse sentido, o trabalho está assentado num ideal que observa o sistema de arte mais institucionalizado e também a existência de uma cena independente materializada por artistas que possuem uma produção artística radical, evidenciando as tensões sociais baianas no período da Ditadura Militar. De tal modo, esta tese está lastreada nas seguintes questões: 1) os imbricamentos entre projetos de civilização e políticas culturais; 2) a criação de estruturas culturais no cenário artístico baiano decorrentes de utopias; 3) o ato de colecionismo como uma estratégia política para as artes; 4) a resistência cultural de artistas que produziram numa condição marginal aos sistemas de arte na Bahia. Portanto, a relevância deste trabalho está na possibilidade de pensar em reforços e fugas dos circuitos de arte – atentando para a potência de produtores que, ainda que não sejam reconhecidos dentro da História da Arte Baiana, trabalharam de forma significativa na construção de uma visualidade inovadora e iminentemente radical

Cette thèse présente l'exploration humaine du monde microscopique de règle de la beauté formelle, afin de révéler la loi inhérente de l’univers dans lequel tous les êtres sont connectés et communiqués. La thèse encourage les hommes à découvrir le charme unique de l’univers via les médias d’art, et à découvrir la signification essentielle de l'humanité qui apportera plus de l’esprit d’innovation. Tirer et appliquer de nombreuses formes de beauté des cellules biologiques sous le microscope dans la création de l’art contemporain est un travail totalement innovant et magique, comme les petites cellules contiennent l’essence de l’univers. La loi de l’univers joue un rôle primordial dans la formation de la beauté du monde microscopique. Cette thèse a également étudié comment l’esprit humain participe au processus de l’esthétique microscopique qui améliore la théorie de l’esthétique dans son ensemble. Tout cela enrichit la pensée et la forme de la création des artistes contemporains. Cette thèse vise à promouvoir la construction et la communication de l’esprit du monde microscopique, et à retrouver les inspirations et les natures. C’est un sujet spirituel qui mérite l’attention des artistes contemporains. / This thesis presents the human exploration of the rule of beauty, of forms in the microscopic world, to reveal the inherent law of the universe in which all beings are connected and communicated. The thesis encouraged men to experience the unique charm of the universe via the media of the arts, and to discover the essential meaning of humanity that will bring more spirits of innovation. Learning and applying the beauty of many forms of biological cells under the microscope in the creation of contemporary art is a completely innovative and magical work, since the small cells contain the essence of the universe. The law of the universe plays a crucial role in the formation of the beauty of the microscopic world. This thesis also studied how the human mind involved in the process of microscopic aesthetic that enhances the theory of aesthetics as a whole. All this enriched the thought and the form of the creation of contemporary artists.This thesis aims to promote the construction and communication of the spirit of the microscopic world, and to find the inspirations and natures. It is a spiritual subject that deserves the attention of contemporary artists.