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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The Confessional Voice of The Female Poet and The Rise of Insta-Poetry

Gawrieh, Yara January 2019 (has links)
This essay investigates the prospect of confessionalism’s potential resurgence in contemporary poetics through female poets on Instagram and discusses its relevance and likeness to mid 20th century confessional poetry. Two case studies of highly popular Insta- poets Rupi Kaur and Alicia Cook are presented and a close reading of a few of their poems is introduced in order to investigate their adaptation of what I call an over-confessional style that addresses issues such as mental health, family, sexuality, and the perception of the female body. Kaur and Cook employ visual strategies and forms in their poetry in order to achieve an over-confessional style which is not simply individualistic but carries such larger social and public concerns. Studies of Insta-poetry are scarce due to its newness and partly due to the widespread dismissal of the genre by academics and researchers. However, because of the growing popularization of digital media and Insta-poetry as a literary mainstream more studies of the genre are needed and there has been a rising critical interest in the genre. The public nature of Instagram and the autobiographical lyric style of confession have made Insta- poetry very accessible and relatable to readers, resulting in a new relationship between the poet and the reader. I demonstrate that Kaur’s and Cook’s writing displays autobiographical, aesthetic and thematic tendencies commonly associated with confessional poetry, but also pushes the confessional mode to its limits. Apart from broader structural comparison, I attempt a literary analysis of Insta-poetry in order to provide an understanding of the social aspect and the visual strategies of Insta-poets.
2

Ontophonie et pictopoésie dans l'oeuvre de Gherasim Luca. : etude de la "variation continue". / Pictopoésie and ontophonie : A study of the continuous variation in the complete works of Gherasim Luca

Clonts, Charlène 07 July 2016 (has links)
Cette thèse étudie le processus de variation continue comme une trame de fond de l’oeuvre complète de Gherasim Luca, afin de mettre en valeur ses aspects plastiques et phoniques, leur articulation ainsi que la façon dont la pictopoésie et l’ontophonie participent à l’autogénération textuelle. Considérant l’oeuvre à la croisée des arts, l’analyse souligne la structure des espaces textuel et iconique. Elle s’intéresse en outre aux figures (personae) émergeant d’une esthétique protéiforme et à l’espace figural du langage, mettant aussi à l’épreuve la théorie deleuzienne de la variation continue pour en montrer les ressorts et les dépassements. Enfin, la mise en oeuvre organique, phonique et linguistique del’ontophonie interroge les voix/voies nouvelles établies par la poésie orale et la médiopoétique, ménageant un accès vers l’analyse de la répétition et de la reformulation en tant que genèse infinie. / The aim of this PHD is to study the process of the continuous variation, as the guiding principle for the complete works of Gherasim Luca. The purpose is to highlight both its plastic and its phonic aspects, how they work together, and also the way pictopoésie and ontophonie help create a perpetual selfgenerated text. Since the works stand at the crossroads of several arts, this analysis underlines the structure of the iconic and textual spaces. One of the axis of research, that focuses on the persona, as it emerges from a protean aesthetics, and on the figurative space proper to language, calls thus intoquestion Deleuze’s theory of “continuous variation”, while showing its internal mechanism and its exceedance. Finally, the phonic, the linguistic and the physical performance, in staging the ontophonie, brings into question the voices and the media as a means, established by the oral poetry and the mediopoetics, granting access to an analysis based on endless repetition and reformulation.

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