Title: Presentation of partners on Petr Čech's football school 2010 Objectives: The objective of this dissertation is to evaluate the partners' presentation at Petr Čech's football school 2010. The is work trying to come up with the recommendations for organizing company SPORT INVEST Group, how it is possible to strengthen the partners' presentation and how to get a tool to maintain old partners and acquire new partners. Methods: The main method is interrogation by questionnaire. Work uses also observation and interview. Data obtained from these methods result in the SWOT analysis. Results: The dissertation shows that the most important thing for the connection to really work is to activate the sponsorship. The approach to the partners' presentation must be innovative. The name of Petr Čech included in the project is very attractive for both partners and participants. Keywords: marketing, sport marketing, sport event organization, Petr Čech's football school

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-06T12:54:42Z No. of bitstreams: 1 Barbara Tancetti.pdf: 2299574 bytes, checksum: fcc2838cb3e3b8cb2180d4696be8de1b (MD5) / Made available in DSpace on 2018-04-06T12:54:43Z (GMT). No. of bitstreams: 1 Barbara Tancetti.pdf: 2299574 bytes, checksum: fcc2838cb3e3b8cb2180d4696be8de1b (MD5) Previous issue date: 2018-03-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The motivation for this study derives from the reflections instigated by Virginia Woolf's "A Roof of One's Own," written in the 1920s, and by the time we live in, when the position of women in society and even feminist discourses are being rethought and debated by the academia and by the media. In the context of artistic productions and in particular of cinematographic works, women and their productions were historically and socially excluded or relegated to marginal and less visible spaces, partly due to what is meant by the notion of masculine gaze and the resulting stereotyped representation of gender roles. Focusing on the work of director and writer Petra Costa - based on the notion of female gaze - this study explores the theme of women and their vision of themselves and their own experience with the objective of producing knowledge and new female images. The method employed was a qualitative research based on the symbolic approach proposed by analytical psychology, from which the technique of reading of films was developed as an analysis procedure. Analytical psychology served as a field of discussion on the paradigmatic deconstruction and dissolution of essentialisms, providing a substrate for a symbolic understanding of the impact of these images on identity construction in individual and collective contexts. The analysis of the main female characters of the movies Elena (2012) and Olmo e Gaivota (2014) emerged from a symbolic and historical understanding of their particular narratives, articulated with the collective and cultural images they evoked, revealing the presence of processes of identification and separation of their identities that were up to that moment fused to the female figures that have their origin in a broad cultural context and in a transgenerational transmission of conflicts in their family histories / A motivação para o presente trabalho deriva das reflexões deflagradas pelo livro escrito por Virgínia Woolf na década de 1920, intitulado Um teto todo seu (2014) e pelo momento atual, em que o espaço da mulher na sociedade e os próprios discursos feministas são repensados e discutidos no meio acadêmico e na mídia. No contexto das produções artísticas e, em particular, das obras cinematográficas, as mulheres e suas produções foram historica e socialmente excluídas ou relegadas a espaços marginais e de pouca visibilidade, em parte como decorrência do que se entende pela noção de male gaze e da consequente representação estereotipada de papéis de gênero. Recorre-se à obra da diretora e roteirista Petra Costa - a partir da noção de female gaze -, para explorar a temática das mulheres e de seu olhar sobre si e sobre a própria experiência com vistas a produzir conhecimento e novas imagens femininas. O método usado foi o de pesquisa qualitativa baseada na abordagem simbólica proposta pela Psicologia Analítica, a partir da qual se construiu uma técnica de leitura fílmica como procedimento de análise. A Psicologia Analítica serviu como campo de discussão a respeito da desconstrução paradigmática e da dissolução de essencialismos, fornecendo substrato para uma compreensão simbólica do impacto dessas imagens na construção identitária, nos contextos individuais e coletivos. A análise das personagens femininas centrais dos filmes Elena (2012) e Olmo e a Gaivota (2014) se deu por meio de uma compreensão simbólica e histórica de suas narrativas particulares, articuladas com as imagens coletivas e culturais por elas evocadas, revelando a presença de processos de identificação, espelhamento e separação de suas identidades, até então fusionadas a figuras femininas oriundas de um contexto amplo cultural e de uma transmissão transgeracional de conflitos nas suas histórias familiares

Depuis les premières recherches archéologiques sur le site de Pétra au début du XXe s., certaines questions concernant la défense de la ville n'ont pas véritablement été abordées : il n’y a pas consensus sur l'existence et la datation de fortifications, notamment pour l'époque nabatéenne. Cette étude a pour objectif de vérifier l’existence d’un éventuel système défensif reposant sur un réseau de fortifications et de postes de guet au travers d'un relevé des vestiges archéologiques visibles en surface et de pouvoir en préciser la chronologie grâce à l’observation des techniques de construction et l’analyse de la céramique de surface. D’après la répartition des vestiges défensifs répertoriés, la défense de la ville semble avoir été assurée par un système contrôlant des points stratégiques sur un territoire incluant les secteurs périphériques de la ville. Le volume I replace tout d’abord Pétra dans son milieu naturel, décrit son espace urbain et présente le contexte géopolitique de la Nabatène. Il est ensuite consacré à l'étude archéologique du système défensif des Nabatéens de Pétra : l'histoire de la recherche sur ce sujet, l'organisation et l’architecture militaires des Nabatéens, l’analyse de la répartition des vestiges défensifs par type, accompagnée de datations et d'interprétations sur la fonction de chacun d'eux. Il se termine par une étude comparative avec d'autres systèmes défensifs développés en d'autres temps à Pétra et en d'autres lieux, nabatéens ou hasmonéens. Le volume II est consacré au catalogue décrivant les différents secteurs où des vestiges défensifs ont été enregistrés. Enfin, les volumes III et III bis sont dédiés à l'illustration. / Since the first archaeological researches were carried out at Petra in the early 20th century, some questions regarding the defense of the city haven’t been tackled: there is still no consensus on the existence of fortifications and their dating, especially when it comes to the Nabatean period. The purpose of the present study is to determine, thanks to an inventory of archaeological site surface remains, the existence of a possible defense system relying on a network of fortifications and observation posts, and specify its chronology through the survey of building techniques and surface pottery analysis. According to the distribution of the listed defensive remains, the defense of the city seems to have been ensured by a system which controls strategic locations in a territory including the peripheral areas of the city. Volume I first puts Petra in its natural environment, describes its urban space and presents the geopolitical context of Nabataea. It is then focused on the archaeological study of the defensive system of the Nabataeans from Petra: the history of research on this subject, the military organization and architecture of the Nabateans, the analysis of the distribution of the defensive remains according to their type, complemented with datings and interpretations on the function of each remain. It ends by a comparative study with other defensive systems developed in other times in Petra and in other places, Nabataeans or Hasmoneans. The volume II is dedicated to the catalog which describes the various areas where defensive remains were recorded. Finally, the volumes III and III bis are specifically dedicated to illustrations.

Le travail présenté dans cette thèse est consacré à l'étude expérimentale de la fonction de structure d'un photon quasi-réel à l'aide du détecteur CELLO. Après une description de l'appareillage CELLO et une présentation du contexte théorique, nous décrivons et nous montrons la validité d'un programme de simulation du « détecteur avant », qui est un élément fondamental pour cette analyse. Cette simulation nous permet à l'aide de l'étude de la diffusion Bhabha à petit angle d'accéder à une normalisation des résultats. Le dernier chapitre décrit la sélection des événements à état final hadronique. Les effets du détecteur sont pris en compte par une méthode de déconvolution (unfolding) et les résultats de cette mesure sont présentés. Ensuite nous procédons à une vérification de la validité de cette mesure et de la normalisation par une étude des événements à état final leptonique. L'interprétation de cette mesure de la fonction de structure du photon indique une absence de l'invariance d'échelle à petit Q2 et l'inadéquation des prédictions standards (VDM et QPM) à petit Q2.

Journalists use the term Arab Street to describe what they often imply is a volatile Arabic public opinion. This photo story travels through four Arab areas or Jordan, Qatar, Israel/Palestine and Egypt in order to show the diversity and complexity of each. The media’s tendency to lump all Arabs into one political block is detrimental to a true sense of cultural understanding that is required for peace. / text

[Truncated introduction] This thesis will introduce Petra Karin Kelly, former Green politician and campaigner for social justice and environmental issues to an English-speaking audience as an important figure in the development of ideas relating to ecofeminism, nonviolence, and Green politics and utopias. Kelly, born in 1947 in Germany, spent the latter half of her childhood in the United States, and attended university there before returning to Europe. While working with the European Community in Brussels, Kelly became involved in grassroots politics in Germany and was one of the co-founders of the German green party, Die Grunen, (literally: the Greens) in 1979. She was to become a formidable politician through her passion for grassroots politics, nonviolence and feminism and her excellent leadership skills. Later ostracised by the party, due in part to her inability and unwillingness to conform to party rules, Kelly worked independently, giving speeches and promoting peace and the importance of human rights. However, at the age of 44, she was murdered by her partner, Gert Bastian, who then shot himself. It should be noted that texts so far written on Petra Kelly have been essentially biographies, which, while encompassing much of her academic and political life, focus heavily upon her personal life, in particular her relationships with married men, and her long term relationship with former NATO General Gert Bastian ... Therefore, the aim of the dissertation is not to ignore the importance of personal matters, rather to ensure a professional approach towards them. For this reason, the focus of this sociopolitical and sociohistorical thesis is upon the elements of ecofeminism, nonviolence and utopia as they relate to Petra Kelly’s politics, both within her role with Die Grunen and in her political life outside of German parliament.

Les Nabatéens représentent une ancienne peuplade du nord-ouest de l’Arabie qui a connu la prospérité entre le 1er siècle av. J.-C. et le 1er siècle ap. J.-C. Pour la période et la population considérées, les pratiques funéraires sont jusqu’à présent connues essentiellement à partir de l'architecture des nécropoles et de l'épigraphie. Une analyse archéo-anthropologique de sites s’avérait indispensable et elle constitue une part importante de ce travail, introduit par un rappel des données préexistantes. Les pratiques funéraires sont appréhendées en suivant les méthodes de l’anthropologie de terrain, appliquées à deux sites jordaniens (Khirbet edh-Dharih, Pétra) et un d’Arabie Saoudite (Madâ’in Sâlih). Cette approche permet de mettre en relation les gestes funéraires avec une analyse du recrutement des inhumés et celle du matériel archéologique présent dans les tombes. Pour chaque site, une étude anthropologique incorporant divers volets (morphométrie, variations anatomiques, indicateurs de stress et autres pathologies) a été conduite afin de contribuer à la définition de l’identité biologique des groupes humains inhumés. Ce travail conduit à l’interface du biologique et du culturel. Il apporte un éclairage nouveau sur les populations nabatéennes et autorise pour la première fois à une comparaison large, à la fois inter- et intra- sites. Les trois sites retenus permettent en effet de confronter les informations issues d’un village, Dharih, à celles de deux des villes les plus importantes du royaume nabatéen, Pétra et Madâ’in Sâlih. / The Nabataeans are an ancient tribe of north-west Saudi who has known prosperity between the 1st century BC and 1st century AD. For the considered period and the population, burial practices are so far known mostly from the architecture of cemeteries and epigraphy. An archaeo-anthropological analysis of the sites was indispensable and is an important part of this work introduced by a recall of pre-existing data. The burial practices are understood by following the methods of anthropological field applied to two Jordanian sites (Khirbet edh-Dharih, Petra) and Saudi Arabia (Madâ’in Sâlih). This approach allows us to relate funerary gestures with an analysis of recruitment and the archaeological materials found in the graves. For each site, an anthropological analysis incorporating various aspects (morphometry, anatomical variations, stress indicators and other disorders) was conducted in order to define the biological identity of buried human groups. This work led to the interface of biological and cultural. It brings a new point of view on the Nabatean population and, for the first time, it allows a wide inter-sites and intra-sites comparison. The three sites selected allows to confront information from a village, Dharih , to those of two of the most important cities of the Nabatean kingdom, Petra and Mada'in Salih.

This thesis deals with George Soros foundation network, specifically with the Soros centers for contemporary art, their support of the art in post-soviet countries and the following transformation. One of the important tasks was support for artists in the form of grants. Attention is focused on one specific case and that is the gallery Atelier NOON, which was based in Prague in Smichov in 1999 - 2002. It was an unconventional combination of the art studio, that belong to the artist Petra Nováková Ondreičková, and exhibition space. The gallery is shown in context of contemporary art scene from those times, and it is also trying to show similar unconventional exhibition spaces. Keywords George Soros, Soros foundation network, SCCA, gallery, Atelier NOON, Petra Nováková Ondreičková, exhibition, 90', apartmant gallery

Nearly 300 years before the rise of a ‘Christianized,’ Eastern Roman Empire, generations of inhabitants in the Eastern Mediterranean and Near East had witnessed a considerable variety and evolution of religious thought. As a result of the expansion of Christian sects throughout the Near East and Mediterranean, in 325 CE, Emperor Constantine I convened a theological council to unite his vast kingdom in the East under a single religious creed. While revisions to the text of the first ‘Nicene Creed’ and subsequent councils would be organized, many dissenting factions refused to relinquish their long-held beliefs and traditions. Some of these ‘heterodox’ sects resisted the religious arm of the Empire and concealed their practices while continuing to worship in secrecy. Clues to the subversion of ‘orthodox’ ecclesiastical mandate may still persist in the mosaic programs of extant churches in the Mediterranean and Transjordan. In particular, the general design of mosaics in the Transjordan (e.g., the Petra Church, Petra; the Church of SS. Lot and Procopius, Khirbet al-Mukhayyat; and the Church of SS. Cosmas and Damian, Jerash) are somewhat similar, yet divergent from designs found within churches from the Italian Peninsula (e.g., the Theodorean Basilical Complex, Aquileia; the Church of San Vitale, Ravenna; and the Church of Sant’Apollinare in Classe, Classe). The purpose of this thesis is to use the principles of semiotic theory to re-evaluate the use of symbols and icons within sacred mosaic programs, juxtaposed against the historical and ecclesiastical context surrounding their creation.

Nearly 300 years before the rise of a 'Christianized,' Eastern Roman Empire, generations of inhabitants in the Eastern Mediterranean and Near East had witnessed a considerable variety and evolution of religious thought. As a result of the expansion of Christian sects throughout the Near East and Mediterranean, in 325 CE, Emperor Constantine I convened a theological council to unite his vast kingdom in the East under a single religious creed. While revisions to the text of the first 'Nicene Creed' and subsequent councils would be organized, many dissenting factions refused to relinquish their long-held beliefs and traditions. Some of these 'heterodox' sects resisted the religious arm of the Empire and concealed their practices while continuing to worship in secrecy. Clues to the subversion of 'orthodox' ecclesiastical mandate may still persist in the mosaic programs of extant churches in the Mediterranean and Transjordan. In particular, the general design of mosaics in the Transjordan (e.g., the Petra Church, Petra; the Church of SS. Lot and Procopius, Khirbet al-Mukhayyat; and the Church of SS. Cosmas and Damian, Jerash) are somewhat similar, yet divergent from designs found within churches from the Italian Peninsula (e.g., the Theodorean Basilical Complex, Aquileia; the Church of San Vitale, Ravenna; and the Church of Sant'Apollinare in Classe, Classe). The purpose of this thesis is to use the principles of semiotic theory to re-evaluate the use of symbols and icons within sacred mosaic programs, juxtaposed against the historical and ecclesiastical context surrounding their creation.