Th. Etat--Leiden, 2004. / Résumé en néerlandais. Bibliogr. et discogr. p. 251-263. Index.

Thesis (doctoral)--Freie Universität, Berlin, 2002. / Includes bibliographical references (p. 225-237) and index.

This thesis discusses the life and influence of sculptor Elisabet Ney.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Sociologia, 2018. / Submitted by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-15T20:23:02Z No. of bitstreams: 1 2018_RodolfoLuizCostadeGodoi.pdf: 2174339 bytes, checksum: f5169d24c501bdca6d28ebc1b4531d8d (MD5) / Approved for entry into archive by Raquel Viana (raquelviana@bce.unb.br) on 2018-08-27T17:59:38Z (GMT) No. of bitstreams: 1 2018_RodolfoLuizCostadeGodoi.pdf: 2174339 bytes, checksum: f5169d24c501bdca6d28ebc1b4531d8d (MD5) / Made available in DSpace on 2018-08-27T17:59:38Z (GMT). No. of bitstreams: 1 2018_RodolfoLuizCostadeGodoi.pdf: 2174339 bytes, checksum: f5169d24c501bdca6d28ebc1b4531d8d (MD5) Previous issue date: 2018-08-15 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES). / O trabalho centra-se no artista brasileiro Ney Matogrosso buscando entender as relacoes entre a arte e a sociedade, mais especificamente a arte performatica com as transformacoes sociais. Assim, a liberalizaço sexual do Brasil nas ultimas decadas e relacionada com a produço do artista. Busquei, atraves de entrevistas semi-estruturadas, entender como homens homossexuais e bissexuais apropriam-se da obra do artista para elaborarem e legitimarem suas proprias existencias e praticas. Inclui tambem dialogo com o proprio artista, aprofundando a pesquisa a partir de sua propria voz. Analisei dois elementos recorrentes na obra do cantor, o ironico e o erotico, que se faz atraves da sua performance, e como esses elementos se relacionam com as dinamicas do poder e com os simbolos socioculturais . Por fim, ampliei a analise, descrevendo um panorama historico e atrelando o desenvolvimento da industria cultural no Brasil as praticas culturais de homens homossexuais e bissexuais. Ao final, considero a importancia da atenço para as producoes esteticas e culturais para as pessoas ́GBT, como forma de aglutinaço desses sujeitos e de possibilidade de compartilhamento de experiencias, espacos de socializaço e tambem como instrumento que pode atravessar sensivelmente uma diversidade de pessoas, independente de suas identidades sexuais e de genero, levando-as a diferentes formas de compreenşo e praticas sociais no que tange as liberdades sexuais. / The work focuses on the Brazilian artist Ney Matogrosso seeking to understand the relations between art and society, more specifically performance art with social transformations: Thus, the sexual liberalization of Brazil in the last decades is related to the artist's production: Isought, through semi-structured interviews, to understand how homosexual and bisexual men appropriate the artist's work to forge and legitimize their own existences and practices: It also includes dialogue with the artist himself, deepening the research from his own voice: I analyzed two recurring elements in the singer's work, the ironic and the erotic, that are made through his performance, and how these elements relate to the dynamics of power and to the socio-cultural symbols: Finally, the analysis is expanded, describing a historical panorama linking the development of the cultural industry in Brazil to the cultural practices of homosexual and bisexual men: In the end, I consider the importance of attention to aesthetic and cultural productions for ́GBT people, as a way of agglutination of these subjects and of the possibility of sharing experiences, spaces of socialization, and also as an instrument that can significantly cross a diversity of independent of their sexual and gender identities, leading them to different forms of understanding and social practices regarding sexual liberties.

Après la chute de Napoléon à Waterloo en 1815, le roi Louis XVIII reprend les rênes d’une France affligée de profondes divisions sociales et politiques. La volonté du nouveau roi de réconcilier la France se heurte aux velléités des ultraroyalistes qui rêvent d’un retour à l’Ancien Régime, et d’un royaume épuré de ses éléments républicains et bonapartistes. Dans ce contexte, le maréchal Ney devient une cible pour les ultraroyalistes : ayant montré des signes de loyauté au roi en 1814, Ney trahit sa parole et rejoint Napoléon lors des Cent-Jours. Accusé de haute trahison, ce maréchal célébré sous l’Empire est exécuté publiquement le 7 décembre 1815 à Paris, Place de l’Observatoire. Ce mémoire est une enquête parisienne sur la commémoration du maréchal Ney sous les monarchies censitaires (1815-1848). D’une part, la notion de « commémoration » inclut tant des actions politiques dans l’espace public, que la littérature ou les arts. D’autre part, la trajectoire mémorielle est un moyen d’analyser de quelle(s) manière(s) les Parisiens s’appropriaient la figure du maréchal Ney. La trajectoire mémorielle de Ney se manifeste sous trois figures qui sont étudiées dans les différents chapitres du mémoire : le traître, la victime/martyr, le héros. Chacune répond aux inquiétudes, espoirs et projets de différents groupes, et se développe selon une temporalité particulière. En fin de compte, c’est la figure du héros qui s’impose par-dessus les autres, et qui aujourd’hui encore est présente sur la scène publique en France. / After the fall of Napoleon in Waterloo in 1815, King Louis XVIII takes up the reins of a France plagued by a deep social and political divide. The new king’s eagerness to reconcile France faces the inclinations of the Ultra-Royalists who dream of a return to the Ancien Régime on the one hand, and a Kingdom cleared of its Republican and Bonapartist components on the other. In this setting, Marshal Ney becomes a target for the Ultra-Royalists: having shown signs of loyalty to the King in 1814, Ney breaks his word and joins Napoleon during the Cent-Jours. Accused of high treason, the Marshal, once celebrated under the Empire, is publicly executed on 7 December 1815 at Place de l’Observatoire, in Paris. This memoir is a Parisian enquiry on commemoration of Marshal Ney under census suffrage monarchies (1815-48). On the one hand, the notion of commemoration includes political action in the public space as well as in literature or the arts. On the other, analyzing the commemorative patterns is a means of assessing the way(s) in which Parisians appropriated the figure of Marshal Ney. These patterns reveal three main figures, which will be studied in the different chapters of this memoir : the traitor, the victim/martyr, the hero. Each echoes the concerns, hopes and projects of various groups, and evolves according to particular temporalities. In the end, it is the figure of the hero that prevails over the former, and that is still the case today in the public sphere in France.

A partir da estreita relação entre a roupa social e o figurino, dentro e fora do espetáculo, esta tese tem como objetivo investigar os percursos que faz a roupa após a \"cena\", isto é, a partir do momento em que são guardadas como documentos de pesquisa e não mais usadas como objeto de consumo e descarte. São discutidas questões relacionadas aos acervos têxteis e os processos necessários para a sua conservação e esse será o objeto de estudo: as iniciativas existentes fora dos espaços museológicos que vem sendo realizadas por grupos de teatro, universidades, colecionadores, instituições culturais e estilistas. Será debatido o exemplo do Centre National du Costume de Scène, na França, a coleção de figurinos do cantor/performer Ney Matogrosso numa instituição de ensino, e o desenvolvimento, como estudo de caso, do projeto de conservação e exposição da coleção de marionetes do estilista/figurinista Fause Haten. / From the close relationship between social clothes and costumes, in and out of the show, this thesis aims to investigate the pathways that make the clothes after the \"scene\" that is, from the moment they are saved as documents research and no longer used as an object of consumption and disposal. Issues are discussed related to textiles collections and the processes needed for its conservation and that will be the object of study: existing initiatives outside the museum spaces that have been performed by theater groups, universities, collectors, cultural institutions and designers. It will be discussed the example of the Centre National du Costume de Scène in France the collection of costumes the singer / performer Ney Matogrosso an educational institution, and the development, as a case study, the conservation project and exhibition designer collection of puppets / costume Fause Haten

QUEIROZ , Flávio de Araújo. Ney Matogrosso: sentimento contramão, transgressão e autonomia artística. 2009. 271f. Tese(Doutorado em Sociologia). Universidade Federal do Ceará, Departamento de Ciências Sociais, Programa de Pós-Graduação em Sociologia, Fortaleza-CE, 2009. / Submitted by GLAUBENILSON CAVALCANTE (glaubenilson@yahoo.com.br) on 2011-11-17T14:26:42Z No. of bitstreams: 1 QUEIROZ, FA..pdf: 3053163 bytes, checksum: ffccac5b3f6031c685d0b43f25d02ed0 (MD5) / Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2011-11-23T13:47:05Z (GMT) No. of bitstreams: 1 QUEIROZ, FA..pdf: 3053163 bytes, checksum: ffccac5b3f6031c685d0b43f25d02ed0 (MD5) / Made available in DSpace on 2011-11-23T13:47:05Z (GMT). No. of bitstreams: 1 QUEIROZ, FA..pdf: 3053163 bytes, checksum: ffccac5b3f6031c685d0b43f25d02ed0 (MD5) Previous issue date: 2009 / The present work makes an analysis of the artistical career of the singer Ney Matogrosso, between 1975 and 1983, by trying to understand the development of his artistic autonomy process in such an adverse context as that of the military regime and its moral censure, the limiting record companies and media as well. In this perspective the transgressive body of the singer and also its social construction will be analyzed. The body language and behavior of the singer have broken away from all cultural references and values of machismo at the time. He has also broken the rules of social customs, and consequently he has been put in a liminar condition in relation to the establishment, in despite of belonging to a society rich in multiplicity of principles and behaviors / O presente trabalho aborda a trajetória artística do cantor Ney Matogrosso no período compreendido entre os anos de 1975 a 1983, dentro de uma perspectiva de entendimento da construção da autonomia artística do cantor em relação à censura moral do regime militar e ao cerceamento da indústria fonográfica e da mídia. Dessa maneira, observar-se-á a construção social do corpo transgressor do artista, que rompeu com um referente cultural do que naquele momento significava ser “macho” e com o eminentemente instituído; tendo, dentro de uma pluralidade de princípios e comportamentos, sido posto em uma condição de liminaridade artística frente aos poderes instituídos

[pt] Constata-se uma injusta lacuna na história urbana de Brasília, em que muito se estuda o Plano Piloto de Lucio Costa e pouco se elabora sobre planos urbanos de Cidades-Satélites como Ceilândia, por exemplo, que ajudam a compreender sob outros aspectos a história da metrópole de Brasília. Diante de tal constatação, esta dissertação propõe uma análise urbanística do Plano Piloto de Ceilândia projetado pelo arquiteto Ney Gabriel de Souza, conjuntamente com reflexões acerca dos conceitos sócio-espaciais para melhor entendimento a respeito do direito à cidade. Tal imbricação analítica tem estreita ligação com história de Ceilândia, que - criada entre 1969 e 1971, e por meio da Campanha de Erradicação de invasões a sigla CEI lhe serviu de base para o nome - resultou de emblemático momento de segregação sócio-espacial da história intra-urbana de Brasília. Neste processo, cerca de 83 mil pessoas foram removidas para mais de trinta quilômetros do coração do Plano Piloto de Lucio Costa, por meio de uma detalhada política de desterritorização de indesejadas favelas. Houve até mesmo a intrigante justificativa de que estas invasões se alocavam dentro do Anel Sanitário de Brasília. Assim, a análise empreendida parte de abordagem ancorada na prática urbanística, com subjacentes reflexões acerca de conceitos empregados pelos estudos sócio-espaciais. Neste sentido, busca-se abordar o urbano de Ceilândia falando como que de dentro para fora, e explorando tensões conceituais de discursos hegemônicos. Sobretudo o da engessante dicotomia centro-periferia, ao qual - mesmo diante dos seus mais de quatrocentos mil habitantes atuais - Ceilândia tende de ser colocada sempre do lado de lá da questão. No que tange o desenho da cidade,análises sobre as práticas projetuais na conformação dos espaços, elaboradas com minúcia, permitirão elucidar as intenções do Piloto de Ney Gabriel. Buscando, sempre que possível, a auto representação ceilandense na apropriação do plano urbanístico. A partir de revisões bibliográficas, materiais iconográficos e jornalísticos, a análise tem como foco as diretrizes do projeto original dos anos 70. / [en] There is an unfair gap in the urban history of Brasilia, where it is found many researches about the Plano Piloto of Lucio Costa (Pilot Plan of Lucio Costa) and few investigations on urbanistic plans of the Satellite towns such as Ceilândia, that gives material to understand better the history of the metropolis of Brasilia. Facing this acknowledgement, this dissertation proposes to analyse the urbanism of Plano Piloto of Ceilândia (Master Plan of Ceilândia), designed by the architect Ney Gabriel de Souza, together with reflections on socio-spatial notions for a better understanding of the right to the city. Such interweaving has strict link with the history of Ceilândia. It was built between 1969 and 1971, and through the Campaign to Eradicate Invasions (CEI) and its anacronym is the base for the full name of the city. The city at the beginning was the result of an emblematic moment of urban-spatial segregation of intra-urban history of Brasilia. In this proc-ess, about 83 thousand people were removed to over 30 km far from Brasilia, the Plano Piloto of Lucio Costa, out of very detailed policy of deterritorialisation of the unwanted slums. There was even the intriguing justification that this invasions and slums were locate within the sanitary protection ring of Brasilia. Thus, the undertaken analyses are based on an approach rooted in the urbanistic practice, with subjacent reflections around the multiple concepts used in the socio-spatial studies. In this sense, I search to approach the urban aspect of Ceilândia by tackling the issue from inside to outside, and exploring the conceptual tensions of hegemonic discourses. Above all, the discourse of the limiting dichotomy downtown-periphery - even facing the reality of over 400 thousand current in-habitants - Ceilândia tends to be placed out of the centre of the question. Regard-ing the city s design the analyses of the project planning practices in the conformation of the spaces, elaborated in deep detail, will allow to clarify the intention of the Master/Pilot of Ney Gabriel, trying when possible to express the self-representation of Ceilândia in the process of appropriation of urbanistic plan. From bibliographical reviews, iconographical and journalistic materials, the analysis has as its focus the guidelines of the original project done in the 70s.

A partir da estreita relação entre a roupa social e o figurino, dentro e fora do espetáculo, esta tese tem como objetivo investigar os percursos que faz a roupa após a \"cena\", isto é, a partir do momento em que são guardadas como documentos de pesquisa e não mais usadas como objeto de consumo e descarte. São discutidas questões relacionadas aos acervos têxteis e os processos necessários para a sua conservação e esse será o objeto de estudo: as iniciativas existentes fora dos espaços museológicos que vem sendo realizadas por grupos de teatro, universidades, colecionadores, instituições culturais e estilistas. Será debatido o exemplo do Centre National du Costume de Scène, na França, a coleção de figurinos do cantor/performer Ney Matogrosso numa instituição de ensino, e o desenvolvimento, como estudo de caso, do projeto de conservação e exposição da coleção de marionetes do estilista/figurinista Fause Haten. / From the close relationship between social clothes and costumes, in and out of the show, this thesis aims to investigate the pathways that make the clothes after the \"scene\" that is, from the moment they are saved as documents research and no longer used as an object of consumption and disposal. Issues are discussed related to textiles collections and the processes needed for its conservation and that will be the object of study: existing initiatives outside the museum spaces that have been performed by theater groups, universities, collectors, cultural institutions and designers. It will be discussed the example of the Centre National du Costume de Scène in France the collection of costumes the singer / performer Ney Matogrosso an educational institution, and the development, as a case study, the conservation project and exhibition designer collection of puppets / costume Fause Haten

Master of Music / Department of Music / Kurt Gartner / This is a report intended for musicians and scholars who seek to enhance their understanding of any number of the following compositions: Prelúdio No. 1 Mi Menor (E Minor), op. 11 by Ney Rosauro, Prelúdio No. 2 la maior (A minor) by Ney Rosauro, Rotation IV by Eric Sammut, Water Falls for a Desert by Greg Coffey, Strands of Time by Brian Blume, Surface Tension by Dave Hollinden, bitsmoke by Casey Farina. Each work has been analyzed examined in accordance with Jan LaRue’s Guidelines For Style Analysis. For some compositions including only relative-pitch instruments, analysis of harmony has been omitted. For all compositions, the author has added notable performance considerations, essential technical and interpretive considerations in accord with LaRue’s guidelines. Therefore, the approach taken in analytical categories of this document can be exhibited as Sound, Harmony, Melody, Rhythm, Growth, and Performance.