The thesis focuses on the status of the blogosphere in traditional journalism. It defines blogs, describes their history, typology and audience, which has changed from passive recipients of media content to its active creators. The thesis depicts convergence as a process in which amateur journalists affect the institution of traditional journalism by publishing online. This gave rise to a new phenomenon, called participative journalism, which is a potential source of discrepancy between traditional and new media. The thesis voices mutual criticism and arguments from both professional journalists and bloggers. This need not prevail if these two media systems learn to live in symbiosis. The thesis further mentions the legal protection of bloggers in the Czech Republic and the democratizing potential of the blogosphere. The conducted qualitative research is based on twelve structured in-depth respondent interviews (both bloggers and editors) and focuses on the cooperation between lifestyle magazines (and newspapers) and bloggers. It examines motivations to take up the cooperation, its progress and its advantages and disadvantages. The research demonstrates that a symbiotic relationship is possible. It also discusses some notions introduced in the theoretical part of the thesis.

Submitted by Viviane Lima da Cunha (viviane@biblioteca.ufpb.br) on 2016-03-14T12:53:33Z No. of bitstreams: 1 arquivototal.pdf: 8607046 bytes, checksum: 27458efa5a2d7d92d8bdb7df6e8ea405 (MD5) / Made available in DSpace on 2016-03-14T12:53:33Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 8607046 bytes, checksum: 27458efa5a2d7d92d8bdb7df6e8ea405 (MD5) Previous issue date: 2015-04-28 / This paper aims at investigating how digital technologies and TV spectators as contents producers affect the routines and the ways of news making at JPBI. We try to identify and understand the changes in the productive routines of this news bulletin with the aid of a conceptual dialogue among media phenomenon, convergence of media, ‘collaborative journalism’, ‘participative journalism’; use of mobile digital technologies and productive routines. To understand the scenery in which the productive routine is affected, the methodology of case study was used together with Ethnography, highlighting, however, that we do not intend to adopt the same accuracy in the description of the facts as Ethnography does. Qualitative data recollection techniques, like participative observation, semi-structured interviews and observation records or field diaries have been used in this work. It is assumed that the adoption of traditional processes of production, internet researches and commentaries sent spontaneously by viewers or stimulated by the production of the program, configure production routines. The JPBI’s production routines benefit from the collaboration of viewers as long as this process engenders a criterion of relevant noticeability to the profile of the service provider of this television news program, that is, ‘viewer’s visibility’; this process is guided by the producers and the mediators of JPBI based on patterns of a certain ‘contact zone’ with rules and regulations dictated by this program. As a way to meet the demands of a professional Master degree, more than a problematic analysis, what we also try to do is to prospect the mobile TV news JPB which was developed by the researcher during her study, with the intention of improving the practice of inclusion of the viewers in the processes of production of a “collaborative journalism”, that is, with a large and effective participation of the viewers in all stages of its production. / Investiga-se nesta pesquisa como as tecnologias digitais e os telespectadores, como geradores de conteúdos, afetam as rotinas e os modos de construção da notícia no JPB1. Procura-se identificar e compreender mudanças nas rotinas produtivas desse telejornal com o auxílio de um diálogo conceitual entre fenômeno da midiatização, convergência entre mídias, “jornalismo colaborativo”; “jornalismo participativo”, uso de tecnologias móveis digitais e rotinas produtivas. Para compreender o cenário das afetações das rotinas produtivas, adota-se a Metodologia de Estudo de Caso, procurando aproximação com a Etnografia, ressalvando-se, contudo, que não se pretende adotar com rigor a descrição dos fatos em nível de Etnografia. Utilizam-se técnicas de coleta de dados qualitativas: observação participante, entrevista semiestruturada e registros de observação ou diário de campo. Pressupõe-se que as rotinas de produção se configuram com a adoção de processos tradicionais de produção, pesquisas na Internet e absorção de materiais enviados pelos telespectadores espontaneamente ou por estímulos da produção do programa. As rotinas produtivas do JPB1 são submetidas à colaboração dos telespectadores, na medida em que esse processo gera um critério de noticiabilidade relevante para o perfil de prestador de serviço desse telejornal: “visibilidade do telespectador”; sendo esse processo “guiado” pelos produtores e mediadores do JPB1 nos moldes de uma “zona de contato” com normas e regras ditadas por esse telejornal. Como forma de atender as demandas de um mestrado profissional, para além da análise da problemática, procura-se prospectar, descrevendo o JPB Móvel, produto criado pela pesquisadora para o telejornal em questão no interstício do mestrado, com a intenção de avançar nas práticas de inclusão dos telespectadores nos processos de produção de um “telejornalismo participativo”, ou seja, com participação mais ampla e efetiva do telespectador em todo o processo produtivo.

Cette thèse s’attache à comprendre les rapports sociaux qui se jouent dans les pratiques de journalisme dit participatif dans l’objectif d’appréhender l’évolution du monde de la presse écrite en France. Pour saisir le sens du phénomène dans sa globalité, nous proposons un modèle qui s’inscrit dans les approches de la complexité (Morin, 1990), du systémisme (Watzlawick, 1972) et du constructivisme (Le Moigne, 1995). Le modèle d’analyse est construit sur trois niveaux inspirés par ceux définis dans la construction sociale des usages (Proulx, 2005) : le micro-social pour l’étude des pratiques sur les sites web de journalisme dit participatif, le méso-social pour l’étude de l’émergence du phénomène dans le monde de la presse écrite, et le niveau macro-historique pour l’étude de formes d’amateurisme récurrentes dans l’histoire du journalisme. Ce découpage de la situation s’opère autour d’un canevas méthodologique qualitatif qui prend appui sur des méthodes adaptatives parmi lesquelles la sémiotique situationnelle (Mucchielli, 2008), l’analyse institutionnelle (Lourau, 1969) ou encore l’analyse de l’imaginaire technique (Flichy, 2001). / This thesis is bound to the comprehension of social links taking part in the applications of the journalism called participative tending to apprehend the french evolution of the written press. In order to grasp the meaning of the phenomenon in all its entirety , an example is proposed in terms of the approaches concerning the complexity (Morin, 1990), the systemism (Watzlawick, 1972) and the constructivism (Le Moigne, 1995). The analytical pattern is built on tree levels inspired by those defined in the social construction of applications (Proulx, 2005): the micro-social usage particive journalism on web-sites, the meso-social concerning the research on the brought-up phenomenon in written press, and the macro-historical level tending to the amateuriscal recurrent forms in the history of journalism. The cutting situation rises out around a canevas of qualifitative methodologies resting on suitable methods amongst which the situational semiotic (Mucchielli, 2008) the institutional analysis (Lourau, 1969) or the analysis of the technical conception (Flichy, 2001).

The diploma thesis describes the application of theoretical concepts of journalism into the environemnt of two most popular music websites Musicserver and iREPORT. In the theoretical basis for the topic are featured the basic characteristics of online journalism and the problematic nature of the term "ideal critic". Furthermore, there are at first theoretically established and afterwards analyzed the concepts of agenda-setting, gatekeeping, objectivity and bias, participative journalism, user generatec content, professionalism, hypertextuality and intertextuality, the usage of social networks, tabloidization and the analysis will also touch upon the issue of name transformation to fit the Czech language. There is also a semiotic and visual analysis of chosen samples performed. On the basis of concepts, the paper intends to explain the functioning of the websites, the aspects that are influencing their content, the factors that have an effect on the selection of the content, the means of working with the audience, the problems in terms of objectivity in the art criticism, the requirements laid upon the editorial staff members and the level of influence upon the readers. Keywords online journalism, theoretical concepts, Musicserver, iREPORT, music, agenda-setting, gatekeeping, objectivity,...