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Missale Posoniense I. - kritické vydání / Missale Posoniense I. - critical editionSýkora, Adam January 2017 (has links)
ThLic. Mgr. Adam Sýkora: Missale Posoniense I. - critical edition (theseis), Charles University in Prague, Faculty of Catholic Theology, 2017. In the present thesis the author provides a critical edition of one of the oldest missals of Bratislava Chapter House: Missale Posoniense I. It is important source of European significance, which is pattern normative and representative in relation to the similar codices, and which was used in the Bratislava Chapter House before 1341st. Their significance is decisive since it is independent on the Missalia from the time Innocent III, and on the reform of Haymo of Faversham. The missal contains also the parts from Pontificale, Ordines and Breviarium. The text of this Missal was previously published only in facsimile form, which bears the technical limitations of the period of its creation. Since that time, other folios have been discovered that have not been published at all. Experts now has the text, with which can work effectively. Critical apparatus facilitate the work with the text, as well as indexes, tables and photo documentation attached. Keywords: Roman Missal, Missale Romanum, Missale Posoniense I., Bratislava Missal I., Missale Bratislaviense I. [sic], Missale notatum Strigoniense, Ordinary, proprium, critical edition, Pontificale, Ordines. Powered by TCPDF...
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Svenska kyrkan 1986 och 2016 : En studie kring Svenska kyrkans missale 1986 samt kyrkohandboksförslaget för 2016 / The Church of Sweden 1986 and 2016 : A study of their Church-handbook of 1986 and the Proposal of 2016Sjögren, Agnes January 2017 (has links)
The Church of Sweden has, under the past few years, had a special focus on their Church-handbook of 1986. There has been a widely-discussed debate among the different congregations in Sweden if, and when, their Church-handbook should be exchanged for a new Church-handbook. But, is there also a risk of a change in liturgy and theology? In this essay, I have been able to identify both similarities and differences in the Church-handbook of 1986 and the Proposal of 2016. In the Church-handbook of 1986 there is a focus on "We" and in the Proposal of 2016 there have been a significant change to focus on "World-wide". This focuses on both "We" and "World-wide", are a direct connection to the ecclesiology that were in question of the publication of the Church-handbooks. So which path shall Curch of Sweden take 2017? Shall they continue with the Church-handbook of 1986 and keep a well-known liturgy or take the Proposal of 2016 into consideration? During the "trial-run" which follow every Proposal that the Church of Sweden publishes, members of congregations all around Sweden, has shown a reluctance towards the Proposal of 2016. They have shown that it's a Proposal that has not taken into consideration, the very importance of recognition and that not all of those that visits the different churches in Sween, are familiar with the liturgy. Therefore, they claim, the Church of Sweden shall not have the Proposal of 2016 as their primarily used Church-handbook, but they can take into consideration to use it as an edition to the Church-handbook of 1986.
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Medeltida medialitet : En studie om interaktionen mellan liturgi och kyrkorum i Ärentuna kyrka / Medieval Mediality : A study on the Interaction between Liturgy and Church Architecture in Ärentuna churchKarlsson, Cecilia January 2023 (has links)
The aim of this study is to examine intangible aspects of medieval church architecture from an art historical perspective, by using the theoretical frameworks of the theologist Alf Härdelin’s theory on multidimensionality and the philosopher of languages John Langshaw Austin’s theory on speech acts and performativity. It studies the relationship between church architecture and liturgy during the 15th century. This case study’s main material is the Upland parish church Ärentuna and the liturgical sources Missale Upsalense novum (1513) and the devotional book Siælinna thrøst (15th century). The interior of the church has been examined to understand how the church interior may have been furnished during the 15th century. During the 15th century the church had many more altars and devotion pictures than what one can see in the current furnishings of the church. There is a narratological succession in the construction of the building, as well as the iconographical motifs, from West to East, thus the meaning of it becomes increasingly sacred. In that way, the construction of the building, as well as the wall paintings converses, with the liturgy – which has its core in the choir. When laypeople entered the sacred space of the church, they perceived things in a specific order, which creates a sense of order and cohesion within the liturgy. The study found that liturgy produces meaning in the church architecture by giving a visual expression to faith through images. Through performative speech acts found in the liturgy, a multidimensional experience is created by the (theological) fact of Christ's presence in the church. The nave's paintings enhance the visitor’s experience of the church interior as an eternal heavenly presence with motifs such as the Seven days of Creation, the Ten Commandments, the Passion of Christ and finally the Last Judgment.
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