Made available in DSpace on 2016-04-26T18:17:53Z (GMT). No. of bitstreams: 1 Armando Favaro completo.pdf: 37913105 bytes, checksum: 3a6ca653f050589710734b0bfe43ab26 (MD5) Previous issue date: 2009-05-08 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In this project we intend to examine the creation process and the importance of photojournalism as a form of interaction and, therefore, the role it played during the Brazilian military dictatorship. With epistemological and theoretical fundaments built on the foundations of critical genetic and supported by peircean line semiotics, this study examines the creative process of photojournalist Evandro Teixeira, between 1964 and 1969, with your images and creativity, dribbled the repression and control apparatus placed on the streets and in the media by the regime of the military generals. His work challenges, thus, intolerance and social policy and demonstrates photography s crucial informative role as an instigator of reflection. The work also examines the importance of an integrated relation in terms thought in the process of creating a daily newspaper and selection through which goes every journalistic photo, especially Evandro Teixeira s images produced for the Jornal do Brasil. The process perspective approach is essential in the development of this study; it allows to more accurately examining photojournalism as well as its role in the collective journalism production network / Neste projeto pretendemos analisar o processo de criação e a importância do fotojornalismo como forma de interação e, assim sendo, sobre o papel que ele desempenhou na época da ditadura militar brasileira. Com fundamentação teórica e epistemológica construída sobre os alicerces da crítica genética sustentada pela semiótica de linha peirceana, este trabalho analisa o processo criativo do fotojornalista Evandro Teixeira, entre 1964 e 1969, que com suas imagens e criatividade, driblou o aparato de repressão e controle colocados nas ruas e nos meios de comunicação pelo regime dos generais. Sua obra contesta, deste modo, a intolerância política e social e revela o decisivo papel informativo da fotografia e como instigadora de reflexão. O trabalho também analisa a importância de uma integrada relação do pensamento em rede no processo de criação de um jornal diário e a seleção pela qual passa toda a fotografia jornalística, em particular as imagens de Evandro Teixeira produzidas para o Jornal do Brasil. A abordagem sob a perspectiva de processo é essencial no desenvolvimento desse estudo, pois possibilita examinar com maior acuidade o fotojornalismo, assim como sua atuação na rede da coletividade da produção jornalística

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This study examines former newspaper photographers' experience with being laid-off from their staff positions. The purpose was to identify emerging themes within the context of involuntary job loss, job satisfaction, and occupational identity via interviews with 8 photojournalists who experienced the phenomenon of being laid-off. The newspaper industry has long been considered both the starting point for young and aspiring photojournalism careers and the most consistent and stable venue for an income. Yet recent changes in the media landscape, particularly economic stress on traditional business models and rapid adoption of digital technology sway the occupational future of photojournalism within newsrooms. The research method employed for this study includes in-depth interviews with a hermeneutical phenomenology approach focused on involuntary job loss, job satisfaction, and occupational identity.

The horse has been an integral and ubiquitous element in the development of human civilization for centuries. However, in the last 150 years, its presence in and relevance to peoples’ daily routines has waned. What previous cultures used to comprehend and appreciate, modern technology-based routines have rendered nearly obsolete. Consequently, the perception of their legacy has been diminished, their nature misunderstood, and their virtues devalued. However, their immediate presence still affects humans on a visceral level. Through a combination of three multimedia pieces and a written essay, I attempt to reveal various ways in which horses provide man with more than a means of transportation. By examining officers in Austin Police Department’s Mounted Division, an experienced horse trainer, and a licensed therapist who employs horses in her practice, I hope to dispel various misconceptions and reveal the rewards of shared company, beyond the utilitarian functions. Ideally, both parties stand to benefit from a proactive effort on behalf of the viewer to explore and better understand the connective tissue that still binds our two species. / text

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Photojournalism captures moments within an event or space in time that are used to tell a larger story. Photographs are powerful tools for communication because these moments not only represent facts; they also have an ability to speak to viewers on a relatable and emotional level. With this power comes ethical responsibility and natural tension points between photograph, and journalistic practices. Journalism’s ethics codes group points of discussion specific to photographs into categories of manipulation, privacy, or graphic content. This thesis argues that these issues fall into broader overlapping themes of authenticity and sensitivity. Using visual analysis of four photographs from the Boston Marathon bombing and Newtown school shooting, it considers how journalists deal with the relationship between photography and journalistic theory using this ethical framework of authenticity and sensitivity. It concludes with a discussion of best practices for coverage of tragic events from the real-world perspective of the photojournalist.

Photojournalism in Quebec's newspapers is studied through the perspective of the essential contribution played by communication in an exercise of democracy. Inspired by some deconstructionist sociological methods, the theoretical framework is based on hegemony and social discourse. A review of the literature unveils the major cognitive models which deal with photojournalism and comments the context of information in Quebec. / A computerized and hermeneutic analysis coupled with a review of the interaction of the image with the page support the inferences. Not only some disturbing disparities are shown in the visual representation, but those disparities appear to be submitted to the current doxic rules. Finally, a synthesis establishes the hegemonical convergences which support those values and presents the ideological activities of photojournalism. The researcher draws his conclusion from the current process of information and is worried of its impact on the capacity of self-governing.

Thesis (M.J.) - Carleton University, 2005. / Includes bibliographical references (p. 108-112). Also available in electronic format on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 196-200). Also available on the Internet.

Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 196-200). Also available on the Internet.