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In this dissertation I examine representations of the events surrounding the disappearance and murder of women from Vancouver’s Downtown Eastside, in the interests of animating a sense of implication in these events among a wider public. To do so, I build on theoretical concepts developed in the work of Avery Gordon, Judith Butler, and Wendy Brown, namely the notions of hauntings, grievability, and inheritance. My approach to knowledge production builds upon Avery Gordon’s theorizing about the significance of hauntings in particular. Following Gordon, I argue that while the women disappeared from Vancouver are no longer physically “there” in the Downtown Eastside, they do indeed maintain what Gordon describes as a “seething presence” in Vancouver (and beyond), one that suggests matters of some urgency for contemporary social and political life, and so my research traces those presences as they have arisen through my engagement with a variety of cultural productions (including documentary film, photography, journalism, art, and poetry). Building on insights from each of the three theorists listed above, I argue that ethical encounters with the ghosts of the women who have been disappeared require rethinking conventional ways of understanding the relationships between self/other and past/present/future. Because the women disappeared from the Downtown Eastside are disproportionately Indigenous, I begin by investigating how histories of colonization, and in particular the frontier mythology so commonplace in western Canada, are implicated in these contemporary acts of violence. I argue that conventional understandings of space, temporality, and history are inadequate for understanding these events in all of their complexity. From there, I investigate how and why the women were initially cast, in a variety of representations, as living lives that many assumed could not be widely recognized through the framework of what Judith Butler has coined a “grievable life.” And finally, I ask after what kind of memorial practices might be most capable of hailing an “us” into relations of inheritance with the women who have been disappeared - such relations, I argue, are a necessary part of reckoning with our individual and collective implication in the disappearances of women from the Downtown Eastside. / English

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This thesis studies the relationship between a skewed sex ratio and female empowerment in India. The study uses cross-sectional survey data from 2015-16, defining empowerment with an index that compiles questions directed toward women regarding if they have been subjected to violence and violations by their husbands or partners. We investigate if there is a negative relationship between sex ratio and the empowerment index by examining previous studies as well as conducting a multivariable regression analysis. The results show a statistically significant negative relationship at the 5% significance level when controlling for son preference, wealth index, education, habit of reading the news, and identification as Hindu and Muslim respectively. Furthermore, we find that a negative correlation persists when separately performing the regression for the wealth index levels “middle” and “richer”. Although statistically significant, the coefficients are relatively small and the economic significance of the results is hence debatable.

This thesis examines demographic manifestations of son preference in three parts. Part I develops a simulation model that formalises the decision to practice prenatal sex selection through a "ready, willing and able" framework. The model is calibrated to South Korean and Indian sex ratio at birth (SRB) trajectories. Simulations reveal how SRB distortions in both countries have emerged despite declining son preference due to the rapid diusion of ultrasound combined with growing propensities to abort as a result of weakening norms for large families. Part II examines the potential role of big data to indirectly estimate the SRB at the subnational level in India. States with distorted SRBs tend to display a relatively high Google search activity for ultrasound. SRB "now-casts" generated using search volumes perform better than lagged variable models in high birth registration states. Part III examines the relationship between prenatal sex selection and postnatal excess female child mortality in two studies. The first applies lifetable techniques to decompose population changes in child sex ratios into a fertility component attributable to prenatal sex selection and a mortality component attributable to sex-differentials in postnatal survival. This study finds that although reductions in numbers of excess female deaths have accompanied increases in "missing" female births in all countries experiencing SRB distortions, excess female mortality has persisted in some but not in others. The second study uses birth histories of the Demographic and Health Surveys for six countries that have witnessed SRB distortions - India, Nepal, Pakistan, Azerbaijan, Armenia and Albania - to examine if differential mortality change by sex can be explained by the uptake of prenatal sex selection. This study finds that changes in prenatal sex selection only explain mortality change in India. Across all countries, although patterns of mortality disadvantage are concentrated amongst less educated mothers, prenatal sex selection is strongest among the better educated. Differential sorting into the two behaviours offers an explanation for why the effect for prenatal sex selection is generally weak.

Population control programs such as family planning and the introduction of sex identification technologies has helped to create skewed sex ratios in northern India and particularly in the state of Haryana. Due to a surplus of men and the numbers of missing females, an organized business of bride trafficking has emerged where poor women from eastern and northeastern states of India are bought and brought to Haryana for the purpose of marriage. This thesis explores how skewed sex ratios have contributed to the phenomenon of bride trafficking in Haryana guided by the theoretical framework of violences of development which argues that there is a hidden paradox within development. This was done by conducting a conventional content analysis in order to create a deeper understanding of the phenomenon. There is scarce research on bride trafficking, therefore this study contributes with extended knowledge in order to shed a light on the increasing trade with females.

The Dryland Diaries is a multigenerational narrative in the epistolary style, a tale of four women, central character Luka; her mother Lenore; grandmother Charlotte; and great-grandmother Annie – cast in the Quebecoise tradition of the roman du terroir, invoking place and family, the primal terroir of a storyteller. The novel is driven by three acts of violence – the possible murder of Annie’s husband, Jordan, by her Hutterite father; the rape of Charlotte; and the probable murder of Lenore by a notorious serial killer. Set in rural Saskatchewan and Vancouver, Luka, a single mother, finds Annie’s and Charlotte’s journals in the basement of her farm home, where both her predecessors also lived. She reads their stories while attempting to come to terms with her search for her missing mother, and with her attraction to her former flame, Earl, now married. Luka learns that Jordan disappeared shortly after the Canadian government enacted conscription for farmers in the First World War, when Annie became a stud horsewoman, her daughter Charlotte born before the war ended. Letters and newspaper clippings trace the family’s life through the drought and Great Depression; then Charlotte’s diaries reveal her rape at Danceland during the Second World War. Her daughter, Lenore, grows up off-balance emotionally, and abandons her daughters. Luka returns to Vancouver and learns her mother’s fate. Told from Luka’s point of view, in first-person narrative with intercutting diary excerpts and third-person narratives, the novel examines how violence percolates through generations. It also examines how mothers influence their children, the role of art, how the natural world influences a life, and questions our definition of “home.” At its heart, the novel is a story about what makes a family a family, about choices we make toward happiness, and about how violence perpetuates itself through the generations. Inspired by Margaret Lawrence’s The Stone Angel, Carol Shields’ The Stone Diaries, and the place-particular writing of Annie Proulx and Guy Vanderhaeghe, The Dryland Diaries paints a family portrait of loss, hope and redemption, locating it on the boundaries of historical fiction, firmly within the realm of epistolary and intergenerational narrative.