This study is an archetypal literary analysis of Arthur Miller’s play Death of a Salesman and Homer’s The Odyssey. The analysis aims to demonstrate how Arthur Miller’s protagonist, Willy Loman, in Death of a Salesman demonstrates several stages of Carl Gustav Jung’s theory of the individuation process, similar to Odysseus in Homer’s The Odyssey. This is done by identifying set archetypes and stages of Jung’s individuation process, the persona, the shadow, the anima, and the self. After that, the stages are applied to both Miller’s play and Homer’s epic poem. The analysis shows that both protagonists demonstrate and complete Jung’s individuation process. Willy Loman completes a symbolic journey, whereas Odysseus completes a physical one.

This thesis seeks to analyze the Homeric allusions in the Aethiopica with an inclusive definition to explore Heliodorus’ authorial motives. To approach this project, I use textual analysis to avoid arguments rooted in assumptions of the historical context of the novel, about which we know almost nothing. I explore how links to Homer’s Odyssey are visible within the structural organization of the text and the content of the text. I also explore how the content of the novel reproduces actions and compatible settings of Odyssean characters, which therefore qualifies Heliodorus’ characters in a metaliterary commentary with Homer’s archaic epic poem. The division of Odyssean actions and traits depicted in Heliodorus’ characters introduce a new addition to the heroic legacy established by Homer and distances the hero from Greek identity. I conclude that Heliodorus’ adherences to epic conventions and departures thereof inform the subtextual commentaries conveyed in the Aethiopica.

The debate amongst theorists on how to best utilize airpower is still ongoing. There is some consensus among scholars that attacking military targets directly is an effective strategy, one of those theorists is Robert A. Pape. Most research on the subject only examine historical cases and does not factor in more contemporary difficulties. The purpose of this study is to examine Robert A. Pape’s airpower theory of denial in a comparative case study. The two cases, Operation Odyssey Dawn and Enduring Freedom, are succesful contemporary operations where airpower played a major role in a military intervention with the intent to examine which part of Pape’s theory is still curant in modern and dynamic conflicts. The results show that the denial strategy contributed to the success in both cases for the most part by providing air support to ground troops. The effect of operational interventions differed between the cases and the reasons why may have several explanations. Strategic intervention had neither effect nor occurrence in either case which may be due to the operations reaching objectives in a short amount of time and to restrictions on collateral damage. Further research is required to cement the conclusions.

This paper analyses the feminist revisionism of the Circe-myth in the rewritings by Eudora Welty, Margaret Atwood, and Madeline Miller. To that end, the paper first examines three different ways of discussing rewritings: Jeremy M. Rosen’s genre of minor-character elaboration, Linda Hutcheon’s take on postmodern parody, and Alicia Ostriker’s feminist revisionist mythmaking. Then, after positioning itself with the feminist revisionism, the paper conducts a brief reading of the myth as it appears in the Odyssey, followed by readings of the three rewritings: Welty’s short story “Circe,” Atwood’s poetry cycle “Circe/Mud Poems,” and Miller’s novel Circe. Through the reading of these works together, a pattern emerges of criticising former representations, exploring why they are problematic, and resisting them in order to create change.

This thesis compares Homer’s Odyssey and Iliad with the Norse Sagas, the Young and Elder Edda. More specifically, it analyses, whether the Odyssey and Iliad should indeed derive from the Norse Sagas, which is a claim brought forth by Felice Vinci. Throughout the thesis, passages, sentences and words from both the Greek and Norse texts have been singled out through the process of text analysis tools from Python and Orange3. Similar passages or words from both texts were filtered out by building a program that would print sentences with given key words. These were then analysed and studied, in order to compare the texts to each other and for the most part, to see if the Greek texts should indeed have derived from the Nordic texts. Finally, no proof has been found that the Norse Sagas should have predated the Greek Myths. However, this was a very interesting theory, that I am glad to have examined.

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Video game adaptations of the classical world are becoming increasingly intricate, and the study of video games as artifacts of classical reception and adaptation is likewise becoming increasingly important for the field of historiography. Assassin's Creed: Odyssey, set during the Peloponnesian War, recreates, among other aspects of the Greek world of the period, the political setting of Periklean Athens. This thesis examines instances of Athenian political representation within the game which depart from the typical image of Athens' politics as informed by primary source accounts, knowledge of sociocultural practices, and archaeological finds. It argues that the game depicts the Athenian democracy as a republic with a strong aristocratic element rather than as a direct, participatory democracy. The paper recalls the tradition of reception and adaptation of democracy in political thought and examines some of the resulting attitudes towards democracy. It suggests that the game's depiction of democracy as an oligarchic republic is a result of the developers' passive adoption and repetition of popular theories regarding the form and function of democracy, past and present. Players' likelihood of adopting and perpetuating a misshapen image of democracy is briefly discussed. The conclusion considers the potential for video games to influence players' perceptions of political systems and participation in them and, in light of that capacity, advocates for closer scrutiny of adaptations of the classical world which engage in political representation. It also ponders the possibility of novel interpretations of democracy as the next step in the tradition of democracy's reception and adaptation.

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