The purpose of the present study was to establish the frequency of the process types used in Galsworthy’s novel The Man of Property and the peculiarities of their realization. To achieve this aim 1524 examples of finite and non-finite clauses were subjected to analysis.The results of data analysis demonstrated that the semantic processes used in the novel the Man of Property exhibited all the familiar types of semantic processes. The most common were material processes: they accounted for about forty percent of all semantic processes. / Šis darbas yra skirtas semantinių procesų tipų tyrimui. Yra skiriami šie semantinių procesų tipai: materialiniai (arba darymo), atsitikimo, mentaliniai, verbaliniai (arba sakymo), santykiniai ir egzistenciniai. Pagrindinis šio darbo tikslas šiame darbe yra išanalizuoti semantinių procesų tipus Golsvorčio romane „Savininkas“.Tyrime buvo išanalizuota 1524 kongruentiški ir nekongruentiški sakiniai. Šių pavyzdžių analizė parodė, kad dažniausiai sutinkami semantiniai procesai romane buvo materialiniai procesai, kurie sudarė net 40 procentų visų semantinių procesų.

This graduate report is a description of my artistic development through the graduate program at the University of Texas at Austin. It records my development and growth as an artist in relationship to the concepts, materials, and processes I have been investigating and exploring in the past three years. The graduate report focuses on three important concerns to which I’ve been dedicated. First, materials are imperative to my work. I physically collect and use my father’s ordinary objects and transform them with raw materials, such as clay, flour, honey, chocolate, beeswax, and petroleum jelly. The decision of choosing raw materials is based on my personal and cultural experiences. I am particularly interested in exploiting raw materials because I believe these raw materials can trigger a particular memory, place, or relationship that I want to preserve and remember. Second, my process of making involves ritualistic aspects with repetitive acts. I believe that everyday practices are a way of reconstructing relationships and remembering home. I am interested in embracing emotional attributes that may be simple activities: spraying a piece daily to keep it wet or sewing a personal object until it is impossible to sew. Finally, through the relationship among the objects, repeated actions, and an anticipation that evokes magical power and charged energy, I methodically transform objects. I do this to celebrate emotions and to preserve not only these personal objects but also my memories of home. / text