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1	Påsköns stenstatyer, moai : Vilket genus representerar de? / Easter Island stonestatues, moai : What gender do they represent? Dahlstrand, Ivan January 2008 (has links) <p>Abstract.</p><p>The question in this analysis is which gender moai, the big statues on Rapa Nui, represent. My hypothesis is that they have developed from visual symbols to metaphores in mythologies from an polynesian context. That these statues were symbols for human origin and creation of ancestors ideological power, and gods in consideration male gender. In the long isolation, in both time and space, the mytologies in Rapa Nui was changed, and the pictures got a new meaning. These changes depended on clearing of wood and big trees and the following difficult situation in farming. It led to difficult exposure to climatchanges and much more hard work in the cultivation. This happened in the same time as rapanuis life became more dependent on what the earth could producece because of bad fishing and a growing population. The cult of fertility get a more central place in rapanuis religious life. The male metaphore changes to female when the mother of earth, papa, became the most important spiritual force concerning food supply. I mean that moai follow the mythologies change, and developed in both form, size and contents. The theories behind this discussion is the analysis of Karen Armstrong, in how mythologhies change when human go from hunting- to cultivating society, and where she explain how the gender of gods changes from male to female. I also use theories from structuralism that say that human thinking and building mythologies follow an arcetypical pattern, for us to make our world understandable and organized. This analysis, and changed interpretation of moai from male to female representation, is a critical studie of traditional interpretation to “primitiv” art from aborigines and prehistorical humans. I mean the common interpretation of prehistorical pictures in Rapa Nui have a basic europeen code where an abstract male is standard. My theoretical support here is the analysis of Yvonne Hirdmans of gender from a historical perspective. The most important sources I have use in this work comes from archaeology, ethnology and art analythic work on Rapa Nui, with litterature from Jo Anne Van Tilburg, Georgia Lee and more scientist search from the island. I have also made field studies of my own. I hope this analys can contribute toward a critical view of a stereotypical european norm in interpretation of “primitive” and prehistorical art.</p> Sculpture Statue Stonesculpture Moai Easter Island Rapa Nui Skulptur Staty Stenskulptur Moai Påskön Rapa Nui Art Konstvetenskap
2	Påsköns stenstatyer, moai : Vilket genus representerar de? / Easter Island stonestatues, moai : What gender do they represent? Dahlstrand, Ivan January 2008 (has links) Abstract. The question in this analysis is which gender moai, the big statues on Rapa Nui, represent. My hypothesis is that they have developed from visual symbols to metaphores in mythologies from an polynesian context. That these statues were symbols for human origin and creation of ancestors ideological power, and gods in consideration male gender. In the long isolation, in both time and space, the mytologies in Rapa Nui was changed, and the pictures got a new meaning. These changes depended on clearing of wood and big trees and the following difficult situation in farming. It led to difficult exposure to climatchanges and much more hard work in the cultivation. This happened in the same time as rapanuis life became more dependent on what the earth could producece because of bad fishing and a growing population. The cult of fertility get a more central place in rapanuis religious life. The male metaphore changes to female when the mother of earth, papa, became the most important spiritual force concerning food supply. I mean that moai follow the mythologies change, and developed in both form, size and contents. The theories behind this discussion is the analysis of Karen Armstrong, in how mythologhies change when human go from hunting- to cultivating society, and where she explain how the gender of gods changes from male to female. I also use theories from structuralism that say that human thinking and building mythologies follow an arcetypical pattern, for us to make our world understandable and organized. This analysis, and changed interpretation of moai from male to female representation, is a critical studie of traditional interpretation to “primitiv” art from aborigines and prehistorical humans. I mean the common interpretation of prehistorical pictures in Rapa Nui have a basic europeen code where an abstract male is standard. My theoretical support here is the analysis of Yvonne Hirdmans of gender from a historical perspective. The most important sources I have use in this work comes from archaeology, ethnology and art analythic work on Rapa Nui, with litterature from Jo Anne Van Tilburg, Georgia Lee and more scientist search from the island. I have also made field studies of my own. I hope this analys can contribute toward a critical view of a stereotypical european norm in interpretation of “primitive” and prehistorical art. Sculpture Statue Stonesculpture Moai Easter Island Rapa Nui Skulptur Staty Stenskulptur Moai Påskön Rapa Nui Art Konstvetenskap
3	Maktstrukturer och sociala fält i förhistorisk och tidighistorisk tid på Påskön : En studie av symboliskt kapital, fält och habitus Olsson, Dan January 2020 (has links) The thesis illustrates the emergence and development of the types of symbolic capital, networks and fields used by the rulers of Easter Island in their exercise of power, and what possible consequences they may have for their habitus. There is no concrete conclusion, but it is possible to see reasonable course of events, where the archaeological finds form the milestones, and it is possible to trace the formation and expansion of a field, created from material assets, inventions, social thoughts and actions. There are signs of variation, or different phases, in the field, over time. The rulers seem to have tried to control the field by, for example, building monuments, such as ahu and statues, or in other words, the authorities of Easter Island managed to create different types of assets. In addition, various organizational forms, sacred places and buildings, taboos and traditions have been used in the form of ceremonies, rituals and sacrifices of various kinds. This symbolic capital has been used by the rulers to steer residents' work and striving in the desired direction, and to create a habitus that everyone feels involved in. This habitus has probably changed when new businesses entered the market. Easter Island rulers power organizational forms ceremonies rituals Påskön härskare makt organisationsformer ceremonier ritualer History and Archaeology Historia och arkeologi
4	Komari-motiv på Rapa Nui (Påskön) : Diskursanalys över akademiska forskningstexter om Komari / Komari-motifs on Rapa Nui (Easter Island) : Discourse Analysis ofacademic research regarding Komari Melin, Wilda January 2023 (has links) Denna uppsats syftar till att kritiskt undersöka de akademiska diskurserna kring den symboliska tolkningen av förhistoriska Komari-motiv på Rapa Nui (Påskön). Genom att undersöka ett antal olika källor kommer uppsatsen att ge en översiktlig genomgång av de aktuella akademiska diskurserna samt diskutera de olika tolkningarna av symboliken hos komari-motiven. Genom att kombinera diskursanalys med ett feministiskt arkeologiskt perspektiv och ett postkolonialt perspektiv är huvudsyftet med uppsatsen att bedöma i vilken utsträckning den sociala konstruktionen av kön och sexualitet samt koloniala idéer har påverkat tolkningarna av symbolerna. / This essay aims to critically examine the academic discourses surrounding the symbolic interpretation of prehistoric Komari-motifs in Rapa Nui (Easter Island). The analysis will draw on a variety of sources and will give a brief overview of the academic discourses in question and discuss the different interpretations of the symbolism behind the komari-motifs. Combining discourse analysis with a feminist archaeology perspective and a postcolonial perspective, the main aim of the essay is to assess to what extent the social construction of gender, sexuality and colonialist ideas influenced the development of theories regarding the symbols. Rapa Nui Komari Easter Island Vulva motifs Feminism Postcolonialism Rapa Nui Komari Påskön Vulvamotiv Feminism Postkolonialism Archaeology Arkeologi History and Archaeology Historia och arkeologi
5	Stratified Polynesia : A GIS-based study of prehistoric settlements in Samoa and Rapa Nui Håkansson, Olof January 2017 (has links) The overall objective of this study is, to understand how the prehistoric individual experienced her “being in the world”. This is done by examining the spatial relationships of prehistoric remains in order to understand hierarchies. The foundation of the thesis is constructed by using data from the prehistoric settlement of Letolo in Samoa (Independent State of Samoa) in West-Polynesia and Hanga Ho´onu on Rapa Nui (Easter Island) in East-Polynesia. These data are stored and analysed in a Geographical Information System (GIS). In the Samoan case the intention is to make previously unpublished surveys available. An aim is to develop a method to interpret social information from the spatial relations of built structures. It is questioned if it is possible to interpret the degree of hierarchy in a prehistoric society only from the spatial relations of features. It is concluded that such an inquiry needs to be paired with preunderstanding and analogies, such as ethnohistorical data, since it otherwise is problematic to ascribe meaning to different built structures. The thesis uses ethnohistory for preunderstanding and analogy. The thesis further examines the worldviews and structures that are shown in the repeated practice of groups in the two settlements. / Det övergripande syftet med föreliggande studie är att komma närmare den förhistoriska människans upplevelse av varat, att komma närmare hennes upplevelse av att finnas till i världen. Detta görs genom att undersöka fornlämningars spatiala relationer för att förstå hierarkier. I uppsatsen redovisas två databaser och Geografiska Informationssystem som har konstruerats utifrån fornlämningsdata från förhistoriska bosättningar på Samoa i västpolynesien och Rapa Nui i östpolynesien. På Samoa är det Letolodalen på ön Savai´i som undersöks, och på Rapa Nui är det Hanga Ho´onu vid La Pérouse-bukten som undersöks. Uppsatsen ämnar tillgängliggöra opublicerade inventeringar av Letolo på Samoa. En intention är att utarbeta specifika kriterier för att utläsa social information från den spatiala utbredningen av fornlämningar. Arbetet ifrågasätter om det är möjligt att läsa ut graden av hierarki i ett förhistoriskt samhälle utifrån de spatiala relationerna mellan fornlämningar. Svaret är att det går om analogier och förförståelse används då det annars är problematiskt att tillskriva mening till fornlämningar. Eftersom Polynesien är väl dokumenterat utifrån ett etnohistoriskt perspektiv används analogier och förförståelse från dessa berättelser. I uppsatsen undersöks vidare mentala världar och strukturer som visar sig i gruppers upprepade praktiker i de två bosättningarna. GIS social structure Samoa Rapa Nui Easter Island settlement hierarchy stratification chiefdom the noble savage spatial analysis hare paenga hare moa ahu moai pipihoreko manavai GIS social struktur Samoa Rapa Nui Påskön bosättning hierarki stratifikation hövdingadöme den ädle vilden spatial analys hare paenga hare moa ahu moai pipihoreko manavai Archaeology Arkeologi

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