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Beyond Toxic Leaders : Follower-centered ApproachKhalifa Sh. Dayeb, Amr January 2014 (has links)
Rethinking the possible borders of leadership, requires an investigative work which problematizes the principal assumptions upon which leadership discourse is built. From follower-centered approach, this research examines the relational factors that might accelerate the wheel of toxic behaviour in organizations, with a brief critique of the out- dated themes which continue to occupy fair amount of the discourse of leadership, this critique is based on problematizing the perspectives, commonly referred to, as The Romance of Leadership. after doing so, I try to create a counterweight body of work in which I disregard some of leaders domination by focusing on followers instead, consequently, I attempt to introduce possible breakthrough in term of language as an approach to replace old and depreciated terms, as well as, recommendations for countering the radical views toward followers. In addition, I did an empirical investigation to the abovementioned themes by conducting a study in my workplace in order to check the plausibility of the conceptualization I done before, through, and after the empirical phase of this thesis, finally, I presented some personal reflections in regard with the course of study and suggested some ideas concerning the methodology within which this research has functioned.
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Écritures dramatiques et romanesques des XXe et XXIe siècles à l’épreuve des arts non verbaux. Modèles et dispositifs / Dramatic and Novelistic Writings of 20th and 21st centuries in relation with non-verbal arts. Models, Patterns and DevicesRascle, Floriane 09 December 2016 (has links)
L’observation de la présence des arts non verbaux au cœur des œuvres de Marguerite Duras, Lawrence Durrell, Elfriede Jelinek et Péter Nádas nous invite à considérer la musicalité et l’iconicité des écritures dramatiques et romanesques contemporaines en termes de modèle mais aussi de dispositif. Des phénomènes de dialogue, d’hybridation, de polyphonie, de dialogisme, d’intermédialité, de ce que Jacques Rancière nomme « l’impurification » au cœur d’un « régime esthétique de l’art » révèlent les rêves, désirs et pulsions du verbal pour d’autres arts, mais aussi pour des représentations à l’artisticité discutable. La fabrique d’un corps organique, sexuel, érotique voire pornographique par les écritures contemporaines nous convie à envisager le métissage entre art et non-art en termes de dispositif performatif et à proposer une lecture queer des œuvres. À l’heure du postmodernisme, le recours des écritures au non-verbal se donne à lire à la fois comme la manifestation d’une crise du logos et de la représentation et comme l’enjeu d’une rénovation esthétique et politique de la littérature. Qu’ils modélisent le verbal ou fassent brutalement irruption et déchirure en son sein, les arts non verbaux concourent au renouvellement des formes littéraires, mais aussi à leur politicité et au renouveau de la fiction. Cette étude ambitionne donc d’explorer le carrefour esthético-politique que dessinent, entre le milieu du XXe siècle et ce début de XXIe siècle, les relations plurielles entre les arts verbaux et non verbaux dans l’art verbal par excellence, la littérature. / The observation of the presence of non verbal arts within the works of Marguerite Duras, Lawrence Durrell, Elfriede Jelinek and Péter Nádas leads us to examine the musicality and the iconicity of contemporary dramatic and novelistic writings in terms of model, pattern and devices. Dialogue, hybridization, polyphony, dialogism, intermediality, and what Jacques Rancière calls “impurification” within the “Aesthetic Regime of Art”, display the dreams, desires and longings of verbal art for other arts, but also for representations whose artistic content is arguable. The fact that contemporary writings produce an organic, sexual, erotic, even pornographic body invites us to focus on the interactions between arts and non-arts with regard to their performative devices and to propose a queer reading of the works. In Postmodernism, the fact that writings draw on non verbal forms can be understood as the expression of the failure of Logos – both language and reason – and of representation. Moreover, what is also at stake is an aesthetic and political reform of literature. Whether they tend to impose new verbal models or break into them, non verbal arts contribute not only to reshape literary forms but also to emphasize their political substance and renew their fictional content. This dissertation aims to investigate the crossroads between aesthetics and politics that the various relationships between verbal and non-verbal arts display, from mid-20th century to the beginning of the 21st century, within Literature, the verbal art par excellence.
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