Inaug.-Diss.--Giessen. / Lebenslauf. "Schriftennachweis": p. [6]-8.

Thesis--Tübingen. / Cover title. Lebenslauf. "Benützte Bücher": p. 95-97.

Thesis--Tübingen. / Cover title. Lebenslauf. "Benützte Bücher": p. 95-97.

Proefschrift--Utrecht.

The novel Agaat by Marlene van Niekerk is a highly complex text. One of the most compelling aspects of the novel is the way in which the author constructs an underlying metaphorical grid which determines the composition of the novel. The motives in the novel cannot be regarded merely as motives because specific prominent and powerful metaphors are continually exploited by variation and extension. The complicated relationship between narrative and metaphor on different levels is of great importance in the interpretation of the novel. Due to the complexity of the text, the dominant metaphors cannot be analyzed in the traditional manner. In this study I want to demonstrate that conceptual blending theory, which can be regarded as a branch of conceptual metaphor theory, offers a theoretical framework that can be used to understand the underlying cognitive functioning of the interaction between author, text and reader. This dissertation will examine the processes of blending shaped from the mottos posted at the beginning of the novel. The three mottos, the music motto, the embroidery motto and the farming motto, act throughout the novel as a backdrop against which events in the novel can be interpreted. The blending formed from these mottos merge with other metaphors in the novel in order to generate meaning. The three mottos were taken from the introductions of the FAKVolksangbundel, the embroidery book Borduur so and the Hulpboek vir boere in Suid-Afrika. The three books are used by Milla to educate and teach Agaat. She uses the books to "create" Agaat and to mould her into the person that Milla wants her to be. The mottos stress the uplifting of the people and the creation of a true Afrikaner identity. Agaat accomplishes everything that the books require of her, she becomes an expert in the areas that determine the Afrikaner identity. However, as a brown woman, she is still not considered a member of community or as a fully acceptable civilized woman. The meanings of the other important metaphor in the novel, the mirror metaphor, are also investigated extensively. The mirror plays an important role in the relationship between Milla and Agaat. The mirror is also important in Milla's confrontation with herself, especially in her experience of her illness and her acceptance of her imminent death. The mirror is also used in the depiction of the relationship between characters and the experience of each other as the "Other". The blending of the mirror metaphor and the link that can be established with the theories of Lacan are part of one of the main blendings formed from the mirror metaphor. This metaphor also interacts with the embroidery metaphor. The mirror reflects images to the characters and via the characters to the readers which enforce moral judgments about perceptions and practices. The final part of the dissertation analyses how the dominant metaphors, namely music, embroidery, farming and the mirror, blend in multiple ways in the text to create new domains of meaning. The four main metaphors also blend with secondary metaphors in the novel in order to generate meaning. One of the important secondary metaphors is the "waterhondjies". The "waterhondjies" blend with Guido Gezelle's poem "Het Schrijverke". There is also emphasis on the relationship between writing and the "waterhondjies". The blending of the caeser butterfly plays an important role in the novel as well. In the final chapter the statement is made that the metaphors and symbols in Agaat cannot merely be regarded and interpreted as traditional motives, but rather as examples of cognitive blending. The types of blending in the novel require the cooperation of the reader in all cases. The reader must, in some cases, as with the mirror metaphor and the metaphor of the "waterhondjies", identify and activate the second domain of the blend. In the case of the mottos the different domains of the blend are activated by the author and the reader only needs to provide an interpretation. At the end of the dissertation the conclusion is made that the blending theory offers a suitable method and terminology to analyze the complex processes of generating meaning in the novel. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2010

The novel Agaat by Marlene van Niekerk is a highly complex text. One of the most compelling aspects of the novel is the way in which the author constructs an underlying metaphorical grid which determines the composition of the novel. The motives in the novel cannot be regarded merely as motives because specific prominent and powerful metaphors are continually exploited by variation and extension. The complicated relationship between narrative and metaphor on different levels is of great importance in the interpretation of the novel. Due to the complexity of the text, the dominant metaphors cannot be analyzed in the traditional manner. In this study I want to demonstrate that conceptual blending theory, which can be regarded as a branch of conceptual metaphor theory, offers a theoretical framework that can be used to understand the underlying cognitive functioning of the interaction between author, text and reader. This dissertation will examine the processes of blending shaped from the mottos posted at the beginning of the novel. The three mottos, the music motto, the embroidery motto and the farming motto, act throughout the novel as a backdrop against which events in the novel can be interpreted. The blending formed from these mottos merge with other metaphors in the novel in order to generate meaning. The three mottos were taken from the introductions of the FAKVolksangbundel, the embroidery book Borduur so and the Hulpboek vir boere in Suid-Afrika. The three books are used by Milla to educate and teach Agaat. She uses the books to "create" Agaat and to mould her into the person that Milla wants her to be. The mottos stress the uplifting of the people and the creation of a true Afrikaner identity. Agaat accomplishes everything that the books require of her, she becomes an expert in the areas that determine the Afrikaner identity. However, as a brown woman, she is still not considered a member of community or as a fully acceptable civilized woman. The meanings of the other important metaphor in the novel, the mirror metaphor, are also investigated extensively. The mirror plays an important role in the relationship between Milla and Agaat. The mirror is also important in Milla's confrontation with herself, especially in her experience of her illness and her acceptance of her imminent death. The mirror is also used in the depiction of the relationship between characters and the experience of each other as the "Other". The blending of the mirror metaphor and the link that can be established with the theories of Lacan are part of one of the main blendings formed from the mirror metaphor. This metaphor also interacts with the embroidery metaphor. The mirror reflects images to the characters and via the characters to the readers which enforce moral judgments about perceptions and practices. The final part of the dissertation analyses how the dominant metaphors, namely music, embroidery, farming and the mirror, blend in multiple ways in the text to create new domains of meaning. The four main metaphors also blend with secondary metaphors in the novel in order to generate meaning. One of the important secondary metaphors is the "waterhondjies". The "waterhondjies" blend with Guido Gezelle's poem "Het Schrijverke". There is also emphasis on the relationship between writing and the "waterhondjies". The blending of the caeser butterfly plays an important role in the novel as well. In the final chapter the statement is made that the metaphors and symbols in Agaat cannot merely be regarded and interpreted as traditional motives, but rather as examples of cognitive blending. The types of blending in the novel require the cooperation of the reader in all cases. The reader must, in some cases, as with the mirror metaphor and the metaphor of the "waterhondjies", identify and activate the second domain of the blend. In the case of the mottos the different domains of the blend are activated by the author and the reader only needs to provide an interpretation. At the end of the dissertation the conclusion is made that the blending theory offers a suitable method and terminology to analyze the complex processes of generating meaning in the novel. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2010

Summaries in English and Afrikaans / In die tesis word die modernistiese en laat/postmodernistiese reduksionistiese benaderings in die Adventiste wêreld nie bloot afgewys nie, nie net omdat dit deel van ons ervaring is nie maar ook omdat die reduksies wat in die moderne en laat/postmoderne tyd ontstaan het in ʼn gemodifieërde sin die boustene is van ʼn hermeneutiese benadering wat poog om holisties en in multiverse sin oorvleuelend te werk met die antieke, moderne en laat/post moderne benaderinge. In ʼn hermeneutiek wat holisties oorvleuelend en multivers integrerend aan die gang is, vorm die vierledige opset van die handelinge en beweginge van God, die menslike bewustelike self, medemens(e) as die ander mens en die natuurlike kosmiese wêreld ʼn misterie van vierledig aktiewe teenwoordighede wat nie-vermengd saambestaan maar tog ontsettend naby aan mekaar is as die voortgaande ervaringskaart van elke konteks en situasie. Juis die uitmekaar ruk van die vierledige aktiewe teenwoordighede inonservaringswêrelde vorm die agtergrond vir moderne teologisme met God alleen speler van die spel, psigologisme met die bewustelike menslike self as die kaptein van sy siel en die meester van sy lot, humanisme waarin die mensheid as kollektiewe menswees die enigste roerder van die menslike brousel in die geskiedenis is en naturalisme waarin die natuurlik kosmiese omgewing die naturaliserende ordeningsagent van die kosmiese chaos is. Wat radikaal deur ʼn holisties oorvleuelende en multiverse integrerende aanpak sny, is dat die vierledige teenwoordighede gedra word asook ingebou is in wat in die Bybels-historiese tydslyn vorendag kom as die vier prominente dade van God se voortgaande skepping, versoening in Jesus Christus, alomvattende vernuwing deur die Gees en voleindende volmaking tot in die aanbreek van die nuwe hemel en die nuwe aarde. Binne die omraming van ʼn hermeneutiek wat holisties oorvleuelend en multiversintegrerend werk, word algemene moderne en postmoderne benaderinge oor tekse, teorieë, menslike handelinge en die natuurlike kosmiese gebeurtenisse beskryf. Terwyl die moderniteit – en ook die postmoderniteit – uitgaan van die hoofsaaklik opponerende verskille tussen sinmakende beskouinge word hier gepoog om eers die oorvleuelingsareas refleksief te betrek en daarna aandag gee aan die verskille. Die drie breë benaderinge wat hoofsaaklik beskryf word is die van fundamentalistiese spieëling, liberale interpretasie en die konsinlike onderhandeling van tekse, teorieë, menslike handelinge en natuurlik kosmiese gebeure.Juis teen hierdie agtergrond word diverse SDA omgangspatrone met die Bybel, ervaringe in die kerklike arena en alledaagse ervaringe in ʼn draaikolk van multivers oorvleuelende en differensiërende refleksiwiteit beskryf. / In the thesis Adventist approaches making use of modernist and late/postmodernistic reductionist philosophies are not rejected out of hand. Not only are the reductions which emerged in the modern and late/modern era part of our experience but they are in a modified sense the building blocks of a hermeneutical approach in which an attempt is made to work in an overlapping holistic and multiverse way with approaches of the ancient world, modernity and late/post modernity. In a hermeneutics that operate holistically with overlaps and in a multiverse integrative sense, the quadruple setting of actions and movements of God, the conscious human self, neighbour(s) as the other human and the natural cosmic world forms a mystery of foursome active presences that do not exist together in a mixed sense but are very close to each other as the continuous experiential map of every context and situation. The dislocation of the foursome active presences in our experiential worlds forms the backdrop of modern theologism in which God is the sole player in the game, psychologism with the conscious human self as the captain of his or her soul, humanism in which humanity as the collectiveness of being human is the only stirrer of the human concoction in history and naturalism in which the natural cosmic environment is the only naturalistic agency that arranges the cosmic chaos. Cutting radically through the holistic overlapping and multiverse integrative approach is that the foursome presences are carried and built into what come to the fore in the biblical historical timeline as the four grand acts of God of continuous creation, reconciliation in Jesus Christ, all embracing renewal through the Holy Spirit and fulfilling fulfilment as in the dawn of the new heaven and the new earth. Within the embrace of a hermeneutics which works with overlaps in a holistically and integrating in a multiverse sense general modernist and late/post modern approaches regarding texts, theories, human doings and natural cosmic events are described. While modernity – and late/post modernity - depart from mainly opposing differences between sense making views the attempt is made here firstly to engage oneself in a reflexive sense with the areas of overlapping and only then to pay attention the differences. The three broad approaches mainly described are that of fundamentalist mirroring, liberal interpretation and consensual negotiation of texts, theories, human doings and natural cosmic events. It is against this background that diverse SDA engagement patterns with the Bible, experiences in the arena of the church and everyday experiences is described in a vortex of holistic overlapping and multiverse integrative reflexivity. / Philosophy, Practical and Systematic Theology / D. Th. (Systematic Theology)