Orientador: Mauro de Souza Ventura / Banca: José Carlos Marques / Banca: Marcos Paulo da Silva / Resumo: A presente dissertação pretende reconstruir a história do 'Coração', jornal publicado em meados dos anos 70, na capital paulista, por seis jovens jornalistas da imprensa escrita futebolística, dedicado especialmente ao torcedor do Sport Club Corinthians Paulista. O tabloide foi lançado no mercado consumidor em outubro de 1976 e encerrou as atividades em dezembro de 1977, com 58 edições, em 15 meses de vida. O semanário, independente, sem vínculo político ou financiamento com o clube alvinegro, apresentou em suas habituais 16 páginas uma linguagem parcial, simples, criativa e objetiva. Coração divulgou todos os fatos e articulações que envolviam o universo corintiano, dentro e fora do campo, em editoriais, notícias, artigos, fotos e charges. A dissertação foi construída utilizando o jornal como objeto e fonte de si mesmo e por meio da técnica de entrevista. Os depoimentos dos seis fundadores do tabloide foram registrados por meio de gravação em áudio e pesquisa foi realizada nas edições de nº 1 ao ano nº 10. As informações coletadas, se entrecruzaram, formando um texto único, rememorando a trajetória de um produto jornalístico peculiar para a história da imprensa esportiva brasileira / Abstract: This dissertation aims to reconstruct the history of 'Coração", a newspaper published during the 70s, in the capital of São Paulo state, by six young journalists from soccer written press, specially dedicted to the rooters of Sport Club Corinthians Paulista. The tabloid was released in the consumer market in October, 1976 and terminated its activies in December, 1977, with 58 editions, during 15 months of existence. The independent weekly publication, without any political or financial link to be black-and-white club, presented on its customary 16 pages a biased, simple, creative and direct language. Coração publicized all the facts and articulations involving the Corinthians universe, on and off field, on editorials, news, articles, photos and cartoons. This dissertation was composed using the newspaper as the object and source of itself and throughout the interview technique. The testimonies from the six founders of the tabloid were registered through audio recording and the research was conducted over the editions n. 1 to n. 10. The collected information intercross, forming a single text that recalls the journey of a peculiar journalistic product for the history of the Brazilian sports press / Mestre

Made available in DSpace on 2015-06-17T19:34:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-08-22. Added 1 bitstream(s) on 2015-06-18T12:46:50Z : No. of bitstreams: 1 000817438.pdf: 4557590 bytes, checksum: 309fc33c4e42ac0ed5c0f89d7e30d24d (MD5) / A presente dissertação pretende reconstruir a história do 'Coração', jornal publicado em meados dos anos 70, na capital paulista, por seis jovens jornalistas da imprensa escrita futebolística, dedicado especialmente ao torcedor do Sport Club Corinthians Paulista. O tabloide foi lançado no mercado consumidor em outubro de 1976 e encerrou as atividades em dezembro de 1977, com 58 edições, em 15 meses de vida. O semanário, independente, sem vínculo político ou financiamento com o clube alvinegro, apresentou em suas habituais 16 páginas uma linguagem parcial, simples, criativa e objetiva. Coração divulgou todos os fatos e articulações que envolviam o universo corintiano, dentro e fora do campo, em editoriais, notícias, artigos, fotos e charges. A dissertação foi construída utilizando o jornal como objeto e fonte de si mesmo e por meio da técnica de entrevista. Os depoimentos dos seis fundadores do tabloide foram registrados por meio de gravação em áudio e pesquisa foi realizada nas edições de nº 1 ao ano nº 10. As informações coletadas, se entrecruzaram, formando um texto único, rememorando a trajetória de um produto jornalístico peculiar para a história da imprensa esportiva brasileira / This dissertation aims to reconstruct the history of 'Coração, a newspaper published during the 70s, in the capital of São Paulo state, by six young journalists from soccer written press, specially dedicted to the rooters of Sport Club Corinthians Paulista. The tabloid was released in the consumer market in October, 1976 and terminated its activies in December, 1977, with 58 editions, during 15 months of existence. The independent weekly publication, without any political or financial link to be black-and-white club, presented on its customary 16 pages a biased, simple, creative and direct language. Coração publicized all the facts and articulations involving the Corinthians universe, on and off field, on editorials, news, articles, photos and cartoons. This dissertation was composed using the newspaper as the object and source of itself and throughout the interview technique. The testimonies from the six founders of the tabloid were registered through audio recording and the research was conducted over the editions n. 1 to n. 10. The collected information intercross, forming a single text that recalls the journey of a peculiar journalistic product for the history of the Brazilian sports press

This thesis addresses the roles and experiences of fourteen London correspondents for New Zealand newspapers, 1884-1942. It argues that these correspondents made a small but significant contribution to news flow into New Zealand and that the importance of London’s role as an imperial, cultural and news-flow metropole make it central to studies of the New Zealand press during this period. However, correspondents identities as New Zealanders and the unique requirements of the New Zealand press system were also important, meaning that correspondents and their correspondence need to be addressed in terms of layered identity and of both imperial and domestic press systems.

<p>The aim is to study representation of order and otherness in the late 1930's Swedish press. That is, who are envisioned as "us" and who are the "Others"? The theoretical frame is based on Foucault’s concepts of pastoral power, the reason of state and biopolitics. The Good Shepherd is an excellent metaphor for the Nordic-style welfare state and the Foucauldian approach fits well with the social Darwinist and race biological metaphors of the time. Furthermore, news, myths and law articulate public morality and belong to disciplining, naturalizing and normalizing discourses. The symbolic boundaries between “We” and “Them” are outlined and modes of thinking, acceptable ways of behavior, and possible solutions for existing problems are provided.</p><p>The material examined consists of four Stockholm-based newspapers Dagens Nyheter, Stockholms-Tidningen, Svenska Dagbladet and Social-Demokraten. The years studied are 1935 and 1938. The quantitative content analysis is based on a selection of four months from each year. The articles are coded according to a theme and the characteristics of the actors. Gripsrud’s version of Propp’s actant model is used to examine the narrative structure of the stories. Linguistic tools, such as ideational and interpersonal functions, are used to analyze the individual texts.</p><p>The groups depicted as deviant include religious sects, ethnic minorities, foreigners, criminals and political activists on the extreme right and extreme left. A number of articles discuss various social problems in more general terms. Quantitatively more than eighty percent of the material consists of crime news. Approximately five percent of the articles are about ethnic minorities and foreigners. Religious sects and political extremists constitute about one percent each and roughly ten percent of the material is about social problems.</p>

The aim is to study representation of order and otherness in the late 1930's Swedish press. That is, who are envisioned as "us" and who are the "Others"? The theoretical frame is based on Foucault’s concepts of pastoral power, the reason of state and biopolitics. The Good Shepherd is an excellent metaphor for the Nordic-style welfare state and the Foucauldian approach fits well with the social Darwinist and race biological metaphors of the time. Furthermore, news, myths and law articulate public morality and belong to disciplining, naturalizing and normalizing discourses. The symbolic boundaries between “We” and “Them” are outlined and modes of thinking, acceptable ways of behavior, and possible solutions for existing problems are provided. The material examined consists of four Stockholm-based newspapers Dagens Nyheter, Stockholms-Tidningen, Svenska Dagbladet and Social-Demokraten. The years studied are 1935 and 1938. The quantitative content analysis is based on a selection of four months from each year. The articles are coded according to a theme and the characteristics of the actors. Gripsrud’s version of Propp’s actant model is used to examine the narrative structure of the stories. Linguistic tools, such as ideational and interpersonal functions, are used to analyze the individual texts. The groups depicted as deviant include religious sects, ethnic minorities, foreigners, criminals and political activists on the extreme right and extreme left. A number of articles discuss various social problems in more general terms. Quantitatively more than eighty percent of the material consists of crime news. Approximately five percent of the articles are about ethnic minorities and foreigners. Religious sects and political extremists constitute about one percent each and roughly ten percent of the material is about social problems.

A Nazi news editor declared in 1934 that there were indefinable "magic connections" between news and politics. This dissertation demystifies those links between communications and society. An untold story of news networks lies behind the media sources that we mine constantly as historians. In particular, news agencies, the essential bottleneck of news supply, remain obscured behind the newspapers printing their reports. This study explores why news agencies became the intuitive modern form of news collection and dissemination and how they functioned as a central locus for tussles over the creation of news from events, the limits of government or business control over news, and the role of technology in revising communications infrastructures. 1905 to 1945 represented the zenith of German faith in news agencies’ ability to overturn the existing world order. Along with industrialists and academics, politicians and bureaucrats thought that news agencies could change not only Germany’s role in global communications, but politics, economics, and society too. Coupled with technical advances in wireless telegraphy, news agencies seemed the best means to improve Germany’s international reputation, boost foreign trade, and create societal cohesion at home. News agencies seemed the key to controlling public opinion as well as to creating global news networks conducive to Germany. This news agency consensus united German elites of all political stripes in the belief that news agencies provided an ideal outlet to solve political, social, and economic problems. While such schemes did not always succeed, German news agencies often altered the modern infrastructure of global communications. They briefly achieved media dominance on the oceans, challenged Reuters’ and Agence Havas’ control of European news, and became a leading supplier of news to South America and East Asia in the Nazi period. This work illustrates the interdependence of communications and history by integrating approaches from business history, communications studies, sociology, book history, and the history of technology. It shows the spread and success of German news at a moment when news agencies played a central and underappreciated role in the negotiation of a new relationship between politics, economics, and society in first half of the twentieth century. / History

No description available.

<p>A major purpose of this study is to describe and analyse representations of migration and migrants in three local Swedish newspapers, Arbetarbladet, Borås Tidning, and Vestmanlands Läns Tidning and one national, Dagens Nyheter, at eight selected years during the period of 1945 – 2005. The dissertation investigates continuity and change over the course of time. The study also traces how journalistic discourses relate to migration policies. The main focus is on the local papers and the interplay between local and national perspectives in expressing estrangement and national community. The main sample consists of 1 537 articles published in the first three weeks of March in the years 1945, 1955, 1965, 1975, 1985, 1995 and the year 2000.</p><p>Quantitative and qualitative approaches are combined and the study is carried out within the traditions of Critical Discourse Analysis and rhetoric. One theoretical approach rests on the notion of the stranger, as conceptualized by Georg Simmel. Closely linked to this notion are the concepts of nation, culture, and identity. One purpose is to analyse how these aspects are textualised and visualised.</p><p>Despite the changes of migration to Sweden, press coverage has demonstrated a remarkable consistency in the representations of immigrants and migration policy throughout the period. The analyses indicate that there is a continuous dialogue between the press and the government agenda. Albeit the consonance between the papers, it needs to be pointed out that representations of strangers are heterogeneous. In certain respects the local papers differ from the national paper. The Dagens Nyheter was more inclined to use a negative and a conflict angle. The local papers, promoting strong place identities, were more prone to stress co-operation and shared interests. The portrayal often draws on an implicit positive self-representation of Sweden. Nationhood is still a resonant element in journalism, a late echo, as it were, of the People’s Home.</p>

Esta pesquisa é um levantamento das reportagens presentes em REALIDADE a respeito de mulheres e gênero, e a análise de como a publicação tratou esses assuntos ao longo de sua existência. Buscou-se, aqui, a inserção da revista na história da imprensa, assim como as suas relações com os poderes econômico e político e a sua trajetória, de seu lançamento em 1966 ao seu término em 1976. As questões de gênero foram incluídas nesse contexto, sob as perspectivas das representações de mulheres veiculadas pela imprensa e da liberação feminina em processo, ambos temas recorrentes em REALIDADE. A análise ficou dividida entre as questões que envolviam a vida íntima de mulheres (sexualidade e família) e a atuação feminina extralar (trabalho e política) e o olhar masculino dirigido a elas. Pretende-se, com este trabalho, examinar as histórias propagadas pela imprensa levando-se em consideração o filtro dos jornalistas e as influências dos proprietários da Editora Abril e da ditadura civil-militar instaurada. Com esse enfoque, espera-se que este estudo seja uma contribuição para a visibilidade das mulheres em um período no qual imperava a Doutrina de Segurança Nacional, de forma que as pequenas resistências de comportamento corriam o risco de serem consideradas uma ameaça ao Estado. Contudo, muitas mulheres continuaram lutando para a conquista de direitos e mais liberdades. / This research is a counting of the reports present in the magazine REALIDADE about women and gender, and the analysis of how the periodical treated these subjects all over its existence. It was searched here the inclusion of the magazine in the press history, as long as its relations with the economic and political power, since the launch in 1966 to the break down in 1976. The gender issues were included in this context, under the view of women’s representations spread by the press and women’s liberation process, both of them recurrent themes in REALIDADE. The analysis was divided among the questions that involve the intimate life of women (sexuality and family) and the female performance outside the home (work and politics) and the male view directed to them. The intension with this work is to examine the stories spread by the press, taking into account the journalists filters and the influences of Editora Abril’s owners and the civil-military dictatorship established. With this approach, it’s expected that this study contribute to the visibility of women in a time of National Security Doctrine, when the small resistances of behavior were in risk of being considered a threat to the State. Even so, many women kept fighting to the reach of more rights and freedom.

A pesquisa tem como objetivo geral identificar as transformações gráficas e editoriais do jor-nal Diário Popular de Pelotas no período de 1890 a 2016, tensionando como estas se relaci-onam com o caráter local do periódico e as mudanças contextuais e tecnológicas que incidem sobre a publicação. Os procedimentos metodológicos baseiam-se no modelo apresentado por Fonseca, Gomes e Campos (2016) para investigações no âmbito da história do design a partir de materiais impressos. Abrangem a aproximação do pesquisador do contexto sócio-histórico do impresso a partir de pesquisa bibliográfica e documental e análise gráfica do periódico em si. O corpus de análise é composto das edições de aniversário do jornal publicadas a cada início de década, além de outras 5 edições consideradas relevantes no levantamento de pré-análise realizado, o que resultou em total de 18 edições, avaliadas em seus aspectos editoriais (capa, editorias, colunas e seções especiais, suplementos e cadernos especiais) e gráficos (su-porte, formato, grid, o nome do jornal, tipografia e imagens). Observa-se que a construção da identidade editorial e gráfica do jornal está associada a princípios do jornalismo local regional e volta-se para o âmbito de circulação do periódico – Pelotas e cidades em seu entorno. A organização editorial em seções e colunas especiais bem como a hierarquia de informações que priorizam o noticiário local (com a maior editoria, com cadernos especiais ou com espa-ços de destaque) dão visibilidade a estes princípios. Ao longo do período avaliado, tem-se uma consistência editorial e gráfica, ainda que o jornal passe por adaptações relacionadas a mu-danças tecnológicas e contextuais. Estas mudanças são explicitadas aos leitores como estra-tégia para renovar o contrato de leitura entre o periódico e seu público, especialmente nas edições de aniversário do jornal, onde a publicação conta e reconta sua história, reafirmando seu papel na comunidade em que circula. / The general objective of the research is to identify the graphic and editorial transformations of the newspaper Diário Popular de Pelotas between 1890 and 2016, tensioning how these relate to the local character of the journal and the contextual and technological changes that affect the publication. The methodological procedures are based on the model presented by Fonseca, Gomes and Campos (2016) for investigations into the history of design from printed materials. It covers the researcher's approach to the socio-historical context of the print from bibliographical and documentary research and graphic analysis of the journal itself. The cor-pus of analysis is composed of the newspaper's anniversary editions published at the begin-ning of each decade, as well as five other issues considered relevant in the pre-analysis survey, which resulted in a total of 18 editions, evaluated in their editorial aspects (covers, sections, columns and special pages, inserts and supplements) and graphic aspects (support, format, grid, newspaper name, typography and images). It can be observed that the construction of the editorial and graphic identity of the newspaper is associated with the principles of lo-cal/regional journalism, and turns to the scope in which it circulates – Pelotas and its sur-rounding cities. The editorial organization in special sections and columns, as well as the hierarchy of information that prioritizes the local news (with the largest section, supplements or with prominent spaces) lends visibility to these principles. Throughout the evaluated pe-riod, there is an editorial and graphic consistency, although the newspaper goes through ad-aptations related to technological and contextual changes. These changes are made explicit to readers as a strategy to renew the contract of reading between the paper and its public, especially in the newspaper's anniversary editions, where the publication tells and recounts its history, reaffirming its role in the community in which it circulates.