Linha de pesquisa: Curr?culos, avalia??o, pr?ticas pedag?gicas e forma??o de professores. / Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2017-09-18T19:08:28Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) cristiane-lima-rocha.pdf: 1268270 bytes, checksum: f509f9fe195cac2b92b54e5a7858a87b (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2017-09-18T19:12:39Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) cristiane-lima-rocha.pdf: 1268270 bytes, checksum: f509f9fe195cac2b92b54e5a7858a87b (MD5) / Made available in DSpace on 2017-09-18T19:12:39Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) cristiane-lima-rocha.pdf: 1268270 bytes, checksum: f509f9fe195cac2b92b54e5a7858a87b (MD5) Previous issue date: 2017 / A presente disserta??o analisa como os discursos homof?bicos que circulam nos curr?culos dos filmes "Billy Elliot (Inglaterra, 2000)", "Carol (Reino Unido/Estados Unidos, 2015)", "C.R.A.Z.Y. - Loucos de Amor (Canad?, 2005)" e "Madame Sat?" (Brasil, 2002), demandam corpos normalizados em um padr?o heteronormativo e que efeitos t?m sobre as personagens. Tomo como metodologia a an?lise do discurso, de inspira??o foucaultiana. As an?lises ser?o realizadas por meio das falas, as cenas, dos sons, das imagens, nas coisas expl?citas e silenciadas. Bem como, os conceitos de curr?culo, g?nero, homofobia, heteronormatividade, norma, discurso, rela??es de saber-poder e processos de subjetiva??o e posi??es de sujeito foram eleitos como ferramentas te?rico-conceituais para essa pesquisa. Em termos te?ricos, esta disserta??o se inscreveu no campo dos Estudos Culturais, na vers?o dos estudos p?s-cr?ticos de curr?culo. Assim, o conceito central da investiga??o ? curr?culo, compreendendo-se que ele ensina modos de ser, pensar e agir ?s pessoas, bem como produz determinados tipos de sujeitos e corpos. Igualmente, o conceito de discurso tem espa?o importante, sendo entendido como "pr?ticas que formam sistematicamente os objetos de que falam" (FOUCAULT, 1986, p. 56). Destaco que o discurso da homofobia circula nos mais diversos espa?os produzindo efeitos sobre os corpos, demandando posi??es de sujeito, seja nos filmes, nas novelas, na escola, na fam?lia, na religi?o, na roda de amig@s. O problema central desta investiga??o ?: como os discursos sobre g?nero, por meio de discursos homof?bicos, t?m demandado corpos normalizados em um padr?o heteronormativo nos filmes em an?lise? Para isso, trago como objetivos espec?ficos: verificar os processos de constru??o de pr?ticas ditas femininas e masculinas nos filmes investigados; registrar quais marcas s?o nomeadas e classificadas como "normais" ?s posi??es de g?nero; identificar quais posi??es de sujeito generificados s?o demandadas e produzidas em atividades cotidianas nos filmes em quest?o; investigar como se expressam as desigualdades de g?nero nos longa-metragens pesquisados; analisar quais mecanismos, t?cnicas e estrat?gias de poder s?o utilizadas no refor?o ? homofobia nessas obras cinematogr?ficas; identificar e analisar poss?veis tentativas de apagamento de marcas homossexuais ou escapes nas personagens dos filmes. O argumento central ? de que h? uma reitera??o do padr?o heteronormativo no curr?culo dos filmes investigados mesmo quando se percebe uma suposta tentativa de romper com padr?es tidos como ideais e normais. Desse modo, soma-se ao discurso homof?bico e heteronormativo, por exemplo, discursos biologicistas, religiosos, psicol?gicos e moralistas, demandando posi??es de sujeito heterossexuais. / Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Educa??o, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2017. / The present dissertation analyzes how the homophobic discourses circulating in the curricula of the films "Billy Elliot (England, 2000)", "Carol (United Kingdom / United States, 2015)", "C.R.A.Z.Y. - Madras de Amor (Canada, 2005)" and "Madame Sat? (Brazil, 2002)", demand normalized bodies in a heteronormative pattern and what effects they have on the characters. I take as a methodology the analysis of the discourse, inspired by Foucauld. The analyzes will be carried out through the speeches, the scenes, the sounds, the images, the explicit and silenced things. As well as some concepts ? curriculum, gender, homophobia, heteronormativity, norm, discourse, knowledge-power relations and subjectivation processes and subject positions ? were chosen as theoretical-conceptual tools for this research. In theoretical terms, this dissertation was inscribed in the field of Cultural Studies, in the version of post-critical curriculum studies. Thus, the central concept of research is curriculum, it is understood that it teaches ways of being, thinking and acting to people, as well as producing certain types of subjects and bodies. Likewise, the concept of discourse has important space, being understood as "practices that systematically form the objects of which they speak" (Foucault 1986: 56). I emphasize that the discourse of homophobia circulates in the most diverse spaces producing effects on the bodies, demanding positions of subject, be it in the movies, novels, school, family, religion, the wheel of friends. The central problem of this research is: how have gender discourses, through homophobic discourses, demanded normalized bodies in a heteronormative pattern in the films under analysis? For that, I have as specific objectives: to verify the processes of construction of so-called feminine and masculine practices in the investigated films; Register which brands are named and classified as "normal" to gender positions; Identify which generalized subject positions are demanded and produced in daily activities in the films in question; To investigate how gender inequalities are expressed in the studied films; To analyze which mechanisms, techniques and strategies of power are used to reinforce homophobia in these cinematographic works; Identify and analyze possible attempts to erase homosexual marks or escapes in the characters of the films. The central argument is that there is a reiteration of the heteronormative pattern in the curriculum of the investigated films even when one perceives an alleged attempt to break with patterns considered as ideal and normal. In this way, it adds up to the homophobic and heteronormative discourse, for example, biological, religious, psychological and moral discourses, demanding heterosexual subject positions.

Linha de pesquisa: Curr?culos, avalia??o, pr?ticas pedag?gicas e forma??o de professores. / Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2017-06-29T19:40:02Z No. of bitstreams: 2 milton_chaves_santos_junior.pdf: 1182043 bytes, checksum: 22d56be7339ce84e9c3aefacca8ccd26 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Rodrigo Martins Cruz (rodrigo.cruz@ufvjm.edu.br) on 2017-07-03T14:03:42Z (GMT) No. of bitstreams: 2 milton_chaves_santos_junior.pdf: 1182043 bytes, checksum: 22d56be7339ce84e9c3aefacca8ccd26 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2017-07-03T14:03:42Z (GMT). No. of bitstreams: 2 milton_chaves_santos_junior.pdf: 1182043 bytes, checksum: 22d56be7339ce84e9c3aefacca8ccd26 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016 / Esta disserta??o analisa como as pr?ticas curriculares do abrigo investigado demandam certas posi??es de sujeito por meio do discurso do acolhimento que ao mesmo tempo fragilizam e fortalecem as crian?as e os adolescentes em vulnerabilidade social. A metodologia inspira-se na an?lise do discurso foucaultiana e elementos da etnografia tais como: observa??o em di?rio de campo, conversas informais e entrevista semiestruturada. A an?lise te?rica articula um conjunto de conceitos desenvolvidos por Michel Foucault, sendo alguns deles centrais: discurso, poder-saber, processos de subjetiva??o e posi??o de sujeito, al?m do conceito de curr?culo em uma vis?o p?s-cr?tica. O manejo dessas ferramentas conceituais caminha rumo ? investiga??o do discurso do acolhimento, que diz respeito ao processo de ajuda protetiva ? crian?a e ao adolescente abandonados divulgado nas pr?ticas curriculares do abrigo em quest?o. O problema central desta pesquisa ?: como o discurso do acolhimento ? crian?a e ao adolescente em vulnerabilidade social est? divulgado nas pr?ticas curriculares do abrigo investigado e quais posi??es de sujeito s?o demandadas nesse discurso. Para isso, pesquiso como a crian?a e o adolescente s?o nomeados, caracterizados e inventados no curr?culo desse abrigo. Investigo tamb?m as a??es individuais e coletivas presenciadas em situa??es do cotidiano e as rela??es de poder-saber ali imbricadas. O argumento geral desenvolvido ? o de que h? no curr?culo da institui??o investigada um constante enfrentamento de verdades discursivas sobre o acolhimento. Desse modo, os processos de subjetiva??o nas pr?ticas curriculares, enquanto local de produ??o e cria??o de significados sociais, demarcam especialmente as posi??es de sujeito menor abandonado, coitadinho, delinquente, amaldi?oado, de direitos e resiliente. A met?fora da hist?ria da branca de neve entra em cena nesta investiga??o, enxergando o espelho da personagem bruxa como o curr?culo do abrigo Resili?ncia, ou seja, o local onde os discursos est?o divulgados. A bruxa, por sua vez, ? o reflexo das crian?as e adolescentes marcados pelo abandono, sendo a personifica??o da maldade do sujeito bruxa a representatividade das posi??es de sujeito produzidas em meio a rela??es de poder e saber. / Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Educa??o, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2016. / This dissertation analyzes how the curricular practices of the shelter investigated demand certain positions of subject through the discourse of the reception, at the same time it weakens and strengthens the children and adolescents in social vulnerability. The methodology is inspired by the analysis of the Foucauldian discourse and elements of ethnography such as observation in field diary, informal conversations and semi-structured interview. The theoretical analysis articulates a set of concepts developed by Michel Foucault, some of them central: discourse, power-knowledge, subjectivation processes and subject position, beyond the concept of curriculum in a post-critical view. The management of these conceptual tools is directed towards the investigation of the discourse of the reception, which concerns the process of protective help to the abandoned child and adolescent disclosed in the curricular practices of the shelter in question. The central problem of this research is: how the discourse of reception to the child and adolescent in social vulnerability has disclosed in the curricular practices of the investigated shelter and what subject positions are demanded in this discourse. For this, I research how the child and the adolescent has named, characterized and invented in the curriculum of that shelter. I also investigate the individual and collective actions witnessed in everyday situations and the relations of power-knowledge imbricated there. The general argument developed is that there is in the curriculum of the investigated institution a constant confrontation of discursive truths about the reception. Thus , the processes of subjectivation in curricular practices, as a place of production and creation of social meanings, especially demarcate the minor subject positions of an abandoned, poor, delinquent, cursed, right-wing and resilient. The metaphor of the snow white story comes into the picture in this investigation by looking at the witch character's mirror as the curriculum of the Resilience shelter, in other words, the place where the speeches are spread. The witch, on the other hand, is the reflection of the children and adolescents marked by the abandonment being the personification of the evil of the witch subject the representativity of the positions of subject produced in the middle of relations of power and knowledge.