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READING AND TRANSLATING “NOW-NESS” AND “CONTINUITY” IN THE IMAGISTIC LANGUAGE OF TANG POEMSDu, Mei 29 October 2019 (has links)
The imagistic language of Tang poetry can be defined as the language of Tang poetry that presents directly the immediate sensory/emotive experience, which is the early, unprocessed inner response of an external experience that involves what is previously unknown. The primary purpose of my thesis is to explore a theoretical definition of two characteristics: “now-ness” and “continuity” in the immediate sensory/emotive experience as well as to explore how the two characteristics are generally demonstrated in the imagistic language of Tang poems. Through the demonstration of seven individual analyses of Tang poems and their translations from the perspective of now-ness and continuity, this thesis also intends to foster now-ness and continuity as a particular perspective that assists us with the reading, understanding and translation of the imagistic language of Tang poetry.
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Akustická analýza přednesu básně u pacientů s Parkinsonovou nemocí / Acoustic analysis of poem recitation in patients with Parkinson's diseaseMucha, Ján January 2016 (has links)
Diploma thesis is focused on the acoustic analysis of poetry recitation in patients with Parkinson's disease. This disease is associated with speech disorder called hypokinetic dysarthria. One objective of this thesis was familiarization with process, symptoms and treatment of these diseases. In thesis is described preprocessing and parametrization of the speech signal and the binary classification methods. Subsequently, it is the above proposal modular system of auto-diagnosis of Parkinson's disease based on acoustic analysis of the speech. The proposed system is implemented in MATLAB. Classification of calculated parameters is realized using the method of Random forest and Support vector machine. The results of these methods are compared and listed in the thesis. The main objective and the result of this thesis is a system of automatic diagnosis of Parkinson's disease based on acoustic analysis of the poem recitation.
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Tshekaseko ya tse dingwe tsa direto tsa B. M. T. Makobe go lebeletswe teori ya sekaiRamokgano, Petunia Dikeledi 09 March 2016 (has links)
MAAS / M. E. R. Mathivha Centre for African Languages, Arts and Culture
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Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra By Ned Rorem: Background, Analysis, and Performance GuideJung, Soohee 05 1900 (has links)
The purpose of the document is to present Ned Rorem’s Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra. the eight songs are “To the Sun,” “Sun of the Sleepless,” “Dawn,” “Day,” “Catafalque,” “Full Many a Glorious Morning,” “Sundown Lights,” and “From What Can I Tell My Bones?” the document is divided into four main chapters: 1) Background; 2) Poet and Poem Background; 3) Musical Analysis; 4) Performance Guide. Chapter 1 contains biographical information on Ned Rorem, and basic information of the work, Sun. Here, a relationship between the eight songs is presented. Chapter 2 discusses biography of poet and background of the poem. the poetry is examined to determine the theme and to identify imagery, and metaphor. Chapter 3 offers detailed musical analysis for each of the eight songs and interludes. Chapter 4 provides performance guide which offers assistance in forming personal interpretation and brief specifies to singers who wish to perform this work. Appendix a includes tonality, difficulty, tempo, form, theme, range, and orchestration of each song and interlude. This study serves as a reference guide for performers of Sun.
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Nxopaxopo wa nkucetelo wa ndhavuko eka vutlhokovetseri bya Magaisa, J.M. na Marhanele, M.M. ehenhla ka vavasati / An Analysis of the Influence of culture on the portrayal of Women by the poets Magaisa, J.M. and Marhanele, M.M.Baloyi, E.M. January 2013 (has links)
Thesis (M.A. (African Languages)) -- University of Limpopo, 2013 / This research focuses on the analysis of poems on the portrayal of women by the two Xitsonga poets: Magaisa, J.M., Mihloti and Xikolokolo Nguvu, ya Pitori and Marhanele, M.M. Vumunhu bya Phatiwa and Swifaniso swa Vutomi.
The main focus will be on the influence of Xitsonga culture on their portrayal of women, basing the argument on what the Constitution of the Republic of South Africa of 1996 says.
In Chapter 1, there is a problem statement, aims of the study, rationale for the study, the significance of the study, the methodology, referring to the collection of data, where there is a primary and secondary research methods, scope and delimitation of the study and the literature review.
The focus on Chapter 2 is on the explanation of what culture is, that each culture has the good and the bad in it, no culture is static.
Chapter 3 focuses on the techniques employed by the poets in their portrayal of women.
The focus in Chapter 4 is on the functions of poetry, basing on different eras, that is, the apartheid and democratic South Africa.
The analysis of the selected poems will be dealt with in Chapter 5, divided into the married and the unmarried women.
Chapter 6 focuses on places where women are discriminated against.
Chapter 7 is a conclusion of the dissertation, and also look at what can be done to alleviate this discrimination.
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Bolts of Melody : The Poetic Meter and Form in Poetry of Emily DickinsonMikko, Evelina January 2021 (has links)
This essay analyses a selection of poems written by the American poet Emily Dickinson. The essay aims to explore the function of the meter in Emily Dickinson’s poetry. Earlier studies have combined Emily Dickinson’s poetry with meter, but the research of metrical pattern and form has not been sufficient enough to show Emily Dickinson’s full potential with the different meters. The purpose of this essay is to analyse how the metrical patterns are used by the poet as metrical strategies to impact the reader’s perception. One assumption is that structure and form are fundamental to her writing style. It justifies the reading of her poetry in relation to meter. The main focus was the physical structures of the poems, such as line length, metrical patterns, and systematic rhymes. The second most important aim was to analyse her other poetic devices, such as dashes and capitalizations. The findings were analysed together with the vocabulary and figurative language. The analysis shows Emily Dickinson’s poetic artistry in meter and rhyme and clarifies how she creates poetry with lyrical qualities. The result is important because it also shows that she can create poetry with metrical patterns, without in that sense being bound to meter.
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Misogyny in the Marshlands : female Characterization in Seamus Heaney’s “Bog Queen” and “Punishment” / Sexism i Sumpmarken : Kvinnlig Karaktärisering i Seamus Heaneys ”Bog Queen” och ”Punishment”Gränglid, Olivia Signe Afrodite January 2021 (has links)
This essay argues that the depiction of women in Seamus Heaney’s poems “Bog Queen” and “Punishment” results from the male gaze in three ways: the narrative viewpoint, stereotypical characterization, and the objectification of the female body. The following essay analyses the poems through an ecofeminist perspective that enables examination of the female characters as personifications of nature – “Bog Queen” as Mother Earth and the victim of “Punishment” as Nerthus, the fertility goddess. The analysis explores three areas; historical context, ‘The Feminine Principle,’ and Nussbaum’s list of ‘Feminist Perspectives on Objectification’ to answer how the male gaze is present in the three aspects. The male gaze is argued to be attributed to an androcentric narrative that presents a man and country’s sense of revenge, stereotypes that are totems of the male fantasy, and dehumanizing sexual objectification that enables appreciation of the dead bodies of women.
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Ludmila Jiřincová a její ilustrace české poezie 19. a 20. století / Ludmila Jiřincová and her illustrations of the 19th and 20th century Czech poetryČerná, Hedvika January 2016 (has links)
v anglickém jazyce Abstrakt This thesis describes life and work of Ludmila Jiřincová. She was a czech illustrator, painter, graphic and pedagogue. Thesis includes description of her illustration of czech poetry of the 19th and 20th century, especially illustration of poems written by Karel Hynek Mácha, Karel Jaromír Erben and Jaroslav Seifert. Thesis contains three main parts. The first part describes cultural-historical background of Ludmila Jiřincová's life, which was almost the whole 20th century. The second part of the thesis includes work of Ludmila Jiřincová in the area of czech poetry of 19th and 20th century. There are mentioned illustrations made by Ludmila Jiřincová to poems of Karel Hynek Mácha, Karel Jaromír Erben and Jaroslav Seifert. The third part presents her position in the area of czech art in the second half of the 20th century. There are also described expositions of Ludmila Jiřincová. Keywords Ludmila Jiřincová, illustration, graphic, art, poetry, poems, books.
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Loving the Mountains, Leaving the Mountains: The Appalachian Dilemma and Jim Wayne Miller’s The Brier PoemsDawson, Madeline 01 May 2022 (has links)
For decades now, the Appalachian community has been internally combatting two equally strong feelings—an inherently rich love of the mountains and a conflicting urge to leave the mountains. In recent years, Appalachian writers have produced a new literary tradition of identifying, discussing, and remedying this dilemma. Jim Wayne Miller’s 1997 The Brier Poems unapologetically explores the Appalachian community’s complicated relationship to its region. bell hooks’ 2012 Appalachian Elegy: Poetry and Place and Savannah Sipple’s 2019 WWJD and Other Poems then expand Miller’s exploration as both hooks and Sipple collectively represent voices that have often been left out of the stereotypical Appalachian narrative; their literature widens the lens of Appalachian experience and repositions the importance of the Appalachian canon. hooks and Sipple are contemporaries in conversation with Miller as all three authors have declared the Appalachian experience to have never been hegemonic—reclaiming, embracing, and uniting a modern Appalachian identity.
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“It is not enough to be in one cage with one self”: The Poetic Subject, Incarceration, and Envisioning AbolitionPrice, Emily 01 May 2022 (has links)
The Beat poet Bob Kaufman was in many ways nearly destroyed by the state. Forcible electroshock therapy, repeated targeting by police, repeated brutalization by police, and frequent homelessness all threatened to snuff him out, but Kaufman refused to give in. He remained a political beacon of hope for his community throughout his life, asking those around him to envision a world where he could be free. Through his poems, through the poems of Etheridge Knight and Jimmy Santiago Baca, and through contemporary visions of abolition from Angela Davis and community organizers that become ever more relevant as the prison system continues to destroy its subjects, we can look towards a deeply necessary shift. Envisioning the world without prisons is foreign to many, perhaps even unimaginable. However, with the perspectives I will incorporate in this thesis, the necessity and beauty of envisioning abolition is clear.
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