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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Skloňování variace: O pojmu multiplicity u Gillesa Deleuze / The declension of variation. On the notion of multiplicity in Gilles Deleuze

Bastidas Bolaños, David Antonio January 2021 (has links)
The declension of variation. On the notion of multiplicity in Gilles Deleuze This paper aims at a reconstruction of the notion of multiplicity in the thought of the French philosopher Gilles Deleuze. To this end, our guiding thread corresponds to the relationship that this thinker establishes between the mathematical doctrine of Bernhard Riemann and the philosophy of Henri Bergson. Our purpose is to go through the various appearances of this relationship and to reconstruct the fundamental axes of an original concept of multiplicity that we believe Deleuze's thought holds. Thus, our inquiry, via a strategic journey through the Bergsonism, A Thousand Plateaus and Difference and Repetition, uncovers a double articulation for the deleuzian multiplicity. This double articulation is expressed in the two axes of thematization that we develop, namely coherence and inherence, or in other terms, a multidimensional organization and an activity of internal division. From these two axes, we believe, the notion of multiplicity describes the dynamics proper to a mouvement of continuous change or variation of nature. Keywords : Deleuze, Multiplicity, Variation, Bergson, Riemann, Bergsonism, A Thousand Plateaus, Difference and repetition.
2

Ontophonie et pictopoésie dans l'oeuvre de Gherasim Luca. : etude de la "variation continue". / Pictopoésie and ontophonie : A study of the continuous variation in the complete works of Gherasim Luca

Clonts, Charlène 07 July 2016 (has links)
Cette thèse étudie le processus de variation continue comme une trame de fond de l’oeuvre complète de Gherasim Luca, afin de mettre en valeur ses aspects plastiques et phoniques, leur articulation ainsi que la façon dont la pictopoésie et l’ontophonie participent à l’autogénération textuelle. Considérant l’oeuvre à la croisée des arts, l’analyse souligne la structure des espaces textuel et iconique. Elle s’intéresse en outre aux figures (personae) émergeant d’une esthétique protéiforme et à l’espace figural du langage, mettant aussi à l’épreuve la théorie deleuzienne de la variation continue pour en montrer les ressorts et les dépassements. Enfin, la mise en oeuvre organique, phonique et linguistique del’ontophonie interroge les voix/voies nouvelles établies par la poésie orale et la médiopoétique, ménageant un accès vers l’analyse de la répétition et de la reformulation en tant que genèse infinie. / The aim of this PHD is to study the process of the continuous variation, as the guiding principle for the complete works of Gherasim Luca. The purpose is to highlight both its plastic and its phonic aspects, how they work together, and also the way pictopoésie and ontophonie help create a perpetual selfgenerated text. Since the works stand at the crossroads of several arts, this analysis underlines the structure of the iconic and textual spaces. One of the axis of research, that focuses on the persona, as it emerges from a protean aesthetics, and on the figurative space proper to language, calls thus intoquestion Deleuze’s theory of “continuous variation”, while showing its internal mechanism and its exceedance. Finally, the phonic, the linguistic and the physical performance, in staging the ontophonie, brings into question the voices and the media as a means, established by the oral poetry and the mediopoetics, granting access to an analysis based on endless repetition and reformulation.

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