Diss.--Oldenburg--Universität, 1992.

Texte remanié de: Diplomarbeit--Institut für Sozialwissenschaft--Humbolt-Universität zu Berlin, 1996. / Bibliogr. p. 134-142. Liste de personnalités politiques suédoises.

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This thesis argues that the creation of the NHS inadvertently created an institution that is fundamental to current British national identity. The NHS exemplifies the core values of the UK, in a way that previous national institutions – the Church, the monarchy, and the Empire – could not due to the societal makeup of the country. The NHS was created for all citizens, regardless of class, and the democratic nature of the institution embodies the ideals at the heart of the nation. The institution pushed the UK to become faithful to its founding ideals of fraternity, community, democracy, and it allowed Britons to have another world-renowned institution. Furthermore, the NHS's creation coincided with one of the last great eras the UK clings to – World War II – therefore, the NHS continually pulls from that the achievements of that period and connects itself to the national pride after victory. / Master of Arts / This thesis argues that the creation of the NHS inadvertently created an institution that is fundamental to current British national identity. The NHS exemplifies the core values of the UK, in a way that previous national institutions – the Church, the monarchy, and the Empire – could not due to the societal makeup of the country. The NHS was created for all citizens, regardless of class, and the democratic nature of the institution embodies the ideals at the heart of the nation. The institution pushed the UK to become faithful to its founding ideals of fraternity, community, democracy, and it allowed Britons to have another world-renowned institution. Furthermore, the NHS's creation coincided with one of the last great eras the UK clings to – World War II – therefore, the NHS continually pulls from that the achievements of that period and connects itself to the national pride after victory.

Call number: LD2668 .T4 1929 W41

This study investigates the continuity and discontinuity of Persian traditional mural decoration and art, focusesing on the Qajarid period. The study intends to establish that cultural sources and forces such as religion, language and the socio-political environment have had an impact on the development and continuity in Persian mural decoration and art. Continuity and discontinuity of Persian art were parallel with the continuity and discontinuity of Persian cultural forces the rise and decline of art was closely associated with the development of national culture. Persian artistic traditions can be shown in continuity over three millennia was influenced by external sources, without radical change of direction. Continuity can be observed until the seventeenth century, to a peak of achievement as remarkable as the art of the Safavids. Three main epochs may be seen in Persian culture; the pre-Islamic. Islamic and contemporary epochs. National culture and art was formed and evolved in antiquity, and then continued and was enriched by the assimilation of Islamic beliefs during the next epoch and it finally merged with international styles very slowly during the post- Safavid epoch due to the strong impact of western culture and art, finally changing definitively during the Qajarid period. The assimilation of Persian art with European art led to the sudden decline of Persian art as a self-contained, self- dependent style.

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