Thesis (Ed. D.)--Illinois State University, 1995. / Title from title page screen, viewed April 25, 2006. Dissertation Committee: Larry D. Kennedy (chair), John V. Godbold, John T. Goeldi, Barbara S. Heyl. Includes bibliographical references (leaves 129-136) and abstract. Also available in print.

As organizations rely heavily on innovative knowledge from the academic research results, there is a growing need to implement an IT platform which can facilitate knowledge acquisition, assimilation and exploitation for practitioners. Recently National science council Taiwan has launched a project to develop the eTop (Engineering and Technology Promotion) platform which allows researchers to upload their research results and practitioners to browse the available research results based on their needs. In order to enhance the operation performance of the eTop, there is a need to investigate its business strategy. To address this issue, we followed the case study method to analyze the eTop context and provide suggestions. First, we clearly portray the eTop business model, and then we proposed a set of business strategies for eTop operation based on Metcalf¡¦s Law, social media capabilities and intensive interview with eTop platform developers, researchers and practitioners. With these proposed strategies, the eTop managing team can have better understanding and preparation for eTop operation, and thereby enhance the effectiveness of knowledge acquisition, assimilation and exploitation for practitioners.

Thesis (M.S.)--Miami University, Dept. of Physics, 2005. / Title from first page of PDF document. Document formatted into pages; contains [1], ix, 93 p. : ill. Includes bibliographical references (p. 88-93).

No description available.

Rocks of the Morenci-Metcalf district consist of Precambrian metaquartzite-schist, granodiorite, and granite overlain by Paleozoic and Mesozoic sediments. Intrusion of igneous rocks, emplacement of breccia masses, and associated hydrothermal activity occurred in Laramide time. Breccias of the district are associated with the youngest sialic intrusive complex. This sequence includes intrusion of the Older Granite Porphyry stock, main stage district hydrothermal alteration, quartz veining, breccia formation, main stage district hydrothermal mineralization, and intrusion of the Younger Granite Porphyry plug. Breccia formation in the Morenci-Metcalf district is similar to breccia descriptions reported in the literature for other porphyry copper deposits. Three breccia types, of separate and distinct origins, are herein described as the Morenci, Metcalf and King, and Candelaria Breccias. The Morenci Breccia is an intrusion breccia that has formed along a pre-existing structural feature during the ascent and emplacement of the Older Granite Porphyry stock. It exhibits an oblate lenticular shape with angular to subrounded fragments in a matrix of quartz, K-feldspar, biotite, and minor rock flour. The Metcalf-King Breccias and numerous smaller breccia masses are the remnants of an original Older Granite Porphyry mantle above the ascending Younger Granite Porphyry complex. The breccia masses occur as large 'xenoliths' floating within the Younger Granite Porphyry plug and were formed by surging and collapse during emplacement of this intrusive. Fragments in the Metcalf and King Breccias grade from angular in the central core to rounded at the contacts and occur in a matrix of sericite, K- feldspar, quartz, and rock flour. The Candelaria Breccia is an explosion pipe and is the largest continuous breccia mass in the district. It is oval with an inverted cone appearance consisting of angular to subangular equidimensional fragments in a matrix of sericite, quartz, specularite, and rock flour. All the breccia masses occur within and subsequent to the district phyllic (quartz-sericite-pyrite) alteration zone. Main stage district copper mineralization postdates emplacement of the Older Granite Porphyry stock and breccia formation, and is prior to the intrusion of the Younger Granite Porphyry plug. Late stage quartz-sericite-pyrite-chalcopyrite veinlets occur in the Metcalf-King Breccia group. Field mapping and laboratory studies indicate that the Older Granite Porphyry stock appears to have been the main district mineralizer.

The present thesis investigates the music and career of Jeffrey Lewis (born 1942). The thesis is broadly divided into three sections. First is an account of the composer’s life, told mainly through an overview of his works, but also through a sketch of his early years in South Wales, his studies in Cardiff, Darmstadt, Kraków and Paris, his academic career in Leeds and Bangor, and his subsequent early retirement from academia. There follows a more detailed study of six works from the period 1978 – 1985, during which certain features of Lewis’s musical language came to the fore, perhaps most notably a very individual and instantly recognisable use of modal language. After an Epilogue, the thesis concludes with an Appendix in the form of a Catalogue in which all Lewis’s known compositions are listed, together with details of performances, broadcasts and recordings. Lewis’s music often plays with our temporal expectations; the close interrelationship between texture, structure, harmony and melody, and its effect upon our perception of the passage of time, are explored in the main analyses. These are conducted partly by means of comparison with other works by Lewis or his contemporaries. Memoria is examined in relation to a similarly tranquil score, Naaotwá Lalá, by Giles Swayne. The following chapter discusses the extra-musical inspiration for Epitaph for Abelard and Heloise, whose relationship to Tableau is then explored in the next. The difficulties of creating a large-scale structure that unifies the work’s various harmonic elements are also investigated. The analysis of Carmen Paschale considers it in relation to Lewis’s other choral music, whilst the final analytical chapter compares and contrasts two three-movement works, the Piano Trio and the Fantasy for solo piano. Lewis’s melodic writing in the Piano Trio is discussed in relation to that of James MacMillan, and the origins of the first movement of Fantasy in Oliver Knussen’s Sonya’s Lullaby are explored. In the Epilogue, the possible reasons for Lewis’s current neglect are explored, various influences on Lewis’s musical thinking are laid out, and his achievements are assessed.