Thèse--Paris. / Includes bibliographical references.

Thèse--Paris. / Includes bibliographical references.

Texte remanié de: Rozprawa doktorska--Katedra Literatury Oświecenia i Romantyzmu--Lublin--Katolicki Uniwersytet Lubelski, 1992. / Notes bibliogr. Index.

Includes the sonnets of the 1826 edition, published by the author at Moscow University, in Polish and Russian. / On leaf facing t.p.: Sonety Adama Mickiewieza. Includes bibliographical references.

This dissertation examines the role of Polish poet Adam Mickiewicz as the Romantic Other in the formation of Russia's Romantic identity during his Russian sojourn between 1824 and 1829. Analysis of Mickiewicz's image as the poetic Other, with respect to his Russian contemporaries, reveals the process that led to the establishment of their individual and national identities during the transition from Classicism to Romanticism in the second half of the 1820s. Examination of materials gathered from a variety of sources - poetry dedicated to, and inspired by, Mickiewicz, reviews of his work, correspondence and memoirs - demonstrates how contemporary Russians perceived Mickiewicz: a Polish poet, all at once a representative of Western literature and culture, a Lithuanian bard, a Slavic Byron, and a poet who was also close to Russia's cultural and poetic tradition. Special consideration is also given to Mickiewicz as the Other in Pushkin's poetic paradigm "bard vs. prophet", through which the Russian poet expressed and interpreted his own poetic identity in the context of Western and Russian literature. Such a multi-dimensional image of Mickiewicz reflects the Russians' struggle to establish their own Romantic identity in response to Western literary and cultural models, as well as one that would reflect Russia's own history and tradition. By examining Mickiewicz's so far unexplored position as the Romantic Other, this dissertation provides a new perspective on the significant role that the Polish poet and his work played in the critical period of Russia's transition towards its own Romantic literature.

Zugl.: Poznañ, Uniw. Imienia Adama Mickiewicza, Diss., 2006

Die vorliegende Ausgabe der „Potsdamer Beiträge zur Sorabistik – Podstupimske pśinoski k Sorabistice“ Adam Mickiewicz, Gedichte in sorbischer Übersetzung, zusammengestellt von Alfred Měškank stellt den Jubiläumsband Nr. 10 unserer Serie dar. Wir sind sehr stolz darauf, die Serie herausgeben zu dürfen und vor allem darauf, das Jubiläum mit so einem würdigen Inhalt zu begehen. Adam Mickiewicz (1798-1855) gilt als der größte polnische Dichter, vergleichbar mit J. W. v. Goethe in Deutschland oder John Byron in England. Seine Werke sind in viele Sprachen übersetzt und dadurch in der ganzen Welt bekannt geworden. Bedeutende sorbische Dichter und Übersetzer, wie z.B. Jakub Bart-Ćišinski und Otto Lehmann-Wićaz haben seine Gedichte auch ins Sorbische übersetzt, doch diese Übersetzungen sind verstreut und dem heutigen Interessenten kaum zugänglich. Einige seiner bedeutsamsten Werke, besonders sein Versepos „Pan Tadeusz”, sowie Teile seines dramatischen Werkes „Dziady” fanden erst in neuerer Zeit einen Übersetzer. Die vorliegende Edition, die eine Zusammenstellung aller bisher ins Sorbische/Wendische übersetzten Werke des großen polnischen Dichters der Romantik darstellt, schließt diese Lücke nun. / This edition of Adam Mickiewicz’s poems in Sorbian translation, compiled by Alfred Měškank, represents the anniversary edition # 10 of our series "Potsdam Contributions to Sorabistics - Podstupimske pśinoski k Sorabistice” . We are very proud to release the series and especially flattered to celebrate the anniversary with such a worthy content. Adam Mickiewicz (1798-1855) is considered the greatest Polish poet, comparable to JW Goethe in Germany or to John Byron in England. His work has been translated into many languages, and thereby become known throughout the world. Significant Sorbian poets and translators, such as Jakub Bart-Ćišinski and Otto Lehmann-Wićaz have also translated his poems into Sorbian language, but these translations are scattered and difficult to access from today's prospective. Some of his major works, particularly his epic poem "Pan Tadeusz", as well as parts of his dramatic work "Dziady" found only recently a translator. The present edition, which is a compilation of all previously published works of the great Polish romantic poet in Sorbian/Wendish language, fills this gap now.

Texte remanié de: Th. doct.--Lett.--Varsovie, 1988. / Bibliogr. p. 188-191. Index.

No description available.

The purpose of diploma work is formulate typology of nobleman in polish literary at 17 - 19 centuries. The theoretical part will include closer look on creativity of chosen authors and theirs works will be set into historical-literary context (for example notion sarmatism, noble culture in era of Romanism etc.). Analysis section will notice on mutual parallel and also on particular specific of each authors respectively on theirs texts if is it conception of noble character. Author of this task will issue from 3 main texts: Memoirs who's author is J. Ch. Pasek, from Mickiewicz's Pan Tadeasz and from trilogy of Henryk Sienkiewicz. Main attention will be focused on characteristic of nobleman, his perception of the world and problems of noble morality.