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1 Annotation: The diploma thesis deals with the evaluation of performance in athletic disciplines in relation to educational concepts. The data set was obtained from long-term records of children's performance for a selected school and was further processed and evaluated. An interview with a teacher who manages documents also makes a significant contribution to the interpretation of the results of the work itself. The research sample in question consists of male probands attending the 2nd grade at Glowackého Primary School between 1987 - 2019. Key words: performance, athletics, didactics, history, educational concepts, elementary school, pupil

Made available in DSpace on 2016-04-27T16:32:37Z (GMT). No. of bitstreams: 1 Kelly Ludkiewicz Alves.pdf: 1182888 bytes, checksum: 630670414b5ccac14117066bbe89e481 (MD5) Previous issue date: 2012-03-26 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This research aims to investigate the relationship between the performance of students in the discipline of History and their social family background, by using the concept of cultural capital as theoretical reference, that intend to explain the inequity of school performance of children from distinct social classes relating school success to the sharing of the cultural capital between social classes. To do so, the starting point is the idea that the school plays a decisive role in the reproduction of the dominant cultural capital and its deficiency may directly interfere with the performance in specific areas of the curriculum such as History discipline. Data collection has taken place in two stages. The first was the application of a questionnaire to 47 graduated students of the Elementary School II at E. E. Prof. Caetano de Campos, in São Paulo, and aimed to map family habits that allow identifying the cultural capital of the agents investigated. From the data collected on the instrument and based on students performance on History discipline detected through the grades obtained by them in the discipline four families were selected to a semi-structured interview at the second stage of the study. Working with the concept of family configurations, the study aimed to ascertain the mode of transmission of this family cultural capital, considering whether it can be transmitted by parents to children, despite its objective presence, so it reverts into school practices. The data that were collected in the questionnaire and interviews point out the existence of a relationship between access to cultural assets - cultural capital - and the cultural practices closer to schooling and the performance of students in History. Among students who have better grades in History it was observed the existence of family strategies, cultural practices, more access to cultural assets and more proximity to the written text / Este trabalho tem como objetivo averiguar a relação entre o desempenho dos alunos na disciplina de História e sua origem social familiar. Utilizando o conceito de capital cultural como referencial teórico, busca-se explicar a desigualdade de desempenho escolar de crianças provenientes de diferentes classes sociais, relacionando sucesso escolar à distribuição do capital cultural entre as classes. Para tanto, parte-se da idéia de que a escola atua de forma decisiva na reprodução do capital cultural dominante e que sua carência pode influenciar diretamente o desempenho em áreas específicas do currículo como a disciplina de História. A coleta de dados se deu em duas fases. A primeira fase consistiu na aplicação de um questionário a 47 alunos concluintes do Ensino Fundamental II da E.E. Prof. Caetano de Campos, na cidade de São Paulo, como objetivo mapear práticas familiares que permitissem averiguar o capital cultural dos agentes investigados (BOURDIEU, 2010). A partir dos dados coletados no instrumento e com base no desempenho dos alunos na disciplina História detectado por meio das notas escolares obtidas por eles na disciplina foram selecionadas quatro famílias. Na segunda etapa da pesquisa as quatro famílias selecionadas foram submetidas a uma semi-estruturada, na qual trabalhando com o conceito de configurações familiares (LAHIRE, 2004), buscou-se averiguar o modo de transmissão desse capital cultural familiar, analisando se apesar de sua presença objetiva ele está em condições de ser transmitido pelos pais à criança, de modo que ela o reverta em práticas escolares.Os dados coletados no questionário e nas entrevistas apontam para a existência de uma relação entre o acesso a bens culturais capital cultural e as práticas culturais mais próximas da escolarização e o desempenho dos alunos em História. Observou-se entre os alunos que têm melhores notas em História a existência de estratégias familiares, práticas culturais, maior acesso a bens culturais e mais proximidade com o texto escrito

This mini-thesis investigates the concepts of refusal and rupture as a postdramatic revolt and how these terms can be applied and read within the context of analysing contemporary devised performance in South Africa. The argument focuses on the efficacy of Hans-Thies Lehmann’s postdramatic terminology and the potential of its use in an appreciation of contemporary performance analysis. I investigate the potential in South African contemporary devised performance practice to challenge prevailing modes of traditional dramatic expectation in order to restore the experience of discovery and questioning in the spectator. This research is approached through a qualitative process which entails a reading and application of selected critical texts to the analysis with an application of Lehmann’s terminology. This reading/application is engaged in a dialogue with the interpretative and experiential aspects of selected South African devised performances with particular focus on four cross-disciplinary works selected for analysis. Chapter One functions as an introduction to the concept of postdramatic theatre and the application of the terms refusal and rupture as deconstructive keywords in the process of a devised performance. Chapter Two is an analysis of several South African contemporary performances with particular focus on Body of Evidence (2009) by Siwela Sonke Dance Company, Wreckage (2011) a collaboration by Ubom! Eastern Cape Drama Company and First Physical Theatre Company, Discharge (2012) by First Physical Theatre Company, and Drifting (2013) by The Rhodes University Drama Department. This mini-thesis concludes with the idea that with an understanding of refusal and rupture in a postdramatic revolt, contemporary devised performance achieves an awakening in its spectators by deconstructing the expectation of understanding and the need for resolve; the assumption and need for traditional dramatic structures and rules are challenged. Instead, it awakes an experience of discovery and questioning.

Selon différents théoriciens (Guénoun, Lehmann, Ryngaert, etc.), la fin du vingtième siècle se caractérise par l'émergence de nouvelles formes théâtrales, marquées par la contamination des pratiques spectaculaires.<p>Hans-Thies Lehmann reprend la notion de "théâtre postdramatique" proposée par Richard Schechner pour qualifier ces formes métissées de spectacle vivant La thèse défendue est la suivante :le théâtre postdramatique trouve sa spécificité non seulement dans la transgression des codes dramatiques mais surtout dans des processus de réception spécifiques qu'il importe de définir, à l'aide d'outils notamment sémiotiques. Ces processus sont situés et construits par rapport à différents modèles interdisciplinaires. / Doctorat en Information et communication / info:eu-repo/semantics/nonPublished